Mojo's Scores

  • Music
For 10,504 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10504 music reviews
    • 61 Metascore
    • 60 Critic Score
    Not an easy listen, but a brave, bold debut. [Apr 2009, p.99]
    • Mojo
    • 61 Metascore
    • 80 Critic Score
    It's all as subtle as a flurry of punches in the face, but utterly uplifting. [Dec 2016, p.92]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    In merging the intimate with the majestic, The Kissaway Trail have achieved a rare, and subtle, balance. [Apr 2010, p.92]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    While Wu's trademark kung-fu film samples can't help but sound dated some 18 years after their breathtaking debut similar charges crumble to dust against the renewed evangelism of Ghostface Killah. [Oct 2011, p.104]
    • Mojo
    • 61 Metascore
    • 40 Critic Score
    It doesn't help that the album features a glut of dull mid-tempos. [Nov 2012, p.95]
    • Mojo
    • 61 Metascore
    • 20 Critic Score
    Material which says something, but feels nothing real. [Nov 2004, p.95]
    • Mojo
    • 61 Metascore
    • 80 Critic Score
    Unfashionable and intensely melodic. [June 2002, p.110]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    Morcheeba's lightly shaken, hardly stirring sounds will doubtless satisfy fans, band and record company. [Aug 2002, p.104]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    Polished mid-paced throbbers, alive with feedback, thumping drums and troubled lyrics. [Oct 2013, p.98]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    The opening tunes are strong, but in the later half mannered singing and pretentiousness bring back memories of the Thompson Twins. [Mar 2009, p.110]
    • Mojo
    • 61 Metascore
    • 40 Critic Score
    They lack a style or personality of their own. [Jul 2005, p.106]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    Rather than sounding like an '80s soft-rock rehash, they have worked with up-to-the-minute beat merchants Timbaland and Nate 'Danja' Hills to create a dramtic, contemporary pop concoction. [Dec 2007, p.98]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    It's confirmation that the old boy's still got a few tricks in him. [May 2015, p.90]
    • Mojo
    • 61 Metascore
    • 40 Critic Score
    There's nothing here that elevates the Goodies above the level of the ordinary. [Aug 2004, p.96]
    • Mojo
    • 61 Metascore
    • 40 Critic Score
    The orb's Dr. Alex Paterson and Thomas Fehlmann conduct themselves as if overawed by their hero. They allow Perry to prattle away unchecked. [Sep 2012, p.88]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    By track two... he has slipped back into the familiarity of sinuous guitar lines, fidgety beats and the cheesy language of international disco. [Jul 2005, p.110]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    With six producers and 10 guest stars, Malice N Wonderland sees the ageing gangsta casting an eye over modern hip hop in all its forms, including Pronto's nod to the AutoTune phenomenon featuring the manipulated vocals of singing robot Soulja Boy. [Jan 2010, p. 90]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    Laurie is best on standards such as St James Infirmary and Buddy Bolden's Blues, playing piano on them with strength and sensitivity. [Jun 2011, p.104]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    The covers format doesn't facilitate too much untamed Scabies (sadly), but Brian himself poignantly appears on The Last Time. [Mar 2026, p.81]
    • 61 Metascore
    • 70 Critic Score
    Taken all together these songs pack a powerful punch and make for a much better record than we might have expected. [Dec 2002, p.108]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    Mostly A New Tide is high on big tunes and low on character. [May 2009, p.108]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    There's a pleasing, Bowie-ish swagger to Elfman's vocals and a steam-punk thrust to Big Mess's heavy, junkyard percussion, the album's caustic, chaotic arrangements utterly fearless throughout 18 rather exhausting songs. [Aug 2021, p.86]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    Fate Of The faithful is ostensibly No Quarter, Meeting The Master is Thank You, and The Falling Sky cribs a Robert Plant-style harp solo so perfectly that GVF can likely taste his spit. Be in no doubt, however, that frontman Josh Kiszka's Olympian wail can part the waves of cynicism and make the scales fall from your eyes. [Sep 2023, p.88]
    • Mojo
    • 61 Metascore
    • 80 Critic Score
    His bellowed cadences are as timeless and elemental as the blues. [Nov 2005, p.98]
    • Mojo
    • 61 Metascore
    • 40 Critic Score
    These 15 songs justify their status as outtakes. [Sep 2012, p.96]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    The air of gentle rustic drama is enhanced by discreet flourishes of trumpet, vibraphone, bowed banjo, amplified kalimba and quartz singing bowl. [Mar 2008, p.113]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    There's just enough twisted wit among the non sequiturs to redeem this controversial release. [Oct 2006, p.100]
    • Mojo
    • 61 Metascore
    • 70 Critic Score
    Finally, Embrace deliver a poignant and prolonged rush of blood to the head. [Oct 2004, p.116]
    • Mojo
    • 61 Metascore
    • 70 Critic Score
    Their raucous, raw live show transfers effortlessly to record, justifying all three of those exclamation marks. [Jun 2004, p.116]
    • Mojo
    • 61 Metascore
    • 80 Critic Score
    The production... is appropriately lush and celebratory, brimming over with strings, synthesizers and layered, sensuous vocals. [July 2000, p.111]
    • Mojo