Mojo's Scores
- Music
For 10,505 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
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| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,859 out of 10505
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Mixed: 3,612 out of 10505
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Negative: 34 out of 10505
10505
music
reviews
- By Date
- By Critic Score
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- Critic Score
These are songs to admire rather than lose oneself in. [Jan 2004, p.116]- Mojo
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- Critic Score
The heart of the album sticks closely to their well-tried formula: sing-song melodies and puerile lyrics set against a steady backdrop of numbingly bland riffage. [Jan 2004, p.106]- Mojo
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The cleaning up, editing and resequencing has brought out a warmth and depth of colour we've not heard before and allows the album to stand up to scrutiny next to modern records that aim for this kind of down-homeness and simplicity. [Dec 2003, p.134]- Mojo
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Top heavy with gleeful dysfunctional relationship songs, though eventually stalling via forgettable '80s rock mediocrity. [Dec 2003, p.109]- Mojo
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Some of the best songs he's written since Heartbreaker. [Jan 2004, p.98]- Mojo
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Upbeat and jubilant... a showcase for Wyclef the songwriter. [Dec 2003, p.107]- Mojo
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[Kozelek] has never sounded more inspired, achieving a rich balance of haunting atmosphere and twangy grit. [Feb 2004, p.101]- Mojo
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The four tracks on which they collaborate are timely reminders of The Stooges' initial impact and their ongoing influence. [Oct 2003, p.106]- Mojo
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Top-down pop that sparkles like a lifeguard's teeth. [Jul 2003, p.109]- Mojo
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P.O.D. have evolved into one of the more inventive bands among metal's dimwitted hierarchy. [Dec 2003, p.112]- Mojo
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The Strokes come across as a world-sized band that's tethering itself.... Nonetheless, this record is good. [Nov 2003, p.124]- Mojo
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The tribute album of the year, a cavalcade of orch-pop joy, an object lesson in songwriting smarts. [Dec 2003, p.106]- Mojo
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A similar osmosis of Bunneymen and Chameleons' dramarama as Interpol. [Mar 2004, p.106]- Mojo
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A collision of punk-fuelled cacophony, halting balladry and guttersnipe sensibility. [Dec 2003, p.112]- Mojo
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Streetcore is an amalgam of all that made Joe Strummer, the musician and the man, so great. [Nov 2003, p.131]- Mojo
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Their patchwork approach to psychedelia recalls the shoestring ingenuity of cult mid-'90s act Neutral Milk Hotel. [Jan 2005, p.104]- Mojo
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If The Rapture haven't quite transcended their influences yet, they are at least making a thrilling, febrile noise on the way. [Sep 2003, p.106]- Mojo
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It sears through the essence of what makes this band special, the brave voice and ebullient delivery of singer-songwriter-guitarist James Mercer. [Apr 2004, p.98]- Mojo
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Coral Fang finds The Distillers aping the bloodless Hollywood impotence of Hole's Celebrity Skin, their 'punk rock' inoffensive and utterly forgettable. [Dec 2003, p.113]- Mojo
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A clear rejuvenation, the occasional triteness that softened earlier work largely absent from these close-woven songs. [Nov 2003, p.125]- Mojo
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They're a little short on the kind of tunefulness necessary to make these chorus-less songs stand out. [Dec 2003, p.112]- Mojo
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An extended groove workout, akin to Erykah Badu's Worldwide Underground EP. [Jan 2004, p.102]- Mojo