Mojo's Scores

  • Music
For 10,507 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10507 music reviews
    • 48 Metascore
    • 40 Critic Score
    They fare less well when they get ambitious. [Jul 2005, p.112]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    A classic Fannies record with scant regard for prescribed notions of cool. [Jun 2005, p.104]
    • Mojo
    • 81 Metascore
    • 60 Critic Score
    When the approach works, the results are bracingly exploratory; when it doesn't they're frustratingly half-formed. [Jul 2005, p.94]
    • Mojo
    • 86 Metascore
    • 90 Critic Score
    Magnificent. [Jul 2005, p.100]
    • Mojo
    • 62 Metascore
    • 90 Critic Score
    A sonic quantum leap. [Jul 2005, p.100]
    • Mojo
    • 74 Metascore
    • 70 Critic Score
    They have clearly been rejuvenated by this beguiling collaboration, producing their best work for years. [Jul 2005, p.110]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Callahan is back on track. [Jun 2005, p.104]
    • Mojo
    • 64 Metascore
    • 80 Critic Score
    Their best in almost a decade. [Jun 2005, p.100]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    It's a noticeably urban record, an irritated rebuttal to the notion that dance music is dead. [Jun 2005, p.98]
    • Mojo
    • 75 Metascore
    • 70 Critic Score
    Singer Paul Smith's blend of dry and witty lines would make Jarvis smile, but disappointingly, the album still likes a Take Me Out-sized hit single to beat the floppy-fringed competition. [Jul 2005, p.96]
    • Mojo
    • 63 Metascore
    • 70 Critic Score
    Their most challenging record to date. [Nov 2004, p.102]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Funky, playful but sinister like the best children's stories. [Jun 2005, p.98]
    • Mojo
    • 88 Metascore
    • 100 Critic Score
    [They] have made an evolutionary leap in rock. [Jun 2005, p.108]
    • Mojo
    • 67 Metascore
    • 70 Critic Score
    [Audioslave] display[s] a welcome lightness of touch. [Jul 2005, p.96]
    • Mojo
    • 76 Metascore
    • 70 Critic Score
    Mostly, Suit Yourself matches its predecessor's brilliance. [Jul 2005, p.100]
    • Mojo
    • 78 Metascore
    • 70 Critic Score
    Typically, there are also infuriating moments... but overall, this marks a welcome return to form. [Jun 2005, p.106]
    • Mojo
    • 76 Metascore
    • 90 Critic Score
    Frankly, you could get drunk just on the minutiae here. [Feb 2005, p.92]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Mostly it's just business as usual with Van in reasonably good form. [Jun 2005, p.95]
    • Mojo
    • 46 Metascore
    • 70 Critic Score
    Their horizons have broadened. [Feb 2005, p.102]
    • Mojo
    • 70 Metascore
    • 70 Critic Score
    Courageous eccentricity it is, then. [Jun 2005, p.106]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Arguably Plant's most Zeppelinesque solo work to date. [May 2005, p.92]
    • Mojo
    • 84 Metascore
    • 70 Critic Score
    Never less than fresh-sounding and curious. [Jun 2005, p.110]
    • Mojo
    • 52 Metascore
    • 60 Critic Score
    Another patchily edifying addition to the Cuomo enigma. [Jul 2005, p.106]
    • Mojo
    • 68 Metascore
    • 80 Critic Score
    Hal
    The melodies are so lush and the arrangements so stylish that you can't deny them. [Jun 2005, p.105]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    It really is good. [Jul 2005, p.99]
    • Mojo
    • 71 Metascore
    • 70 Critic Score
    Remarkably compelling to anyone with slightly more outre tastes. [Aug 2005, p.102]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    An enjoyable, if surprisingly safe, collection of roots rock. [Jul 2005, p.102]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    [Snaith] continues to explore a digital/analogue interface to mind-bending effect, balancing riotous abstraction with day-glo pop. [Jun 2005, p.97]
    • Mojo
    • 85 Metascore
    • 100 Critic Score
    A musical odyssey across a real and imagined landscape of mountains and cities, dreams and memories. [May 2005, p.95]
    • Mojo