Mojo's Scores
- Music
For 10,507 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,861 out of 10507
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Mixed: 3,612 out of 10507
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Negative: 34 out of 10507
10507
music
reviews
- By Date
- By Critic Score
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- Mojo
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- Critic Score
The repetitive refrains and orchestral interventions of Lil' Beethoven are developed with the judicious use of rock guitar into something bigger, yet just as beguiling. [Feb 2006, p.90]- Mojo
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- Mojo
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- Critic Score
Expands Casiotone For The Painfully Alone's frighteningly austere template to an almost symphonic level of opulence. [Jul 2006, p.102]- Mojo
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- Critic Score
Occasionally self-indulgence threatens, but no matter; there is an undeniable musical hunger and pioneering spirit at work here. [Apr 2006, p.101]- Mojo
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- Critic Score
A mixture of old-school smarts and mellifluous modernism. [Apr 2006, p.103]- Mojo
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- Mojo
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- Critic Score
A specialist release, perhaps, but one that is ambitious, accessible and beautifully played. [May 2006, p.112]- Mojo
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- Critic Score
Shows just how focused their rock'n'roll attack has become. [May 2006, p.105]- Mojo
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- Critic Score
There are a couple of songs hidden away in the backwaters of their patchy debut which hint at something much better. [Apr 2006, p.88]- Mojo
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- Critic Score
Rocks and then rocks harder, launching wave after wave of vicious punk hooks. [Jul 2005, p.106]- Mojo
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- Critic Score
[They] stand apart, wedding guitar-free sounds to refreshingly vulnerable sentiment. [Mar 2006, p.102]- Mojo
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- Critic Score
[A] deft combination of emotional intimacy and musical ambition. [Oct 2005, p.108]- Mojo
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- Critic Score
This is thrilling, incontrovertible evidence of a major new talent in our midst. [Mar 2006, p.102]- Mojo
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- Mojo
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- Critic Score
One of the most vital and imaginative records that [Coldcut has] ever made. [Jan 2006, p.120]- Mojo
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- Critic Score
At moments Other People's Lives sounds weird and forced, but it's never less than fascinating and it's frequently sublime. [Feb 2006, p.93]- Mojo
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- Critic Score
All this ambitioin coagulates into an irresistible, tumbling, tune-filled whole. [Dec 2006, p.118]- Mojo
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- Mojo
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- Mojo
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- Critic Score
This is fine singer-songwriter Americana, particularly good on the ballads. [May 2006, p.100]- Mojo
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- Critic Score
Vibrant, vividly colourful and high spirited. [Jan 2006, p.146]- Mojo
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- Critic Score
Pleasing as Trevor Horn's simpatico production on 2003's Dear Catastrophe Waitress was, Tony Hoffer has picked up the baton and ran with it, capitalising on the band's increased musical confidence while preserving vital hints of indie scuzz. [Feb 2006, p.92]- Mojo
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- Critic Score
What Orton has sacrificed in terms of post-clubbing appeal she has replaced with grit and poignancy seldom heard since the LA canyons were in their pomp. [Mar 2006, p.96]- Mojo
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- Critic Score
When the jokes stop... the relentless cantering pace and slightly predictable pedal steel accoutrements that characterise the bulk of the material here can struggle to hold your attention. [Mar 2006, p.92]- Mojo
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- Critic Score
Herren never lets his music become too easy-going or the listener too settled. [Mar 2006, p.108]- Mojo
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- Mojo
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- Critic Score
Swearing At Motorists are drunk'n'roll successors to The Replacements and Guided By Voices. [Mar 2006, p.102]- Mojo
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- Critic Score
His supersonic flow frequently dazzles, yet he remains intelligible and intelligent throughout. [Mar 2006, p.106]- Mojo
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- Critic Score
He's at his best when making compulsive, synthetic house anthems. [Mar 2006, p.106]- Mojo