Mojo's Scores
- Music
For 10,504 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,858 out of 10504
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Mixed: 3,612 out of 10504
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Negative: 34 out of 10504
10504
music
reviews
- By Date
- By Critic Score
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- Critic Score
Ultimately, in a sea of indentikit singer-songwriters, Sproule's willingness to push just a little bit further counts far more in her favour than against it. [Jun 2011, p. 102]- Mojo
Posted Jun 16, 2011 -
- Critic Score
Untethered Moon leaves no doubt these guys are on fine form again. [Aug 2015, p.95]- Mojo
Posted Jul 6, 2015 -
- Critic Score
A blend of well-crafted original material alongside several covers. [Mar 2023, p.89]- Mojo
Posted Feb 15, 2023 -
- Critic Score
Inspired by a tumultuous period in his life, the 13th album from the guitar virtuoso has distinct shades of dark and light, making for some of his most interesting work to date. [Oct 2018, p.88]- Mojo
Posted Sep 17, 2018 -
- Critic Score
The multifaceted Mr. Patton turns his hand to Italian-language pop songs. [July 2010, p. 95]- Mojo
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- Critic Score
A collection that will have both fans and floating voters scratching their heads. [Nov 2011, p.101]- Mojo
Posted Dec 22, 2011 -
- Critic Score
Candlepower isn't the full picture yet, and it only lasts seven tracks and 19 minutes, but it's a fine start. [Jul 2021, p.81]- Mojo
Posted Jun 16, 2021 -
- Critic Score
Wilson's Raven can sound magpie-like--with jazz-rock joining the classical prog references--but tunes as lovely as Drive Home or the slow-burning title track remind you that he has a vision that's all his own. [Apr 2013, p.94]- Mojo
Posted Mar 7, 2013 -
- Critic Score
At best, Oye and Boe capture loniness in a saue way and both are wonderfully fluid guitarists. But they can also be overly precious. [Nov 2009, p.92]- Mojo
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- Critic Score
With self-awareness and personal catharsis equally high on the agenda, everybody's favourite nerdcore veterans may not have grown up just yet, but they've certainly become better at acting their age. [Sep 2016, p.98]- Mojo
Posted Jul 27, 2016 -
- Critic Score
Its largely brooding, contemplative mood raising ghosts and evoking bruised skies. [Mar 2023, p.92]- Mojo
Posted Feb 21, 2023 -
- Critic Score
Big issues... are chewed over with bittersweet humour and musical sophistication. [Nov 2004, p.110]- Mojo
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- Critic Score
There are times when their admiration for R.E.M. burns a little too brightly... but overall this marks another step forward. [Mar 2005, p.100]- Mojo
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- Mojo
Posted Sep 19, 2013 -
- Critic Score
The second half - "a saucy, synth-heavy cabaret" - will undoubtedly lose a few fans, yet Rowland still manages to pull a gem out of the fire with the touching My Submission. [Aug 2023, p.78]- Mojo
Posted Jul 26, 2023 -
- Mojo
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- Critic Score
From the jaunty beat group undertow counterpointing his melodramatic vocal style on the opening title track, through the almost self-consciously traditional slide guitar and harmonica combination of Devil Got Me, to his most adventurous use of the mouth harp as a bringer of Dionysian frenzy, to the pastoral backwater of the penultimate Sundown--is actually more in keeping with his experimental rock beginnings. [Apr 2019, p.94]- Mojo
Posted Feb 20, 2019 -
- Critic Score
They're all done pretty straight, but then of course eh throws in his trademark "more is More" soloing, all Bluesbreakers-to-Cream-era Eric Clapton-style muscle and intensity. [Nov 2023, p.93]- Mojo
Posted Oct 5, 2023 -
- Critic Score
Perhaps inevitably, given the material's scattered provenance High Hopes lacks the cohesion, both thematic and sonic that characterised Magic and Wrecking Ball. [Feb 2014, p.86]- Mojo
Posted Jan 2, 2014 -
- Critic Score
Too opaque to fully connect, Consummation keeps its mystery high. [Jul 2020, p.85]- Mojo
Posted May 22, 2020 -
- Critic Score
There's no doubt Mackenzie Scott never stops moving here, switching between gothic sway, grungy stomp and electro-pop gyration, but it can make it hard to catch her eye in a meaningful way. [Mar 2024, p.86]- Mojo
Posted Jan 23, 2024 -
- Critic Score
The album is engagingly eclectic, always melodic, sometimes hard and storming, but never quite so sublime [as single "Good Boys"]. [Nov 2004, p.132]- Mojo
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- Critic Score
Every one of these 12 self-composed, played and produced tracks is absolutely stickled with hooks. [March 2002, p.108]- Mojo
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- Critic Score
Much of the remainder, however, plays a depressingly straight bat with mainstream thrills. [Aug 2015, p.96]- Mojo
Posted Jul 6, 2015 -
- Critic Score
The spell of this balmy Southern atmosphere is only broken when Presley drops the ball on the writing front... but otherwise this is an elegant, beautifully realised work. [Jul 2012, p.88]- Mojo
Posted Jun 26, 2012 -
- Critic Score
Apart from misplacing the detonator for Iggy's Search & Destroy and a version of Neil Young's Rockin' In The Free World that lacks the original's purple-faced fury, Can't Get Enough is the sound of men enjoying the music. [Sep 2013, p.86]- Mojo
Posted Aug 27, 2013 -
- Critic Score
We're on such familiar territory here that Wildfire is as much homage as innovation. [Oct 2011, p.105]- Mojo
Posted Sep 19, 2011 -
- Critic Score
Here, he is still the anthem addict of old, but there are softer, subtler electronic textures and a real sense of reflection. [Nov 2005, p.112]- Mojo
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- Mojo
Posted Oct 5, 2011 -
- Mojo
Posted Oct 30, 2015