Mojo's Scores

  • Music
For 10,504 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10504 music reviews
    • 65 Metascore
    • 60 Critic Score
    Ultimately, in a sea of indentikit singer-songwriters, Sproule's willingness to push just a little bit further counts far more in her favour than against it. [Jun 2011, p. 102]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Untethered Moon leaves no doubt these guys are on fine form again. [Aug 2015, p.95]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    A blend of well-crafted original material alongside several covers. [Mar 2023, p.89]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    Inspired by a tumultuous period in his life, the 13th album from the guitar virtuoso has distinct shades of dark and light, making for some of his most interesting work to date. [Oct 2018, p.88]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    The multifaceted Mr. Patton turns his hand to Italian-language pop songs. [July 2010, p. 95]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    A collection that will have both fans and floating voters scratching their heads. [Nov 2011, p.101]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    Candlepower isn't the full picture yet, and it only lasts seven tracks and 19 minutes, but it's a fine start. [Jul 2021, p.81]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    Wilson's Raven can sound magpie-like--with jazz-rock joining the classical prog references--but tunes as lovely as Drive Home or the slow-burning title track remind you that he has a vision that's all his own. [Apr 2013, p.94]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    At best, Oye and Boe capture loniness in a saue way and both are wonderfully fluid guitarists. But they can also be overly precious. [Nov 2009, p.92]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    With self-awareness and personal catharsis equally high on the agenda, everybody's favourite nerdcore veterans may not have grown up just yet, but they've certainly become better at acting their age. [Sep 2016, p.98]
    • Mojo
    • 81 Metascore
    • 60 Critic Score
    Its largely brooding, contemplative mood raising ghosts and evoking bruised skies. [Mar 2023, p.92]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    Big issues... are chewed over with bittersweet humour and musical sophistication. [Nov 2004, p.110]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    There are times when their admiration for R.E.M. burns a little too brightly... but overall this marks another step forward. [Mar 2005, p.100]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    [Obits] sound ever more like a desiccated AC/DC. [Oct 2013, p.98]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    The second half - "a saucy, synth-heavy cabaret" - will undoubtedly lose a few fans, yet Rowland still manages to pull a gem out of the fire with the touching My Submission. [Aug 2023, p.78]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    The band's wild woolliness seems strangely AWOL. [Nov 2006, p.118]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    From the jaunty beat group undertow counterpointing his melodramatic vocal style on the opening title track, through the almost self-consciously traditional slide guitar and harmonica combination of Devil Got Me, to his most adventurous use of the mouth harp as a bringer of Dionysian frenzy, to the pastoral backwater of the penultimate Sundown--is actually more in keeping with his experimental rock beginnings. [Apr 2019, p.94]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    They're all done pretty straight, but then of course eh throws in his trademark "more is More" soloing, all Bluesbreakers-to-Cream-era Eric Clapton-style muscle and intensity. [Nov 2023, p.93]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    Perhaps inevitably, given the material's scattered provenance High Hopes lacks the cohesion, both thematic and sonic that characterised Magic and Wrecking Ball. [Feb 2014, p.86]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    Too opaque to fully connect, Consummation keeps its mystery high. [Jul 2020, p.85]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    There's no doubt Mackenzie Scott never stops moving here, switching between gothic sway, grungy stomp and electro-pop gyration, but it can make it hard to catch her eye in a meaningful way. [Mar 2024, p.86]
    • Mojo
    • 63 Metascore
    • 60 Critic Score
    The album is engagingly eclectic, always melodic, sometimes hard and storming, but never quite so sublime [as single "Good Boys"]. [Nov 2004, p.132]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    Every one of these 12 self-composed, played and produced tracks is absolutely stickled with hooks. [March 2002, p.108]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    Much of the remainder, however, plays a depressingly straight bat with mainstream thrills. [Aug 2015, p.96]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    The spell of this balmy Southern atmosphere is only broken when Presley drops the ball on the writing front... but otherwise this is an elegant, beautifully realised work. [Jul 2012, p.88]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    Apart from misplacing the detonator for Iggy's Search & Destroy and a version of Neil Young's Rockin' In The Free World that lacks the original's purple-faced fury, Can't Get Enough is the sound of men enjoying the music. [Sep 2013, p.86]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    We're on such familiar territory here that Wildfire is as much homage as innovation. [Oct 2011, p.105]
    • Mojo
    • 64 Metascore
    • 60 Critic Score
    Here, he is still the anthem addict of old, but there are softer, subtler electronic textures and a real sense of reflection. [Nov 2005, p.112]
    • Mojo
    • 64 Metascore
    • 60 Critic Score
    Black Rainbows is a pretty good dress rehearsal. [Oct 2011, p.97]
    • Mojo
    • 57 Metascore
    • 60 Critic Score
    Unreconstructed rock thrills (produced by Jeff Lyne). [Nov 2015, p.96]
    • Mojo