Mojo's Scores

  • Music
For 10,509 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10509 music reviews
    • 57 Metascore
    • 40 Critic Score
    There's substance to 'Long Sad Goodbye's accusing lament for his late father and Vietnam's denunciation of the Iraq war, but Kravitz generally limits himself to muscular yet uninspired multi-instrumental expertise and sloppy-thinking hippitude. [Mar 2008, p.114]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    District Line is Mould's strongest song collection since Sugar's alt-rock paradigm, "Copper Blue." [Mar 2008, p.102]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    Old Growth has the primeval, fuzzed-out power of the trio's earlier albums, but with a new clarity and groove. [Mar 2008, p.113]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    Dev Haynes' debut is a sinewy, surprising move for one steeped in metallic noise bridging semi-acoustic country rock and chamber folk with a folk-prog detour on the 10-minute centrepiece 'Midnight Surprise.' [Feb 2008, p.112]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    In short, genial, infectious guitar pop like they used to make. [Feb 2008, p.102]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    The pace is relentlessly uptempo, but the sheer feisty spirit and conviction with which it is delivered ultimately brooks no argument. [Feb 2008, p.102]
    • Mojo
    • 66 Metascore
    • 80 Critic Score
    This is unlikely to expand thier fanbase, but The Mars Volta are making music built to last. [Feb 2008, p.113]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Most tracks are sophisticated, jazzy pop songs and ballads about relationships, but the angry young man of yore occasionally peeps over the parapet. [Feb 2008, p.102]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    With Keep Your Eyes Ahead Brandon Summers and Benjamin Weikel have pushed their fringes out of the way to display a new focus. [Mar 2008, p.112]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Such a bad idea. Such a stunning result. [Mar 2008, p.114]
    • Mojo
    • 58 Metascore
    • 60 Critic Score
    At their best, as in 'Sometimes,' they drag you into their circling obsessiveness and measured rhetoric. But, too often, Yoav's cleverness feels calculating--unless it's the reverse that, over-tasked. [May 2008]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    The air of gentle rustic drama is enhanced by discreet flourishes of trumpet, vibraphone, bowed banjo, amplified kalimba and quartz singing bowl. [Mar 2008, p.113]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    The gleeful exuberance of Hey Venus! finds the band refreshed.... If Hey Venus! lacks anything, it's the thumping-heart centerpiece that made SFA's early records so special. [Sep 2007, p.108]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    The punk grooves of 'Laugh Track' or 'Seeing Hands' and the near-perfect Phnom Pehn pop of 'Mr. Orange' or "Monsoon Of Perfume' bookend a set that grows in strength with each play. [Feb 2008, p.110]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    In The Future showcases a group who knows exactly what they're doing. [Feb 2008, p.101]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Not even Cat Power can turn an album of cover versions into anything more than a facinating detour from the main journey, but Jukebox is a precious waste of time nonetheless. [Jan 2008, p.98]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    The Truckers have always been a direct band but this time there's a kind of foreplay, where each song gives the other time and consideration. [Mar 2008, p.100]
    • Mojo
    • 59 Metascore
    • 40 Critic Score
    It makes poetic sense but, like many autobiographical songwriters, he knows the stories so well he fails to tell them. [Feb 2008, p.112]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    The sudden shifts between smooth/jarring and soft/hard make for an uncomfortable but compelling ride. [Mar 2008, p.113]
    • Mojo
    • 53 Metascore
    • 40 Critic Score
    Ther are moments of greatness, opening track 'Spit at the Stars' for one, though mostly it's pained adolescent observations about missing you already which doesn't cut it in the big adult world. [Oct 2007, p.92]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    It exudes an organic, direct feel from which it gains its considerable charm. [Feb 2008, p.112]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    It's faux-naif orch-pop that crashes and thunders. [Feb 2008, p.108]
    • Mojo
    • 59 Metascore
    • 40 Critic Score
    Generally, the undistinguished R&B pop and trite lyrics he and his long-term bandmates come up with bear no comparison to the salty good cheer of 'It Don't Come Easy' and 'Photograph.' [Feb 2008, p.100]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Angels Of Destruction continues a rich tradition forged in the bars of their hometowns. [Feb 2008, p.105]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Sprawling and dense as it may be, but amid its deranged lyricism and brutal soundscapes, 8 Diagrams vindicates The RZA's devotion to the collective ethic. [Feb 2008, p.100]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    An alternative greatest hits compilation, it proves that the old sound of tomorrow can still make the grade today. [Dec 2007, p.100]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Jean's sonic scope is breathtaking, complemented by imaginative lyrics. [Dec 2007, p.102]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    The idea remains more brilliant than the performance can hope to be; because Wainwright is very good but Judy ia unassailable. [Feb 2008, p.98]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    Another impressive cocktail of Eastern-inflected drones, mantra-like vocals and thick slabs of empyrean noise guitar. [Dec 2007, p.100]
    • Mojo
    • 69 Metascore
    • 40 Critic Score
    Unsurprisingly for a 2D project, it's all a little flat. [Dec 2007, p.121]
    • Mojo