Mojo's Scores

  • Music
For 10,507 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10507 music reviews
    • 65 Metascore
    • 60 Critic Score
    Kicks may take its leads from The Rolling Stones, David Bowie and Orange Juice but these songs about Glasgow and girls still manage to invest the skinny-tie shuffle with some fresh contemporary verve. [Apr 2009, p.98]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    The simpler numbers--sun-dappled Dust On The Dancefloor, sweet love ballad Our Hearts Burn Like Damp Matches--are much better. [Jun 2011, p.100]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    This is less organic, more brittle, and electronic than before and begs to be opened out in a live setting. [Jul 2015, p.93]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    [The album is] spare, poignant, dark and dry. [Jul 2013, p.92]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    Occasionally, the album threatens to go Spinal Tap-ish. ... But when Dwyer steeps the prog in garage frenzy, the pot boils. [Sep 2018, p.92]
    • Mojo
    • 62 Metascore
    • 60 Critic Score
    A varied, febrile affair more often than not in pursuit of the lunatic. [Feb 2004, p.93]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    The more experimental efforts have a real impact. [Sep 2012, p.97]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    In spite of its two-headed musical harmony, the personal disharmony in The Civil Wars is all too evident. [Sep 2013, p.94]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    More tension in the style of Fumbling Prayer's churchy organ and escalating coda might have widened Unfurl's visceral impact, but as music-for-bedroom goes, Ry X is king. [Mar 2018, p.91]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    On record, it's nutty maze-rock with hair-raising highs and the odd dead end. [July 2008, p.112]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Pro-synth voluntaries like Znaniya (Falkor) can jar, but the highlights foreground Atwood-Ferguson as a widescreen visionary in the David Axelrod and Charles Stepney tradition, with a Rolodex of jazz hitters to call on. [Dec 2023, p.89]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    Melds the LA band's sonic fuzz with mellifluous recent LPs, sombre dispatches, ambient and wistful pop. [May 2019, p.96]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    It's certainly brave. Whoosh! is superior when guitarist Steve Morse and keyboard player Don Airey slip their leashes. [Sep 2020, p.85]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    A delicate affair sometimes too wistful for its own good, even with the added colour of Dede Sampaio's bird sounds, Extended Vacation is a complex exercise in delicate melodies, field recordings and repetition. [Jan 2010, p. 100]
    • Mojo
    • 82 Metascore
    • 60 Critic Score
    Teen Dream is a lovely album, but there's more to admire here than to actually love. Oddly, that may not be a problem. [Feb. 2010, p. 94]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    In all, more a series of disconnected building blocks than a cohesive album. [Nov 20, p.89]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    With many of Paisley's songs dealing with people struggling between places, timeframes or lovers, such unforced, reflective songwriting deftly grounds these unsteady experiences, an arrangement that simply works. [Apr 2023, p.85]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    II
    It's a more downbeat affair than their 2009 debut and best envinced by the stuttering tech soul of Gita. [Sep 2013, p.95]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    Corgan's ear for pop-hooks is keen throughout, but save for Knights Of Malta, with its piano, strings and backwards lead guitars, the music on Shiny And Oh So Bright... seems a tad under-imagined for its portentous title. [Dec 2018, p.84]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    Foster[s] a reflective, bonfire-on-the-beach spirit. [May 2021, p.88]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Elegant and haunting as the individual tracks may be, it's difficult to remain engaged throughout 75 minutes of music with such a uniform mood. [May 2020, p.89]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    Allison's verge-of-tears delivery is another sign that Clean's grown-up vibe can't hide the vulnerable teen within. [Apr 2018, p.94]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    It puts ZZ's impeccably-tuned engine room under the microscope, their "just us and the music" gambit paying off. [Aug 2022, p.90]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    By shedding some of their rock'n'roll excess, though, it feels as if Primal Scream finally have some idea of what they want to be when they grow up. [Apr 2016, p.90]
    • Mojo
    • 56 Metascore
    • 60 Critic Score
    Those Libertines comparisons are a distant memory on Emergency, an album that ditches any tentativeness felt on last year's "Wait For Me," the band and producer Stephen Street going for Yorkshire-patented, Kaiser Chief-sized choruses, and Arctic Monkeys' kitchen-sink philosophising in the verses. [June 2008, p.102]
    • Mojo
    • 59 Metascore
    • 60 Critic Score
    The piano-led 'New Beginnings' is one of several sombre mood pieces on what is the most ambitious work of the band's 40-year career. But fear not, headbangers: 'Revelation,' all chugging rifferama and panto villany, prove that Priest are still mad for it. Metal, that is. [July 2008, p.100]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    If he fits a lot into a brief span, it can also seem like a selection of raw sketches for works still to be fully realized. [Mar 2012, p.103]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    The veteran's authoritive amber croon and psychedelicised, occassionally spectacular axework imbue this mid-tempo set with a grace and economy often lacking in the genre. [Apr 2009, p.107]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    A genteel album, more for mellow reflection than dancing on ceilings. [May 2015, p.93]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    She now finds plenty to lampoon in 2011 on this droll, provocative comeback. [Apr 2011, p.105]
    • Mojo