Mojo's Scores

  • Music
For 10,507 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10507 music reviews
    • 71 Metascore
    • 60 Critic Score
    Anyone craving Smith/Kramer’s piledriving interlocked guitars, or Tyner’s ramalama stoner poetry, will not find them on Heavy Lifting. Get past the branding issue, however, and there’s a great deal to love about this full-blooded, riotous and often deliciously funky record. [Nov 2024, p.82]
    • 71 Metascore
    • 60 Critic Score
    Broadly, his remains the church of raucous or jangling indie-guitar with quirks (unexpected strings at the end of I Couldn't See The Light; clunking smartphone recording The Well Known Soldier), but Universe Room rewards the patient. [Mar 2025, p.92]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Their ninth studio album is simultaneously more cosmic and conceptual than earlier efforts. [Jun 2017, p.89]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    There's no great leap forward here but the spring in their step is unmistakeable. [Sep 2013, p.87]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Rather than a showcase for their collaborators, however, MOM take the greatest of liberties with these sound sources, fragmenting and processing them into unrecognizable forms, and even occasionally playing them straight. [May 2018, p.
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Its mood affecting. its melodies haunting, Fading Parade is spellbinding. [Apr 2011, p.101]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Hypnotic, doomy, edgy, but strangely forgettable, too. [Apr 2012, p.84]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    The Final Frontier, its scratchy, clattering intro resembling The Mars Volta and signifying that this national institution's quest for adventure remains unabated. [Sept. 2010, p.98]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    While quite meaty in itself, this is odd and not necessarily called for. [Jul 2013, p.88]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    It's charming, understated and has to be heard in context. [Oct 2007, p.100]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    The resulting record is one that softens with repeated listens, even if it's so full of bad juju you may initially feel compelled to burn it at the stake. [Jul 29011, p.112]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Mr. Love and Justice unvels a warmer, less blustry, more soulful Bragg. [Apr 2008, p.102]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Downtempo it may be, but joyous rather than dark. [Apr 2012, p.91]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Sometimes Duffy tries just that little too hard to capture the sound of soul music's glorious past. [Apr 2008, p.102]
    • Mojo
    • 71 Metascore
    • 70 Critic Score
    Remarkably compelling to anyone with slightly more outre tastes. [Aug 2005, p.102]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    It's a beauty, intimate songs and poetic lyrics, overdubbed with the Seattle-based Texan's own harmonies. [Jun 2012, p.93]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    "This is a song for anyone with a broken heart," Fink sings on 'Blue Skies' and the break-up album of the year is complete. [Sep 2009, p.98]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    With its stark arrangements, glimpses of social disintegration, and thirtysomething neuroses (see I Need A Mother), it really is close to a masterpiece. [Feb 2010, p. 94]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Girl Ray's metamorphosis is still ongoing, and that their true final form may resemble something darker and more substantial than Girl's neon reveries, diverting though they are. [Dec 2019, p.94]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Praxis achieves the tricky balancing act between playful and poignant. [May 2013, p.90]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    The quartet's grandeur evokes Maiden and Priest with a hint of Thin Lizzy, yet they avoid European power metal's widdly overkill. [May 2008, p.109]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    The band's most persuasive album. [Feb 2006, p.92]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Forth is a good, but not great Verve album, then, its glimmers of brillance all too brief. [Sep 2008, p.98]
    • Mojo
    • 71 Metascore
    • 40 Critic Score
    Characterised by both an ill-advised flirtation with cutting-edge electronics and an overabundance of rather washed-out reggae. [Jun 2003, p.98]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Dreamily exploratory, but rooted in pop. [Apr 2004, p.102]
    • Mojo
    • 71 Metascore
    • 100 Critic Score
    Songs terrific, band sensational, and -- big plus -- Costello's voice late-developing way beyond that pinched whine into an instrument of substance and character. [Oct 2004, p.97]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    When she opens her mouth, you get nothing but depressed. [Jun 2004, p.110]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    The ensuing synthetic pop suite can't disguise a crucial lack of memorable songs. [Mar 2009, p.111]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Communion clearly packs a unique set of quirks, diversions and comedowns. [Sep 2009, p.102]
    • Mojo
    • 71 Metascore
    • 40 Critic Score
    The whole album is uncertain and unconvincing. [Jul 2012, p.94]
    • Mojo