Mojo's Scores

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For 10,509 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
  1. Positive: 6,863 out of 10509
  2. Mixed: 3,612 out of 10509
  3. Negative: 34 out of 10509
10509 music reviews
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per page
    • 72 Metascore
    • 60 Critic Score
    Better Day
    Dolly steps up as America's cheerleader, to help fight the recession blues. [Oct 2011, p.100]
    • Mojo
      • Posted Sep 8, 2011
    • 72 Metascore
    • 60 Critic Score
    36 Seasons
    Surprisingly marginalised on the latest Wu effort, Ghostface Killah proves he's fighting fit on this gritty, organic partnership. [Feb 2015, p.88]
    • Mojo
      • Posted Feb 2, 2015
    • 72 Metascore
    • 60 Critic Score
    Resistance
    The wall-to-wall cyber-vox distract from his bountiful gifts. [Oct 2018, p.92]
    • Mojo
      • Posted Oct 9, 2018
    • 72 Metascore
    • 80 Critic Score
    Colvin & Earle
    Less of a musical therapy session, more of a celebration. [Jul 2016, p.91]
    • Mojo
      • Posted Jun 9, 2016
    • 72 Metascore
    • 60 Critic Score
    Iteration
    A winsome, nostalgic atmosphere. [Jul 2017, p.91]
    • Mojo
      • Posted Jun 14, 2017
    • 72 Metascore
    • 60 Critic Score
    Nothing Gold Can Stay
    You might even give it a cuddle because it delivers the kind of ultra-friendly music that sits up and in a cutesy manner demands such attention. [Fall 2009, p.93]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Mixing Colours
    Elegant and haunting as the individual tracks may be, it's difficult to remain engaged throughout 75 minutes of music with such a uniform mood. [May 2020, p.89]
    • Mojo
      • Posted Mar 17, 2020
    • 72 Metascore
    • 80 Critic Score
    American Utopia
    Byrne filters grace, wonder and apocalyptic portent through his fractured worldview. [Apr 2018, p.95]
    • Mojo
      • Posted Mar 1, 2018
    • 72 Metascore
    • 70 Critic Score
    Horses In The Sky
    Their most primitive, intimate and vocally oriented [album] yet. [May 2005, p.108]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Let The Dominoes Fall
    Rancid's strength is singer Tim Armstrong's touching depictions of the world; from his heritage on 'East Bay Night' to swimming through the devastation of hurricane-stricken New Orleans and on his brother's time in Iraq on the acoustic 'Civilain Ways.'
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Live on Ten Legs
    It finds the Seattle quintet making a convincing case for being The Last Rock Band To Believe In. [Feb 2011, p.96]
    • Mojo
      • Posted Apr 4, 2011
    • 72 Metascore
    • 50 Critic Score
    Some Cities
    Sadly, the songs are less noticeable than the urge to strangle the drummer. [Mar 2005, p.101]
    • Mojo
    • 72 Metascore
    • 40 Critic Score
    100 Lovers
    US gypsy folkies ramble aroudn the musical map. [Apr. 2011, p. 94]
    • Mojo
      • Posted Apr 15, 2011
    • 72 Metascore
    • 70 Critic Score
    Another Fine Day
    The Smog's winning streak [is] intact. [Aug 2006, p.88]
    • Mojo
    • 72 Metascore
    • 70 Critic Score
    Slideling
    There's no sonic trickery here, just Mac the balladeer. [May 2003, p.95]
    • Mojo
    • 72 Metascore
    • 70 Critic Score
    Monaco
    The synth-laden tunes are relentlessly upbeat--sort of New Order on Prozac--with a Lightning Seeds blitheness.... Though no groundbreaker, 'Monaco' is catchy as flu.
    • 72 Metascore
    • 30 Critic Score
    Get Ready
    Much of Get Ready is less a call to arms than the sound of an old man wheezing out of a creaky armchair. [Sep 2001, p.108]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Fast Future Present
    This is some coming-of-age classic. [Sep 2004, p.96]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Up At The Lake
    There's still much to link the group to their musical past. [Jun 2004, p.107]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Resilience
    A welcome drop in intensity. [Oct 2005, p.102]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Descended Like Vultures
    It's sweet and vivid, but also a bit messy. [Dec 2005, p.116]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    At 89
    Seeger's voice is frail now and he has to rely on an array of accomplished singers to help him deliver his message....Even so, Seeger remains innovative. [Jan 2008, p.100]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Friday Night Lights
    These lads really knock together a proper tune. [Oct 2008, p.108]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Treasury Library Canada
    Hamilton's second album only firms up a reputation for making pastoral, semi-acoustic pop. [Mar 2009, p.107]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    My Way
    His exhilarating meld of hip hop beats and mesmeric grooves proves that should he reform his old band, it's not because he needs to. [Nov 2009, p.95]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Somewhere Gone
    Unlike her previous solo release, it's all music, no spoken word (her other job is poet), though the lyrics are often good enough to make you sit up. [Dec 2009, p. 101]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    New Clouds
    New Clouds is poised between towering psych-noise and ambient beauty, intermittently etched with quicksilver. [Nov 2009, p.101]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Folk Songs
    The earth doesn't move, but sands shift seductively. [Sep 2009, p.102]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    European
    There's an impressive sense of pop classicism, but these songs are even more melodically insistent, occassionally verging on show-tune mellifluousness. [Apr 2010, p.105]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Pictures
    The trio are at their most effective when meshing from-the-streets comment with clanging guitars and harmonies in the vein of early-period Who, see the wry poke at tabloid celebrity, "Keep Your Eyes On Me." It's only when they descend into the Kinks pastiche of "Mr. Grey" that the bar is lowered. [Mar 2010, p.96]
    • Mojo
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