Mojo's Scores

  • Music
For 10,509 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10509 music reviews
    • 83 Metascore
    • 60 Critic Score
    The absence of between-song chat makes the experience unnecessarily remote. [Mar 2020, p.106]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    It's a beguiling mix for the most part, even if they have overly sacrificed melody on the altar of rhythm. [Jul 2022, p.93]
    • Mojo
    • 82 Metascore
    • 60 Critic Score
    The main feeling it provokes is sincere admiration at a job well done, but a raised pulse, unfortunately, is something Spoon can't craft from scratch. [Apr 2017, p.96]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    The gigantic lokombe (slit drum) and buzz drums no longer shock in the way they used to, although the synths suggest one route forward, and the guitars and harmonies look to South Africa for inspiration. [Jul 2021, p.88]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    Occasionally the lyrics are wincingly obvious. ... Emerald Valley is blunt truth for dire times. [Jun 2019, p.88]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    This is impressive, soul-bearing torch-pop, yet despite some bravura vocal performances, Almond's typically declamatory delivery at times, feels rather awkwardly appended to the airlessly slick soundscapes. [Apr 2015, p.91]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    Armstrong's anti-establishment shtick has lost some of its impact. [Jun 2009, p.102]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    It's a fine bookend for a man who defined one parochial corner of the music world. [Mar 2011, p.96]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    This is not an uplifting listen. [Apr 2014, p.91]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    While the guitarist's chops are impeccable and his tone as fiery as ever, the stiff, unyielding charts tend to stifle him, hindering his spontaneity and that of his fellow fine musicians. [Jun 2020, p.95]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    Sung tentatively, a la Randy Newman. [Jun 2014, p.98]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Her sinuous, Lady Dayish voice sets her apart. Unfortunately, it's not to be heard in full effect until about a third of the way through Mama's Gun... [Jan 2001, p.104]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    Hall explores his anger and depression through mostly downbeat but frequently beautiful ballads. [Feb 2022, p.87]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    Many of these 12 songs, eight of them originals, tend towards the reflective. [Jan 2021, p.90]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    As with previous Immersion material, analogue synthesizers provide the musical focus here, sporadically infused with electric guitars, often played in the oblique, angular style that Wire Fans will instantly cleave to. [Feb 2017, p.98]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Jones actually one-ups the Ventures with a frenetic version of White Christmas you can do the swim to. [Jan 2016, p.88]
    • 75 Metascore
    • 60 Critic Score
    It's a beautiful warm bath of a record, but a soporific one too, better suited for wallowing within, rather than getting you moving. [May 2020, p.90]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    This brittle, torrid world has little light and shade. [Apr 2015, p.89]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Mostly she's clever, soulful, sexy, and only a gram of venturesomeness short of her early best. [Apr 2014, p.90]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    A tad more conventional than Liz Harris's ongoing work as Grouper, despite roots in C86 shambling and early-90s shoegaze, Helen's hazy, half-grasped songs are still several left turns from any standard indie fare. [Dec 2015, p.86]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    There are tidings aplenty, but little comfort and even less joy. [Feb 2017, p.97]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    For the most part, this is soothing, circular psychedelia with added depth, warmth and texture. [Feb 2018, p.93]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    Before long, these initially detached settings establish a magnetic, narcotic allure, filled with elliptical hooks and images. [Feb 2018, p.97]
    • Mojo
    • 60 Metascore
    • 60 Critic Score
    He keeps the core of material such as The Nearness Of You and My Blue Heaven spare and the tone intimate. [Mar 2020, p.94]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    'Mother May I?' and AdRock's 'Oooh Girl' are the most engaging and enetertaining of a solid selection. [Oct 2007, p.106]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    Suggests a majestic, exquisitely desolate mix of Isis and My Bloody Valentine.[Aug. 2011, p. 106]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    A+E
    It's lots of fun, a whirlwind romp through grubby rock landmarks. [May 2012, p.84]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    Guest appearances from the venerated likes of Percee P and M.E.D. and Mr Lif & Edan prove these Brothers' breakbeats more than pass muster. But it's the more adventurous instrumentals that impress most. [Mar 2010, p.92]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    Barfly is pithy, punky pop and some of it really shifts. [Jan 2012, p.98]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    La Havas sets herself apart from the coffee shop set with a rough-hewn edge. [Aug 2012, p.92]
    • Mojo