Mojo's Scores

  • Music
For 10,504 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10504 music reviews
    • 80 Metascore
    • 80 Critic Score
    It exudes an organic, direct feel from which it gains its considerable charm. [Feb 2008, p.112]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    These 10 compact songs work both as intimate affirmation of Jurado's current brilliance and a hushed elegy for his too-soon-departed friend. [Jun 2019, p.89]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    A gloriously nuanced embellishment of the band's timeless virtue. [Apr 2015, p.91]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Those inimitable Laibach humours look set to endure. [Apr 2014, p.92]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Despite such flamboyant touches, the songs here are more caustic than camp. [Oct 2003, p.120]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Weiss weaves his way through a songbook that encompasses olde-tyme rock, jazz, R&B and Cajun sounds. [Jun 2014, p.90]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    [A] polished second set by the Swedish '70s-inspired blues-psych outfit. [Sep 2016, p.99]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    It's a noticeably urban record, an irritated rebuttal to the notion that dance music is dead. [Jun 2005, p.98]
    • Mojo
    • 93 Metascore
    • 80 Critic Score
    Vibrant, vividly colourful and high spirited. [Jan 2006, p.146]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    Louis Carnell crafts grime's own I Hear A New World. [Dec 2015, p.91]
    • Mojo
    • 59 Metascore
    • 80 Critic Score
    Yet if neurosis, despair and paranoia remain his materials, here he uses them well. In as impressive voice as ever been. [Apr 2026, p.84]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Rich, understated and resonant. [Feb 2017, p.97]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    It's hard to imagine a record more original or full of life, from any artist of any age, emerging this year. It's that damn good. [Nov 2007, p.91]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    The quality dips and pitches, occasionally stuck at third on the bill at the Bill And Gate. There are tiny revelations too. [Mar 2016, p.104]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Kushal Gaya's vocal hooks bristle with political fury as polyrhythms jostle with George Crowley and Pete Wareham's brass riffs. [May 2020, p.95]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    She gives each song an unforced intimacy. [Feb 2009, p.115]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Brainy, jazzy, prescient. [Aug 2021, p.88]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    A brave, stand-alone release that lays her talent bare, it's a beautiful unreal entrancement you'll find hard to stop listening to again and again. [Dec 2023, p.91]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    It's not much different (from their first album), and that's no bad thing with Holly Golightly and Lawyer Dave's self-produced duets recalling Leadbelly and Jimmy Reed, as well as the gospel recordings of Loretta Lynn and Nancy & Lee. [Nov 2008, p.109]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    The swell and squall lets up just once, on the transcendental In A Cloud, but it's in the moments of pure sonic abandon, like Wilding, that the group truly find themselves. [Apr 2015, p.95]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The former Bedales pupil's steely vocals and ear for a big melody amidst the intricacy offer a unifying and satisfying undertow. [Feb 2024, p.88]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Despite the record's impromptu genesis, its results sound endearing. [Apr 2014, p.93]
    • Mojo
    • 87 Metascore
    • 80 Critic Score
    Baroness's second full-length somehow tops their powerhouse debut for riffs, songwriting and cohesiveness. [Feb 2010, p. 101]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Ronson and Wainwright have dressed these songs to kill, not just to impress. [May 2012, p.84]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Should rightly have fans and newcomers alike punching the air in solidarity. [Nov 2021, p.88]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The likes of Beck and Stevie Nicks play supportive rather than starring roles, and the sonic flavours here recall the noir clubby pop of Humanz (2017). The woofer-pumping reggaeton of Tormenta however sees Albarn step aside to let Puerto Rican rapper Bad Bunny shine. [Mar 2023, p.85]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Unity Band is now a scintillating platform for Metheny's fretboard wizardry. [Aug 2012, p/94]
    • Mojo
    • 93 Metascore
    • 80 Critic Score
    The main attraction of this six-disc box set reissue is a new ground-up stereo mix of Imagine by Paul Hicks at Abbey Road. These new mixes are clearer and more controlled, though respectful (maybe overly so). [Nov 2018, p.103]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    Conjunto, corrido and jazz emerge from and mingle with R&B and pop as the band follow the story from innocent beginnings to the tragic, bitter end. [Jul 2005, p.98]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Setting Macfarlane’s words to music, the 13 tracks of Ness offer calm with a suitably disquieting undertow, rather like the place itself, with Thorpe’s countertenor adding to the melodrama. [Nov 2024, p.86]
    • Mojo