Mojo's Scores
- Music
For 10,509 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,863 out of 10509
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Mixed: 3,612 out of 10509
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Negative: 34 out of 10509
10509
music
reviews
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- Critic Score
A beautiful slice of contemporary singer-songwriter craft that gently nods to their love of Sandy Denny. [May 2018. p.98]- Mojo
Posted Jun 13, 2018 -
- Critic Score
Their latest warms the electronic pot with quirky pastoralism--brass, melodica, clattering-teacup percussion and tangible emotional warmth. [Oct 2018, p.94]- Mojo
Posted Sep 13, 2018 -
- Critic Score
Solemn, aesthetically rigorous environment this music occupies. [Dec 2018, p.93]- Mojo
Posted Oct 29, 2018 -
- Critic Score
Amor's main reference point is arguably Arthur Russell, though there's little of his joie de vivre--unless you count the cowbell on Heaven Among The Days--and more the cold fire of Martin Hannett-era A Certain Ratio. [Jan 2019, p.89]- Mojo
Posted Dec 6, 2018 -
- Critic Score
There's a real bleakness here, so 7's motif is the confession that "I will always be alone," while the haunting Lisa Hannigan collaboration, Thousand, confronts Carney's grandmother's dementia. But there's optimism and strength too. [Mar 2019, p.92]- Mojo
Posted Jan 28, 2019 -
- Critic Score
From the jaunty beat group undertow counterpointing his melodramatic vocal style on the opening title track, through the almost self-consciously traditional slide guitar and harmonica combination of Devil Got Me, to his most adventurous use of the mouth harp as a bringer of Dionysian frenzy, to the pastoral backwater of the penultimate Sundown--is actually more in keeping with his experimental rock beginnings. [Apr 2019, p.94]- Mojo
Posted Feb 20, 2019 -
- Critic Score
A precision, Sleater-Kinney-ish rewiring of new wave guitar with cool, no wave delivery. [Apr 2019, p.96]- Mojo
Posted Feb 22, 2019 -
- Critic Score
This is one of Bowness's most vivid collections. The sound is rich and full of depth. [Apr 2019, p.86]- Mojo
Posted Mar 12, 2019 -
- Critic Score
A sumptuous, sonic world built from dense, sampled snippets, repetitive phrases and percussive sound design. [Jun 2019, p.95]- Mojo
Posted May 15, 2019 -
- Critic Score
Their needling attack punctures fevered egos on There's No One Like You, and cooks up some pleasingly wonky acid-rock, but best of the bunch is the closing flourish When Do I Get To Sing "My Way." [Sep 2019, p.88]- Mojo
Posted Aug 21, 2019 -
- Critic Score
The S.L.P. might be a one-off, but right here, right now, he sounds liberated. [Oct 2019, p.85]- Mojo
Posted Aug 28, 2019 -
- Critic Score
Her queasy, pitch-shifting sound aligns with labelmate Flying Lotus's high-end head music. [Sep 2019, p.96]- Mojo
Posted Aug 30, 2019 -
- Critic Score
A clutch of moving haikus. ... Knowing, experimental, hopeful, ironic, this could be Mary Margaret O'Hara--wringing your heart, engaging your brain. [Dec 2019, p.89]- Mojo
Posted Nov 19, 2019 -
- Critic Score
They're five albums in and they keep getting better and better. [Mar 2020, p.91]- Mojo
Posted Feb 13, 2020 -
- Critic Score
Surrender Your Poppy Field's focus delivers GBV's strongest set in years. [Apr 2020, p.88]- Mojo
Posted Feb 19, 2020 -
- Critic Score
As ever, Heaton's whipsmart lyrics lurch between grumbling and lovesick, but he and Abbott bounce off each other like a couple who still relish being married. [Apr 2020, p.93]- Mojo
Posted Mar 10, 2020 -
- Critic Score
Their cover of Got Love If You Want It is a raw, gritty highlight. [Apr 2020, p.96]- Mojo
Posted Apr 7, 2020 -
- Critic Score
It sounds as spare and intimate, as if Jurado were singing inside your head. The songs are up there with his best. [Jun 2020, p.91]- Mojo
Posted Apr 30, 2020 -
- Critic Score
There are transcendent moments. ... But Atkins tries on so many hackneyed faces during these 11 tracks that the overall effort feels faceless. [Jul 2020, p.82]- Mojo
Posted May 27, 2020 -
- Critic Score
Howl is most powerful on the aptly titled Everything Is Happening At The Same Time and the Yearning Strange Beauty. Seeing him play these songs live might flesh-out Howl's sometimes too-deliberate feel. [Jun 2020, p.94]- Mojo
Posted Jul 28, 2020 -
- Critic Score
The songwriting revealed another unique strength: commercial hooks wedded to allegorical poetry. [Dec 2020, p.96]- Mojo
Posted Nov 5, 2020 -
- Critic Score
Juliana Giraffe's elastic phrasing on Doctor Says or Wednesday Baby's Carpenters lilt is key to the LA duo's second. [Feb 2021, p.90]- Mojo
Posted Jan 29, 2021 -
- Critic Score
Recorded remotely, Distractions is febrile and modern but cries out for a through-line. [Mar 2021, p.88]- Mojo
Posted Feb 19, 2021 -
- Critic Score
Hours of fun at your lockdown kitchen disco. [May 2021, p.97]- Mojo
Posted Apr 14, 2021 -
- Critic Score
Clark and Squarepusher's more radical deconstructions expose deeper enigmas at play in GGP's source material. [Jul 2021, p.90]- Mojo
Posted May 20, 2021 -
- Critic Score
The frankness of yore remains intact, but his focus has shifted, and the intimacy that once sometimes made Barlow's solo work a white knuckle ride now amplifies the tranquility of these strums. [Jul 2021, p.81]- Mojo
Posted May 27, 2021 -
- Critic Score
Riotous takedown of eco-hypocrisy and corporate greenwashing to the accompaniment of rhythms so wildly exuberant they could rearrange loins. [Aug 2021, p.89]- Mojo
Posted Jul 12, 2021 -
- Critic Score
U-Roy remains on form throughout, delivering everything in his relaxed yet confident style, all testament to his enduring talent. [Aug 2021, p.87]- Mojo
Posted Jul 16, 2021 -
- Critic Score
A 50/50 new/old split: reworkings, questing solo turns and a rare all-out rocker. [Nov 2021, p.94]- Mojo
Posted Sep 21, 2021 -
- Critic Score
The sound of a man stretching out... What breadth of vision McCaughan has. [Nov 2021, p.86]- Mojo
Posted Sep 24, 2021