Mojo's Scores

  • Music
For 10,509 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10509 music reviews
    • 83 Metascore
    • 80 Critic Score
    It's numinous stuff. [Jun 2020, p.95]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    A walk on the wild side, it turns out, that's unleashed a freewheeling new strength. [May 2025, p.92]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    A substantial and richly evocative work. [Apr 2013, p.89]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    How she continues to turn apparent whimsy into profundity borders on the miraculous. [Jun 2018, p.92]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    The Nebraskans' second LP strikes a meaty accord between classic rock swagger and the pumped up, get-in-the-van intensity of hardcore. [Apr 2009, p.107]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    Jazz albums don't come much better. [May 2009, p.101]
    • Mojo
    • 62 Metascore
    • 80 Critic Score
    The result is Placebo's best album since 1998's magisterial "Without You I'm Nothing." [Jul 2009, p.97]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    The solo J. has all the heartfelt keening of Where You Been-era Dinosaur, but with a fresh approach to his trademark blending of powerchords and melodies.
    • 81 Metascore
    • 80 Critic Score
    Jones has rediscovered her mojo. [Apr 2024, p.82]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Unfolds like a hand-stitched musical patchwork quilt, gently educating its listeners in the great American songster tradition. [Apr 2003, p.114]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Hyetel continues his transformation from producing club-oriented tracks to elegant, fully rounded electronica. [Jun 2013, p.89]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Holiday Destination needs to be uncomfortable and it is, a beautifully realised disturbance of any remaining peace. [Sep 2017, p.92]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Another inspirational triumph over adversity. [Oct 2018, p.90]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    An album that's rarely short of lovely. [Dec 2025, p.78]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Can's high-wire spontaneous creation sustains over 90 mind-bending minutes at the highest pitch. [Jan 2022, p.101]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    A glorious convergence of talents. [Sep 2024, p.92]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    The brittle world he creates is a seductive one. [Sep 2013, p.95]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    On paper it might sound like a filler - nine songs, none of them original, some newly recorded, some not - but to listen to it's wonderful. [May 2022, p.94]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Their latest album offers all the anti-matter salve for the irritations of modern culture that admirers expect. [May 2010, p. 92]
    • Mojo
    • 95 Metascore
    • 80 Critic Score
    Gentlemen remains his [Dulli's] masterpiece. [Jan 2015, p.108]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    This is music that seems to inhale and exhale around Faithfull, making space for wonder to unfurl without crassly signposting it. [May 2021, p.86]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    The sounds here do at times recall territories previously mapped by Brian and RD James, with or without MDMA, but Song For Alpha still makes for an electronic listening album of particular quality. [May 2018, p.93]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Far Enough takes the most exhilarating form of resistance, much more than riot grrrl's DIY aesthetic, akin to a harder-rocking Sleater Kinney with a similarly wailing centrifugal force in singer/guitarist Jenny McKechnie. [Jun 2020, p.90]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    TLICTFIR finds Wye Oak reaching new heights of sophistication. [May 2018, p.96]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    The music is sneakily sophisticated, buoyed on a mesh of relentless guitar tracks and driven by motorik drums toward a golden pyschpunk horizon. [Nov 2008, p.106]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    Even at moderate volume, parts of Life Metal may loosen your neighbours' guttering. [May 2019, p.95]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Young weaves 11 modern blues of frail longing around backwards guitar, mumbling bass and homemade percussion, his chanted lyrics like pale fragile spells for escaping the 21st century. [Jun 2018, p.93]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The Psalms comes with plenty of mainstream country--in the supple, drawling warmth of Colter's voice--and spiritual certainty. But it is easy to recognise the broader, ecumenical grace and relief of Joni Mitchell's early records and Laura Nyro's salvation songs in Colter's passionate focus and rolling, intuitive aplomb at the piano. [Apr 2017, p.91]
    • Mojo
    • 58 Metascore
    • 80 Critic Score
    John Legend phones it in somewhat, and Ghostface Killah makes little sense, but the brain-pummelling tecno that punctuates the latter's profane offerings certainly makes the best of it. [Jul 2009, p.106]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    Only on the title track's cavernous '80s-era bass synths does Jaar come close to being conventional. [Apr 2011, p.105]
    • Mojo