Mojo's Scores

  • Music
For 10,507 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10507 music reviews
    • 80 Metascore
    • 80 Critic Score
    Arctic Moon does not have the glowering intensity of the band's earliest work, but fans of 1986's Strange Times will appreciate its subtleties. [Oct 2025, p.90]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Skinner and band navigate uncharted waters with sass and skill. [Dec 2025, p.82]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Otherworldly as it is ineffably uplifting. [Jan 2026, p.82]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Casually devastating. [Mar 2026, p.86]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    On fire indeed. [May 2026, p.89]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Muscular, melodic... this is the best outing yet from the Etheridge-Travis Soft Machine. [May 2026, p.90]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Condon has a tendency to over-emote vocally, but even at its most melodramatic this music's rhapsodic swirl is undeniable. [Nov 2007, p.104]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Triplicate lacks the revelatory impact of Shadows In The Night. And you always wish there was more light, inside these pocket-size arrangements. ... But this kind of immersion--in folk, blues or Sinatra--has always been serious business and rejuvenation to him: looking for answers and a way forward in a pasture of plenty. [May 2017, p.90]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Landing On A Hundred is a strong comeback that hopefully won't be followed by another decade of silence. [Dec 2012, p.84]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    If you like Serge's music, or Jane Birkin's, their daughter's latest is a laudable addition to the canon. [Dec 2017, p.89]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    It's Green's pitch-perfect delivery, his ability to switch from sublimely giddy pop joy to earnest moments of heartache and convince utterly in both instances, that make The Lady Killer a treasure. [Jan. 2011, p. 96]
    • Mojo
    • 80 Metascore
    • 70 Critic Score
    An eminently listenable collage of jittery grooves, lop-sided beats and wayward electronica.
    • 80 Metascore
    • 80 Critic Score
    Their reunion album fizzes with energy--although it retains the underlying melancholia that defined their previous work. [Mar 2016, p.95]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    An album that's warm, honest, awash with tuneage, never corny, and really rather marvellous. [Jun 2018, p.95]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    It's not easy listening, but profoundly engaging and redemptive. [Aug 2021, p.80]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    A concise 10-song encapsulation of Kilgour's eternal virtues. [Oct 2014, p.87]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Lattimore's deftly played, sometimes heavily processed concert grand harp unfurls mellifluously against yearning keyboard ambiences to generate immersive, natural world-inspired soundscapes. [Jul 2018, p.96]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Americana shows a man still writing to find out his place in the world. He's seen it all, he's seen through it all, but there's still open road ahead. There's no better adventure than that. [May 2017, p.86]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The Hull five-piece treads the queasy tightrope of prime Cure, Ride etc with real dexterity. [Aug 2020, p.94]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Lovely vocals from both Mitchell and Johnson and a mellow, timeless mood. [Nov 2022, p.87]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    But there is nothing here that will leap out of the speakers to entice the unconverted, despite the Weezer-like spod-rock of Fot Nuffin and Trouble's garage pop stomp. [Feb 2010, p. 92]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The album feels confessional, courageous. ... Yes it can be bleak as hell but Flamagra's artistic artistic triumphs are sublimely uplifting. [Jul 2019, p.92]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Changes redefines the Bradley Soul sound again. [May 2016, p.87]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    It's gauzy visions suggesting some rediscovered private press folk oddity from the '70s, Segall's faultless melodic instincts lent an edge by Bolan-esque warble, inward-looking lyrics and, on Saturday Pt 2, wild saxophone duets. [Aug 2022, p.87]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Her Dusty-meetsNancy tones glide as imperiously over violin-caressed opener 'French Navy' as on lustrous indie-country upgrade 'You Told A Lie,' reaching sublime lvels of heartache on the Spectoresque title track. [Jun 2009, p.109]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    While Drunk is occasionally muso brinkmanship there's a human touch that grounds it. [May 2017, p.91]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The duo's songs may employ no chords and few notes to sing against, but they are brillantly structured via Andreas Werliin's melodic drum patterns, with Mariam Wallentin's flamboyant, unfettered voice a huge presence. [May 2009, p109]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    A psych-folk bent for harmonic discord and atmospheric dread finds something forever sinister lodged at the album's heart: the kind of beauty that makes sailors run aground. [Dec 2008, p.102]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    It's not morose--his voice is too engaging, his songs (and band) too good. [Jul 2013, p.92]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    A deceptively simple soundworld of banal electronic tropes that gradually pulls you into blissful wormhole depths. [Nov 2013, p.94]
    • Mojo