If you’re a fan, you won’t be disappointed. ... If you’re new to the zoo, prepare for a 20-track musical trip you won’t forget in a hurry.

Names like Underground Resistance, Moodymann, Ectomorph and Claude Young should be all you need to hear to assure you you’re in safe hands, and the results are stunning, as they twist the disco, funk and psychedelia into fresh and crisp patterns.

The operatic IDM of the previously released 'Mountain Divide' is hard not to view as the pick, but even so, Tundra still has all the sonic intensity of an R&S classic.

Infectious and groove-laden, Lose My Cool manages to be both forward-thinking and vintage at the same time.

It’s a record of subtle strength, with all-encompassing warmth and chilled introspection.

Whether its impish character makes for a consistently engrossing listening experience is questionable, but it has moments of brilliance.

Its 13 tracks are more versatile in lyrical depth and vocal flow than before and, when added to his trademark intensity, are proof that Mykki's moved to the next level.

This is music from a mind with a digitized imagination.

Love School Of Seven Bells and The XX? You'll like this.

The whole album is perfectly paced, with hypnotic grooves and simple songwriting: density and space are constantly played off each other, helping to create something that should be taken in as a whole. It’s been well worth the wait.

This isn’t going to win over any newcomers but, when you tune in to its ebbing and flowing intensities, it can be totally transporting.

As the mix migrates to the dancefloor, Lone drops some smooth 90s techno with John Beltran’s ‘Placid Angles’ and the cyber-electro of Drexciya’s ‘Bubble Metropolis’, before signing off with Radiohead’s obscure and atmospheric mood sketch ‘Worrywort’.

Nothing finds beauty in exploring dreams of a human-free world. Kode9's strength has always been to show that serious scholarship and avant-garde instinct don't need to separate from dancefloor culture and here, he's made one of his clearest statements of that yet.

Mayer has always had an ability to weave the richest dancefloor cheese into forms both experimental and emotional, and here he’s chosen exactly the right people to amplify different sides of his music.

Effectively present(ish), past and downtempo, it’s a fascinating glimpse into one of dance’s most fertile minds.

There’s something about CEO’s second album that’s so wide-eyed, so full of wonder that even when it approaches absolute sugar overload it’s impossible to dislike.

The Glasgow quartet have put their talent for irresistible hooks to good use and come up with a solid new LP that splices towering post rock with potent dancefloor sensibilities

Not as immediately blissful as ‘Elaenia’, but a magical new direction nonetheless.

Ultimately, the sincerity and craft of the composition and production make it much more emotionally satisfying than the untold PCO knock-offs out there.

Whether doomily atmospheric or dissonant like 'Insulin', Crystal Castles successfully nail it for the third time running.

Epoch is perhaps a little overly fluffy at times, but plenty of sunshine pokes through the clouds.

It's an all-encompassing experience ideal for Mixmag readers seeking transportation to a Balearic state of bliss.

Take a cult Bristolian label and add an African influence from Italian musician Clap! Clap!, and we might just have the best fusion record to kick of 2017 so far.

An album of outstanding pop, shuddering dance-rock and intricate electronic moods.

This is Matmos doing what they do best: taking a strange idea for a wild digital ride until it turns into something completely magical.

This is some of Willner’s most enriching and captivating work yet.

By going back to the first principles of house he's built something very new and very wonderful.

Strangely fascinating.