Miami Herald's Scores

  • Movies
  • TV
For 4,219 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Radio Days
Lowest review score: 0 Teen Wolf Too
Score distribution:
4219 movie reviews
    • 27 Metascore
    • 63 Critic Score
    Look beyond the perfunctory dinosaur flatulence jokes, and Viva Rock Vegas is really quite sweet and clever.
    • Miami Herald
  1. This is a big, audacious stunt of a movie -- pointless, perhaps, but incredibly fun to play with.
    • 30 Metascore
    • 63 Critic Score
    Everything that cynical moviegoers despise and the tender-minded adore.
  2. Don't let it slip out of town without getting a look at it.
  3. Sad confusions and emotional disconnections are what the story is all about.
  4. It''s loud and flashy and fun to look at, but you''ll grow tired of it very quickly.
    • 73 Metascore
    • 75 Critic Score
    Never really more than an amiable Cinderella story, but it leavens its subject with such heart, such idealism and such pure eroticism that it's nearly a total success.
  5. Does more than pay lip service to its subtexts.
  6. Sports a cool, early '60s soundtrack of hit-radio pop. But, make no mistake, this is no "American Graffiti."
  7. Has the feverish intensity of a bad dream, leavened with a subversive sense of humor that is both sophisticated and cracked.
    • Miami Herald
  8. The unrelentingly dull Where the Money Is tests his (Newman's) legendary charisma in a way no actor could overcome.
  9. O'Donnell has a fine eye for the small details of life and the movie feels rich, warm and real .
    • Miami Herald
  10. It's just as voyeuristically enjoyable as those VH-1 has-been bios but without the soft-focus star shots and with far more edge, energy and originality.
    • Miami Herald
  11. It's bottom-feeder entertainment wrapped up in high-minded airs.
  12. As light and fluffy as it is, Return to Me still proves surprisingly inviting.
  13. Moves too slowly, running out of gas in the later rounds of the plot.
  14. Proves there are some things cartoons can't do better than live action after all.
  15. If only Beau Travail had a more dramatic edge, this nicely done film wouldn't have felt so long.
    • Miami Herald
  16. Ultimately too slight for its own good: It's a genial little doodle, light on plot and heavy on quotable, pithy observations.
    • Miami Herald
  17. Corny? You bet. But it also proves surprisingly inviting -- for a while, anyway.
    • Miami Herald
  18. It's almost startling to see a film that believes in itself and its characters so deeply.
    • 20 Metascore
    • 0 Critic Score
    If you can summon up the resolve to search, there is not a single honest moment in all of Whatever It Takes.
  19. So needlessly convoluted, so crammed with subplots within subplots, it simply forgets about its gangland "Romeo & Juliet" premise.
  20. Roberts inhabits the character with a gravity and poignancy that she had never even hinted at before.
    • Miami Herald
  21. Suggests that professional wrestling is more than a multibillion-dollar industry: It's also a way of life.
    • Miami Herald
    • 39 Metascore
    • 25 Critic Score
    Stoops well below substituting style for substance.
    • Miami Herald
  22. A $100 million production of a 10-cent script, is so clunkily written, so bereft of any engaging ideas or emotions, you'd think De Palma would have sneered at it on first reading and passed
  23. A devilish little comedy whose urbane, satirical humor will probably sail right over the heads of audiences weaned on Scream.
    • 41 Metascore
    • 75 Critic Score
    An unapologetically stupid and implausible movie, but in the best possible way -- it's so sure of itself, it wins you over.
  24. Jarmusch has never seemed quite this baffling -- or quite this dull.
    • Miami Herald

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