Miami Herald's Scores

  • Movies
  • TV
For 4,219 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Radio Days
Lowest review score: 0 Teen Wolf Too
Score distribution:
4219 movie reviews
  1. We hear a lot about the great hunger for "wholesome" films, but it is rare that one is successful; wholesomeness and treacle seem to have become confused in the Hollywood mind. The Man From Snowy River is different. It's a lesson in how such films should be made. [26 Jan 1983, p.B8]
    • Miami Herald
  2. The film is also less bloated than "Bridesmaids" - a comedy is always more nimble at 90 minutes than two hours - and it's less maudlin, too. It's the aberrant, foul-mouthed child of "Superbad" and "Young Adult."
  3. Even the people who griped about Tom Cruise being cast as the towering Jack Reacher will have to admit Statham fits nicely in Parker's shoes.
  4. As good as it is depicting his career, Milk doesn't fare quite as well as a portrait of the man himself.
  5. The Lady and the Duke is not about the revolution. It's an intimate story of a woman's perspective during a dramatic event in world history.
  6. De la Iglesia’s knack for offending audiences while showing them a good time is stronger than ever: Witching and Bitching isn’t much on substance or logic, but man, is it fun.
  7. Condon and screenwriter Jeffrey Hatcher reward your patience by bringing the threads together in a beautiful, stirring manner that celebrates the genius of the literary icon while also honoring the man McKellen is playing.
  8. Really a blistering satire about spin and the manipulation of the media.
  9. The film is a brutally effective, insanely rousing piece of drama, with enough new wrinkles and ferocious acting to sweep you into its clutches.
  10. The world's newfound familiarity with the region's troubles only make Kandahar more compelling.
    • 58 Metascore
    • 75 Critic Score
    The Coca-Cola Kid is for grown-ups, but not all grown-ups. It leaves more than a few bubbles dancing on the tongue. [11 Oct 1985, p.D1]
    • Miami Herald
  11. There will be opportunities to see the picture in regular 24 frames per second, but I recommend going the whole hog and sampling what Jackson has come up with - a new way to watch movies and a new take on a universe that seemed to have exhausted its narrative possibilities.
  12. Contagion may be the most expensive public-service ad ever filmed, but it's also a surprisingly light-on-its-feet action thriller.
  13. Return to Ithaca is a bracing and surprisingly vocal expression of angst and frustration by people torn between love for their country and the harsh letdown that resulted from their loyalty.
  14. As a piece of storytelling, Fight Club is a bit of a dud: It's a good 15 minutes too long, and the tension doesn't build the way you wish it would.
  15. Carrey's amazing transformation in Man on the Moon does justice to Kaufman's undefinable talents and his peculiar outlook on entertainment.
  16. Simple and austere, The Cuckoo also draws from the mysticism of tales of gnomes and other creatures who inhabit remote Nordic lands. It is that blend of reality with allegory that delivers the film's beauty and charm.
  17. Higher Ground is ultimately a proponent of the human spirit, of the individuality and honesty that must be claimed, even at a high price. That's a lot of substance to stuff into one little movie, but Farmiga makes it fit astonishingly well.
  18. This is courtroom drama at is best, especially when you listen to the sublime soundtrack.
  19. This is a comedy about imbeciles who fall blindly in love with a concept, without giving any thought to what they are doing. And although some of them eventually have a moment of self-realization, it arrives, sadly, much too late.
  20. There's some genuine suspense in Lantana, including one unbearably tense moment that is worthy of Hitchcock. But the movie's most unnerving aspect is the way in which it suggests true happiness may be impossible to regain once you've lost it.
    • Miami Herald
  21. Pixie-like Bridget Fonda turns in a powerhouse, Rambette performance. [19 March 1993, p.5]
    • Miami Herald
  22. Get Smart turns out to be a much more entertaining movie than its tedious trailers suggest. It's not going to redefine comedy as we know it, but it's amusing and briskly paced, busy with an engaging mix of supporting actors.
  23. Smith is an endearing, driving comedic force, one who makes the buoyant Hitch more enjoyable than it has any reason to be.
  24. Despite its stylistic flaws, the acting and the magic of the story make Maelstrom a different kind of film.
  25. It is as emotionally raw and wrenching as life itself.
  26. There's a strange, bittersweet melancholy in watching the protagonists of Good Bye, Lenin! being buffeted about by change, but refusing to let go of each other.
  27. So TRON is an adventure story, with the requisite (and understated) love triangle at its heart. But it is also a story of remarkable special effects, and this is the stuff you haven't seen before. [09 July 1982, p.C1]
    • Miami Herald
  28. Calling a comedy old-fashioned nowadays might seem like a backhanded compliment, but that's precisely what this genial, funny movie is.
  29. One of the chief pleasures of Paris, Je T'aime -- is seeing how each filmmaker adheres to their assignment of making a movie about love in Paris but still comes up with a distinctly personal work that bears their artistic sensibilities.

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