Miami Herald's Scores

  • Movies
  • TV
For 4,219 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Radio Days
Lowest review score: 0 Teen Wolf Too
Score distribution:
4219 movie reviews
    • 47 Metascore
    • 25 Critic Score
    One Crazy Summer's only truly funny bit of business occurs when two evil kindergartners are transformed for no reason at all into pigs. You laugh here, not because it's riotously funny, but because the scene is one of the most stupid things you'll ever see...Much like the film it's contained in.
    • Miami Herald
  1. Smile feels like one man's answer to movies increasingly overloaded with sex and violence.
  2. Has all the depth of an episode of "Joey."
  3. The film is more of an exercise in pandering and propaganda -- give your baby up for adoption, you selfish pig! -- than the heartfelt drama it aims to be.
  4. Film remakes of old TV shows are all the rage in Hollywood. And several, including the inventive Brady Bunch Movie, have managed to seamlessly close the generation gap. Not so Sgt. Bilko, which succumbs to friendly fire. [02 Apr 1996, p.3C]
    • Miami Herald
  5. As far as titles go, Cote d'Azur doesn't quite cut it for this topsy-turvy French comedy, in which an innocent seaside vacation gets really messy once a family full of busybodies starts poking around in one another's business.
  6. Even if you're willing to overlook the preposterous plot holes in its premise, Accepted pushes its luck in its final half-hour.
  7. A wobbly fantasy that relies on the actor's mischievous energy and rakish charisma for its laughs.
  8. Kitano's most enjoyable, flat-out fun movie, provided you can stomach the violence.
  9. Swami says, “Steer clear of The Guru, a dismally dumb sex comedy, lest you waste $9 and 90 minutes of your life you will never get back.''
  10. A fair weekend distraction for 10-year-old girls.
    • Miami Herald
  11. An important and interesting story, but the reform school itself never seems terribly harsh.
  12. A mesmerizing documentary about the rise and fall of a drug lord, perhaps the biggest there ever was.
  13. The film's one great asset, a real surprise, is Robert Downey Jr. in the title role. He grabs something of the Little Tramp's innate grace and anarchic wit, and he runs with it -- pratfalls with it and waddles off into the sunset with it. [08 Jan 1993, p.G5]
    • Miami Herald
  14. The movie is all moist grime and seedy atmosphere, and it's certainly something to look at: It's beautifully lurid. But it's an empty, unengaging movie, and by the end, it has become ridiculous, too.
    • 47 Metascore
    • 63 Critic Score
    Only Nunn has enough charisma -- despite relying on a stereotype or two as Bradley -- to easily command attention whenever he's onscreen. If only he could have transferred some of that charisma to Ford -- and to Regarding Henry -- during the therapy sessions. [10 July 1991, p.D1]
    • Miami Herald
  15. Scott embraces the lightness of the material instead of trying to give it unnecessary weight, and even if he's far from the ideal filmmaker to choreograph bits of slapstick, A Good Year is never less than visually ravishing.
  16. The Box is a mess, but it's a curiously haunting, intriguing, brain-tickling mess, and it delivers that "Donnie Darko" feeling in truckloads. Or should that be rocketloads?
  17. Sporadically amusing.
  18. Bradshaw, who is funnier than you might suspect, also turns out to be the most fearless of performers.
  19. The fact that you won't remember any of these names for more than a minute should indicate exactly how much depth each character displays.
  20. It's a testament to the personalities of the actors, as well as the foundation laid by the original film, that we retain an emotional connection to the main players in Revolutions.
  21. Manages to be entertaining, largely because of the appealing Adam Brody.
  22. You come away from the movie lamenting the missed opportunity and wondering what a stronger, bolder filmmaker would have done with this material.
  23. Not since Brian De Palma's "Carrie" has a horror movie so effectively exploited the genre as a metaphor for adolescent angst, female sexuality and the strange, sometimes corrosive bonds between girls who claim to be best friends.
  24. Real Men is too goofy for its own good, but not nearly funny enough. [21 Oct 1987, p.D5]
    • Miami Herald
  25. Thank Segal in part, because the guy is always funny, and Timberlake gets some of the biggest laughs in a particularly crude sex scene (though the song with which his character woos Miss Squirrel is perhaps the film's funniest moment).
  26. And unlike other recent dramas such as "Rendition," the film never feels like it's preaching. Instead, it just urges: Whatever you believe, do something.
  27. When the youngsters are out of the way and old pros Hackman and Weaver work, it's hard to really dislike Heartbreakers. Sometimes, it's even a little bit of harmless fun.
    • Miami Herald
  28. Call it a victory for sincerity and style: Despite its familiarity, Blonde 2 doesn't make you want to pull out your hair by its (touched-up) roots.

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