Miami Herald's Scores

  • Movies
  • TV
For 4,219 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Radio Days
Lowest review score: 0 Teen Wolf Too
Score distribution:
4219 movie reviews
  1. Documentary of riveting personal stories.
    • Miami Herald
  2. A competent but not extraordinary action-comedy.
    • Miami Herald
  3. Simply creaks with contrivance -- particularly in its overwrought finale.
    • Miami Herald
  4. It's an eye opener to how quickly a society can switch from being open and tolerant to pointing fingers -- and worse -- at those deemed different.
    • Miami Herald
  5. A rich, marvelous movie -- the kind that enchants on so many different levels, it leaves you feeling giddy.
    • Miami Herald
  6. Sporadically engrossing in a pulpy kind of way.
  7. It feels like three movies stitched together.
  8. Digs deep into the roots of female fortitude.
  9. A shockingly, unbelievably bad movie.
  10. This misguided gangster rap movie had every strike against it from the start.
  11. Silly, overplotted conspiracy thriller.
    • Miami Herald
  12. A movie of marginal ambition and multiple cute young faces.
    • Miami Herald
  13. Bogs down in a deep muck of inevitability.
  14. It's the slum, the favela, that emerges as Orfeu's most compelling character -- criminally poor yet rich in life.
    • Miami Herald
  15. Isn't riveting, but it's diverting enough.
  16. Amiable, sporadically amusing farce.
    • Miami Herald
  17. A long overdue look at the man's art and an unself-pitying and unsparing exploration of her (his daughter's) relationship with him.
    • Miami Herald
  18. Exuberant, often hilarious.
  19. A high-tech freak show, a gallery of grotesqueries that are fascinating and repellent.
    • Miami Herald
  20. The whole thing's grotesque as a gargoyle and ugly as sin.
    • Miami Herald
  21. Shrill and sloppy film.
    • Miami Herald
  22. So lazy and rote, it feels like a rerun the first time you watch it.
  23. The movie is small and familiar, but this time, those turn out to be strengths.
  24. While there is archival value in permanently recording this work on celluloid, the best way to really enjoy it remains live on stage.
  25. Enjoyably preposterous, old-guys-are-cool-too plot.
  26. The bar scenes do make for a great, although brief, package.
    • Miami Herald
  27. Turns resoundingly dumb in its last 40 minutes.
    • Miami Herald
  28. Has some very funny moments, it is weighed down by gooey sentimentality.
  29. As the sexual tension builds -- and it becomes intense, culminating in a highly suggestive knife-throwing scene more erotic than if the actors had been having explicit physical contact -- Girl takes you on a thrilling ride.
    • Miami Herald
  30. There's enough here to make anyone who enjoyed -- if that's the right word -- "Happiness" or "Magnolia" splendidly unhappy.
    • 19 Metascore
    • 25 Critic Score
    Skip the movie and pick up the videos at Toys R Us.
  31. But even if the film is short on analysis and skepticism, Tammy makes for a fascinating subject anyway.
    • Miami Herald
  32. A mess, but a fascinating one.
    • Miami Herald
  33. An uncommonly playful fright machine -- a fun house factory of scares.
  34. It manages just to be pleasant.
    • Miami Herald
  35. The most enjoyable piece of pop fantasy of the summer; sleek, elegant, exciting and wildly, outrageously imaginative.
  36. Very French and at times threatens to dissolve into a steamy sex farce.
    • Miami Herald
  37. An oddity, but a remarkably intriguing and original one, and in Buck ... it also has the most unforgettable movie character of the year.
    • Miami Herald
  38. Deadly dull.
  39. It's hard to connect with long minutes of self-pity by a temporarily has-been celebrity.
    • Miami Herald
  40. Shower is also a comedy -- but it's the movie's melancholy streak that is its strongest asset.
  41. Tedious and trite.
    • Miami Herald
  42. Does serve up an inspired gag every once in a while.
  43. The movie is "Twister" on the high seas, a spectacular-looking, spectacularly hollow tale about foolhardy men vs. imperious nature.
  44. The movie's attempts at zaniness are flat, almost embarrassing.
    • Miami Herald
  45. Every character is quirky, and each has a schtick.
  46. It's big, exciting, ambitious, and it makes you cry in all the right places.
  47. Hilarious, but it isn't much of a movie.
    • Miami Herald
  48. The package is perfectly irresistible.
    • Miami Herald
  49. Never feels like anything more than a Saturday morning cartoon pumped up to big-screen dimensions.
    • 50 Metascore
    • 63 Critic Score
    It's not easy to forgive a movie that so ungratefully wastes its potential with such a poorly structured plot, but Shaft has a few redeeming moments up its sleeve after all.
  50. Grim stuff, filled with great sorrow and tragedy, but it's never maudlin or weepy.
  51. Time Regained is not really worth the time it takes to see it.
  52. An exploration of how fear and mob rule can poison even the purest of souls.
    • Miami Herald
  53. May be among the most excruciating mainstream movies to spew forth from Hollywood in years.
    • Miami Herald
  54. But there's nothing in this amateurish movie that the opening credits of last year's "Go" didn't do better.
    • Miami Herald
  55. For filmgoers not interested in history, Sunshine might be a three-hour investment they may not want to undertake.
  56. In the end, for all its auto-erotic flair, Gone in 60 Seconds is missing a money shot.
    • Miami Herald
  57. The kind of stupid-funny movie that should only be seen in a crowded theater.
    • Miami Herald
  58. Chan's string of chop-socky films were never boring. Shanghai Noon is.
  59. While Circuitry has its pleasures, it's not as intelligent as "Modulations," a previous documentary on the subject, and its focus is a bit skewed.
    • Miami Herald
  60. Berliner deserves something better, as do all the actors -- even Moore, who's starting to look very interesting and European.
  61. This genial, lyrical little movie seems guaranteed to broaden Kitano's fan base in the United States.
  62. With its convoluted pretentiousness, heavy use of metaphors and obscure references to art, fails to maintain interest.
    • Miami Herald
  63. Suggests that Cruise the actor may have outgrown this kind of stuff.
  64. Unfortunately, disappointingly dull, a lumbering Bore-us-saurus of a movie.
    • Miami Herald
  65. Too bad Journey of Man, as a whole, is never as consistently compelling as that one visually arresting scene (with Yves Décoste and Marie-Laure Mesnage)
    • Miami Herald
  66. Allen's most amiable, breeziest comedy in years.
  67. Plot? There is no plot. You want plot, go read "War and Peace."
  68. It moves slowly, but you suspect that is the way of life in Mea Shearim, the closed quarters of a group that triggered Gitai's respect and our curiosity.
  69. Comes off as an episode of "Beverly Hills, 90210" where, instead of spoiled rich kids, the characters are all ballet stars in the making.
    • Miami Herald
  70. A sluggish, soporific dud, the dreariest big-budget science-fiction adventure since "Dune."
    • Miami Herald
  71. Its lingering hangover, however, is decidedly pleasant.
    • Miami Herald
    • 57 Metascore
    • 75 Critic Score
    A refined, tasteful film about pure, hard lust.
    • 33 Metascore
    • 50 Critic Score
    A wisp of a movie that dissipates the moment you leave the theater.
    • Miami Herald
  72. What makes this documentary worth seeing is the sensational courtside footage taken with IMAX cameras, which bring a whole new way of seeing the game to fans who don't get to sit in Jack Nicholson's section.
    • Miami Herald
  73. Lacks emotional depth and sweep -- but the movie still delivers the type of rousing, large-scale adventure that marked the best films of its kind
    • Miami Herald
  74. Spacey, whose precise command of enunciation and diction, along with his wicked, reptilian charm, are strong enough to carry the show.
    • Miami Herald
  75. A very complicated movie. It is also pretty wonderful.
    • Miami Herald
  76. Romantic comedy that softens your date into giving you that first kiss. It's not much more than that -- it's flawed and somewhat unfocused.
    • Miami Herald
    • 27 Metascore
    • 63 Critic Score
    Look beyond the perfunctory dinosaur flatulence jokes, and Viva Rock Vegas is really quite sweet and clever.
    • Miami Herald
  77. This is a big, audacious stunt of a movie -- pointless, perhaps, but incredibly fun to play with.
    • 30 Metascore
    • 63 Critic Score
    Everything that cynical moviegoers despise and the tender-minded adore.
  78. Don't let it slip out of town without getting a look at it.
  79. Sad confusions and emotional disconnections are what the story is all about.
  80. It''s loud and flashy and fun to look at, but you''ll grow tired of it very quickly.
    • 73 Metascore
    • 75 Critic Score
    Never really more than an amiable Cinderella story, but it leavens its subject with such heart, such idealism and such pure eroticism that it's nearly a total success.
  81. Does more than pay lip service to its subtexts.
  82. Sports a cool, early '60s soundtrack of hit-radio pop. But, make no mistake, this is no "American Graffiti."
  83. Has the feverish intensity of a bad dream, leavened with a subversive sense of humor that is both sophisticated and cracked.
    • Miami Herald
  84. The unrelentingly dull Where the Money Is tests his (Newman's) legendary charisma in a way no actor could overcome.
  85. O'Donnell has a fine eye for the small details of life and the movie feels rich, warm and real .
    • Miami Herald
  86. It's just as voyeuristically enjoyable as those VH-1 has-been bios but without the soft-focus star shots and with far more edge, energy and originality.
    • Miami Herald
  87. It's bottom-feeder entertainment wrapped up in high-minded airs.
  88. As light and fluffy as it is, Return to Me still proves surprisingly inviting.
  89. Moves too slowly, running out of gas in the later rounds of the plot.
  90. Proves there are some things cartoons can't do better than live action after all.
  91. If only Beau Travail had a more dramatic edge, this nicely done film wouldn't have felt so long.
    • Miami Herald
  92. Ultimately too slight for its own good: It's a genial little doodle, light on plot and heavy on quotable, pithy observations.
    • Miami Herald
  93. Corny? You bet. But it also proves surprisingly inviting -- for a while, anyway.
    • Miami Herald

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