Magnet's Scores

  • Music
For 2,325 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 0.1 points lower than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Comicopera
Lowest review score: 10 Sound-Dust
Score distribution:
2325 music reviews
    • 72 Metascore
    • 80 Critic Score
    The songs are vibrant enough to convince you to forgive their derivative nature. [#67, p.87]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    A rich, mainly acoustic fabric. [#86, p.59]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    Nothing about Sunday Run Me Over should stop fans from flocking to this. [No. 92, p.53]
    • Magnet
    • 72 Metascore
    • 75 Critic Score
    Mala is his finest attempt at not killing momentum by diving down a rabbit hole. [No. 97, p.52]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    It's an artful & well-crafted collection. [No. 98, p.60]
    • Magnet
    • 72 Metascore
    • 70 Critic Score
    Ledges seems effortless in its creation. [No. 106, p.55]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    It's not difficult to hear everyone from John Cate to Ryan Adams in the soundtrack. And yet, it's always distinctly Margot. [No. 108, p.57]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    Whether in the flesh or behind-the-scenes, each work is all Wainwright. [No. 131, p.61]
    • Magnet
    • 72 Metascore
    • 50 Critic Score
    Vacancy has a more organic, "big indie rock" real feel to it as opposed to something automatically designed to blast from convertibles and iPods in high-school lockers. [No. 134, p.53]
    • Magnet
    • 72 Metascore
    • 50 Critic Score
    Too frequently, though, the new material doesn't have the constitution to withstand the heavy hand of producer and former Dawes guitarist Blake Mills. [No. 137, p.55]
    • Magnet
    • 72 Metascore
    • 60 Critic Score
    Fans and obsessive will love this, but it may not qualify as a return journey for the rest of us. [No. 147, p.55]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    While not on par with the best from those two bands [The Clash and Stiff Little Fingers], American Fail is still potent. [No. 148, p.53]
    • Magnet
    • 72 Metascore
    • 40 Critic Score
    Even at 16 tracks, RKives feels paltry and incomplete. [No. 98, p.59]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    This is the most blistering set the duo have put out in a long time. [No. 81, p. 56]
    • Magnet
    • 72 Metascore
    • 90 Critic Score
    In control, indeed, and not just of scathing language. His command over his songwriter's rainbow, from pop sprite to pastoral sage to rockabilly goat gruff, redlines on "Hegira Emigre." [No. 103, p.56]
    • Magnet
    • 72 Metascore
    • 50 Critic Score
    Turn Blue is a soft pack of post-coital smokes, and Marlboro Lights 100's at that. [No. 110, p.51]
    • Magnet
    • 72 Metascore
    • 70 Critic Score
    It's when things slow down that Tare and Co.'s melodic intentions (and intensity) gets a better, clearer outing without losing their daring noisiness. [No. 108, p.58]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    The Foo sextet has made its hardest, yet most curvaceous and warm-blooded record to date. [No. 148, p.54]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    The overwhelming success of this unexpected Mac mashup is clear evidence that it's more than a one-off idea. [No. 144, p.52]
    • Magnet
    • 72 Metascore
    • 70 Critic Score
    Only when [Earle] tries to escape his tuneful-yet-limited vocal range do the songs struggle. [#86, p.54]
    • Magnet
    • 72 Metascore
    • 65 Critic Score
    This fourth full-length goes somewhere stranger: the 1980s. [No. 115, p.61]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    Erasure avoids the obvious pitfalls with its usual combination of intelligence and good humor. [No. 104, p.55]
    • Magnet
    • 72 Metascore
    • 55 Critic Score
    Home Again is an album with a powerful voice, but little to say. [No.89, p.56]
    • Magnet
    • 72 Metascore
    • 70 Critic Score
    As an exercise in shimmering, occasionally funky rock, What For? succeeds. [No. 119, p.61]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    The formula is familiar... but the results can be stranger than recent 'Lab fare. [#71, p.91]
    • Magnet
    • 72 Metascore
    • 70 Critic Score
    It would seem the sun has risen over Dead Meadow and the flowers are finally in bloom. [#67, p.90]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    In some ways, shedding the epic storytelling has given Vanderslice a more universal appeal. [#69, p.111]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    This one's a keeper. [No.99, p.52]
    • Magnet
    • 72 Metascore
    • 60 Critic Score
    The pulse of their motorik grooves feel more mechanical than menacing, and the decision to put '80s-vintage synthetic drums and pomp-rock synths up high in the mix distracts from evil intent. [No. 139, p.59]
    • Magnet
    • 72 Metascore
    • 70 Critic Score
    The album includes a perky Cure pastiche, a taste of synth-pop and some very Spoon-ish back-and-forth between fuzzed-out, noisy guitars, but the succinct, kinetic rockers are its high points, and leaves you wanting more of them. [No. 97, p.59]
    • Magnet