Magnet's Scores

  • Music
For 2,325 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 0.1 points lower than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Comicopera
Lowest review score: 10 Sound-Dust
Score distribution:
2325 music reviews
    • 69 Metascore
    • 70 Critic Score
    The trio continues mixing and mismatching, with both elements of Skulls' sound [Black Keys' rock and Radiohead's honey-eyed longing] feeling even more pronounced. [No. 85, p. 52]
    • Magnet
    • 79 Metascore
    • 70 Critic Score
    Schott's new material retains some of the music-box delicacy of yore, and her breathy singing is as slender as a reed. [No. 119, p.53]
    • Magnet
    • 77 Metascore
    • 70 Critic Score
    Amos delivers another set of stirring songs tempered and emboldened by years of experience. [No. 110, p.53]
    • Magnet
    • 69 Metascore
    • 70 Critic Score
    More than ever, Magic Potion hears the duo transitioning from blues to blues-based. [#73, p.87]
    • Magnet
    • 76 Metascore
    • 70 Critic Score
    Their combined voices are just so unfathomably, incorrigibly all-devouring. [No. 120, p.61]
    • Magnet
    • 67 Metascore
    • 70 Critic Score
    Nothing here will supplant Smith's own definitive versions, but fans of the Avett Brothers, of Mayfield, and, indeed, of Smith will find plenty to love in this affectionate and unassuming album. [No. 118, p.53]
    • Magnet
    • 75 Metascore
    • 70 Critic Score
    Wire needs more of the barbed wit and brute anger that has enabled the band's best post-2000 work stand up to its iconic '70s recordings. [No. 120, p.60]
    • Magnet
    • 75 Metascore
    • 70 Critic Score
    During its most commercial moments, Frances ventures dangerously close to System Of A Down, without the nu-metal grandstanding or fake volatility. [#67, p.106]
    • Magnet
    • 77 Metascore
    • 70 Critic Score
    It's a warped ride overall, though not without some solid moments hidden beneath the surface. [No. 96, p.54]
    • Magnet
    • 75 Metascore
    • 70 Critic Score
    The whole thing is executed with a sense of starry-eyed bliss. [No. 119, p.61]
    • Magnet
    • 82 Metascore
    • 70 Critic Score
    Ward's far-ranging sound transcends the room.... If only his lyrics were as fresh. [#58, p.106]
    • Magnet
    • 73 Metascore
    • 70 Critic Score
    Perhacs' light touch contrasts with the often heavy-handed lyrics. [No. 108, p.59]
    • Magnet
    • 70 Metascore
    • 70 Critic Score
    Only the rambunctious can appreciate the tinny, relentlessly inventive hybridization herein. [#64, p.92]
    • Magnet
    • 79 Metascore
    • 70 Critic Score
    Led by mercurial crooner Stuart Staples, the current lineup’s grand balladry is more stately and slow-boiled than ever.
    • 80 Metascore
    • 70 Critic Score
    Kinks geeks will relish the autobiographical elements. [No. 142, p.54]
    • Magnet
    • 69 Metascore
    • 70 Critic Score
    Sure, anyone who has ever listened to 14 minutes of classic-rock radio has heard a good chunk of this ... but the energy remains undeniable and infectious. [No.88 p.56]
    • Magnet
    • 80 Metascore
    • 70 Critic Score
    A few demerits are warrented for pointless and distracting tempo changes in two of the album's most satisfying songs, but otherwise, the off-kilter, kichen-sink production works. [Fall 2007, p.101]
    • Magnet
    • 78 Metascore
    • 70 Critic Score
    Too stylistically diverse, willfully weird and lyrically cryptic to be anything more than an acquired taste. [#68, p.101]
    • Magnet
    • 68 Metascore
    • 70 Critic Score
    There's some filler in the form of ambient doodling, but JT's pop sensibilities peek through frequently enough that it's a fair trade. [No.88, p.55]
    • Magnet
    • 68 Metascore
    • 70 Critic Score
    This sounds like grim stuff, but Gordon and Co. come off less dour than agitated, and even on its slower tracks, Beauty Already Beautiful has a lot of current running through it. [No. 131, p.61]
    • Magnet
    • 67 Metascore
    • 70 Critic Score
    La Maison offers a glimpse into the Casadys' strange, spooky world; Noah's Ark shows them taking tentative, often intriguing steps outside of it. [#69, p.91]
    • Magnet
    • 78 Metascore
    • 70 Critic Score
    While the current incarnation knows its strengths and weaknesses; Nocturnal Koreans is the latest in a late-career winning streak the band has been on since 2008’s Object 47. [No. 131, p.61]
    • Magnet
    • 71 Metascore
    • 70 Critic Score
    It makes music that tips its hat to the past without sounding derivative. [No. 144, p.53]
    • Magnet
    • 68 Metascore
    • 70 Critic Score
    On their fifth album, the ’Hangers burrow deep into the world of post-garage pop that feels not too far afield from Georgia indie-rock kin Pylon covering Suzi Quatro. [No. 131, p.55]
    • Magnet
    • 73 Metascore
    • 70 Critic Score
    Louris' vision is still pretty much stuck in 1992. [#58, p.94]
    • Magnet
    • 76 Metascore
    • 70 Critic Score
    It's a transformative, fluidly orchestrated moodscape of dappled piano figures, synthesizer washes and swelling strings, horn and bell tones. [No. 106, p.54]
    • Magnet
    • 64 Metascore
    • 70 Critic Score
    The Dandys haven’t sounded this simultaneously energized and devil-may-care since the Duran Duran-polished synthpop of 2003’s Welcome To The Monkey House. [No. 131, p.52]
    • Magnet
    • 55 Metascore
    • 70 Critic Score
    [The album is] somewhere between his recent acid house work as Speed Dealer Moms and his dramatic collaborations with Omar Rodriguez-Lopez and Wu-Tang acolytes Black Knights--and pretty much everything he's done to date. [No. 110, p.55]
    • Magnet
    • 75 Metascore
    • 70 Critic Score
    A collection of sandblasted songs that redefines its sound and pegs Ladybug as something other than '60s pop purists. [#61, p.101]
    • Magnet
    • 77 Metascore
    • 70 Critic Score
    Through the first three songs, Confessions sounds for all the world like the masterpiece John Wesley Harding has seemed unwilling to make throughout the detours and bypasses his career has taken since his magnificent 1990 debut.... Unfortunately, he has a difficult time reaching those heights again. [#47, p.97]
    • Magnet