Los Angeles Times' Scores

For 16,533 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16533 movie reviews
  1. Strawberry Mansion is one of the most unique American independent films to open its doors in recent memory. Only time will tell if it can attain the cult status that its charming idiosyncrasy most definitely merits.
  2. “Southside” does have its standard, conventional aspects, but it was a popular Sundance item despite that, in large measure because of the performances of its finely matched pair of stars.
  3. José Cancella's original score complement the tremendous wit, vitality and sensuality of the dancers.
  4. If it’s imperfect, or certain narrative turns are rocky, you forgive it because Bottoms is just so audacious, and most important, the jokes are nonstop. Perfectionism is a trap, anyway.
  5. Though there are occasional stumbles along the 1,100-mile hike, the peaks in Wild make the journey more than worth it.
  6. This profoundly moving movie covers a different kind of success, as a great musician takes pains to make sure her idol receives some proper respect — the only currency that always matters.
  7. This is a definitive statement of what Carmichael can do as a director, transcending the small scope of the film into something grander and more epic.
  8. This thoughtful, sensitive film, perhaps the most emotionally wrenching of all the Iraq documentaries, could have been made after any war.
  9. While the film’s dialogue and characters aren’t exactly unique, its visuals are remarkable and it’s actually about something. It’s a ripping yarn, a gorgeously rendered kaiju adventure on the high seas that uses fantasy to ask pertinent questions about the stories we believe, and who benefits from that belief.
  10. More lyrical tone poem than straightforward documentary.
  11. This is not a typical Iranian production. Simultaneously deeply allegorical and concretely physical, this striking film is not a typical production, period.
  12. In its imaginative depiction of how marginalized souls view home — especially youth, for whom belonging and the future can be fraught concepts — Gagarine bears witness to not only a historic building, but the hearts of people, which is what brings a place alive, anyway.
  13. Raya herself is an appealing amalgam of countless smart, unpretentious, down-to-earth action heroes before her — the kinds of characters that, as with this movie, you gravitate toward as much for their familiarity as for their novelty.
  14. Unlike a lot of institutional raunch in today's comedy, Humpday finds laughs out of what is rarely made explicit between buddies.
  15. The main strength of "Shakespeare" is its ability to show the vulnerability of its subjects, neither judging nor smothering them with undeserved praise.
  16. The skillfully assembled documentary Wasted! The Story of Food Waste proves as eye-opening as it is mouth-watering.
  17. Sommer, who did fine supporting work on TV’s “Mad Men,” doesn’t prove a distinctive or charismatic enough presence to carry an entire film, especially one as uneven as this.
  18. Youmans’ poetic wade into rural black Louisiana, and the private realms of the faithful and faltering across three generations, is the kind of boldly off-road and unapologetically arty family drama that makes one sit up and take notice.
  19. Classify Pietro Marcello’s sweet new film Scarlet at your own risk, because its pleasures are as diverse and unexpected as a stroll through uncharted lands: Mapping the terrain wouldn’t be half as enjoyable as letting the place host its own truths and enchantments.
  20. Betts, whose first feature was the absorbing monastic drama “Novitiate,” has a gift for subverting and fulfilling expectations at once, and also for turning the strictures of traditional establishments inside out.
  21. Jawline provides an evenhanded examination of celebrity and loneliness in the digital age.
  22. Inspired by a documentary, the film is shot with vérité immediacy and beautifully acted by an outstanding ensemble. If not every piece of the puzzle delivers its intended impact, the movie as a whole gets under your skin, and the central characters resonate long after the screen goes dark.
  23. The pull of the film lies in how Davidtz allows Bobo to bob on the surface of things while we feel the dark undertow
    • 74 Metascore
    • 80 Critic Score
    A sort of new-wave nuke film, “Miracle Mile” is intense, humorous and powerful. And, yeah, it’s also sometimes off the wall.
  24. Bardem's performance is a marvel of restraint and control, both physical and emotional.
  25. It’s not a criticism to say that Smoking Causes Coughing doesn’t hold together, because cohesion isn’t what Dupieux is going for. He’s more about surprise and delight.
  26. Though Kidman doesn't hesitate to make Grace high-strung and as tightly wound as they come, she also projects vulnerability and courage when they're called for. It's an intense, involving performance, and it dominates and energizes a film that would be lost without it.
  27. A remarkably rich documentary possessing depth, range, insight and compassion.
  28. The film offers rousing adventures that kids will love and witty humor that adults can appreciate.
  29. As well-meaning and "sensitive" as Awakenings is, it never rises much above the level of a grade-A tear-jerker. It achieves most of its effects by tenderizing raw material into something marshmallowy. [20 Dec 1990, p.1]
    • Los Angeles Times

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