For 16,532 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,702 out of 16532
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Mixed: 5,813 out of 16532
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Negative: 2,017 out of 16532
16532
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
Plays out the notion of the forces of light being inexorably drawn to those of darkness, of the older generation betraying the younger and maybe even an indictment of European indifference to the Balkans' agony.- Los Angeles Times
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Reviewed by
Kevin Thomas
Neither acutely suspenseful nor particularly thrilling but instead mainly numbing.- Los Angeles Times
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- Critic Score
It delivers the stars in unguarded moments that should give fans--if not everyone--some kicks.- Los Angeles Times
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Reviewed by
Kevin Thomas
Alternately heart-wrenching, dismaying, raw and even funny, Solas is ultimately a wonderfully warm and embracing experience.- Los Angeles Times
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It's hard to tell if My 5 Wives is so completely dumb that it's impossible to be offended by it, or so completely offensive that it's just dumb.- Los Angeles Times
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Reviewed by
Kenneth Turan
Its warped, disconnected sensibility makes for an oddly distant piece of work.- Los Angeles Times
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Reviewed by
Kevin Thomas
Although there is real pain and suffering in It All Starts Today, it is too impassioned, too brisk and too embracing of life and human foibles to be depressing.- Los Angeles Times
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Reviewed by
John Anderson
An implement of destruction loaded with more borrowed film riffs than could be compiled by 47 clones of Robert Rodriguez..- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Looks sensational, moves like lightning. But its script (by Joel Soisson) makes no pretense about being logical or even comprehensible.- Los Angeles Times
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Reviewed by
Kevin Thomas
Way too bleak to be funny, even as a contemporary satire of the battle of the sexes.- Los Angeles Times
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Reviewed by
Kevin Thomas
An admirable, thoughtful venture, but it may leave you with the feeling that you've seen it all before.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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- Los Angeles Times
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- Critic Score
A sensitive and thoughtful probe into questions of faith and the difficulties faced by those who are called to teach others.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
You find Went to Coney Island sticking with you long after it's over.- Los Angeles Times
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Reviewed by
Kevin Thomas
A film of much gentleness, tenderness and keen observation into the way laughter and pain have a way of colliding into each other.- Los Angeles Times
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Reviewed by
John Anderson
So mild, so benign, its humiliation-to-vindication are so predictable and its old-folks jokes so feeble.- Los Angeles Times
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A film without a framework, without a skeleton--a Phish philet, if you will.- Los Angeles Times
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Reviewed by
Kevin Thomas
By the time the heavy-handed Solomon & Gaenor is over, it has become such a punishing exercise in the self-evident that one is left numb and eager for escape.- Los Angeles Times
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Reviewed by
Kevin Thomas
Not quite original enough to make much of a dent in the marketplace, but it shows its stars to advantage.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
A warm and feisty documentary that is as much inquiry as it is tribute.- Los Angeles Times
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Reviewed by
Kevin Thomas
This complex, sophisticated and increasingly suspenseful tale of love and betrayal, intrigue and redemption, is as elegant as its star and its settings.- Los Angeles Times
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Reviewed by
Kenneth Turan
Some movies make you sorry you've seen them, and The Cell is one of those. Creepy and horrific, it's a torture chamber film.- Los Angeles Times
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Reviewed by
Kenneth Turan
Another traditional Japanese production, weakly plotted, woodenly acted and indifferently dubbed.- Los Angeles Times
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Reviewed by
Kevin Thomas
There might have been a better, more involving method of telling Hoffman's story, but it is expressed with a firm sense of commitment to accuracy and authenticity.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Moves smoothly amid a near-perfect period evocation, captured in an array of shifting moods.- Los Angeles Times
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