Los Angeles Times' Scores

For 16,532 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16532 movie reviews
  1. SomeBody reclaims well-trodden territory with an innovative hand that feels fresh as tomorrow.
  2. Far removed from the usual college movies, as amusing as they can sometimes be, and so authentic it's like eavesdropping on life.
  3. All told, this is going to make passable television. Eventually.
  4. Denis and Testud, in a wondrous collaboration of a gifted director and equally gifted actress, succeed in making Christine a tragic figure.
  5. Zany, exuberantly irreverent animated space adventure.
  6. Though Schroeder makes you squirm more than you want to at the inevitable scenes of the trussed-up female murder victim, he also has the proclivity and the skill to make at least the B-picture half of Murder by Numbers of more than passing interest.
  7. Birot is an engaging storyteller who can inspire luminous, spontaneous portrayals, but her ending is so drastic that it feels unearned, a note of bleakness struck merely for its own sake.
  8. It is such a grand, romantic entertainment that it sweeps the viewer along in its swiftly escalating suspense.
  9. The movie itself is a live-action cartoon, a fast-moving and cheerfully simplistic 88 minutes of exaggerated action put together with the preteen boy in mind.
  10. The film is perhaps best enjoyed as a minor work with some major pluses, notably in the characterizations and in their adroit portrayals.
  11. Deliciously funny and fiendishly clever con-man comedy that begins on a note of ingenuity that it then sustains with the tension of a high-wire act.
  12. Ethan Hawke, in his feature directorial debut, has brought Nicolette Burdette's play to the screen with fluid grace and a perfect blend of dreaminess and grit, expressed in camerawork that seems to float and in Jeff Tweedy's shimmering, gently insistent score.
  13. The result is an exquisite yawn that provokes consideration of how accomplished Ben Kingsley, Fiona Shaw and Mira Sorvino and others are as actors -- but how in this instance the characters they play so intensely never come alive.
  14. An affectionate documentary about a free-spirited group.
  15. Relatively accurate as a period piece, looks great and boasts a bevy of vintage numbers, some original recordings and others performed in an authentic manner by Ian Whitcomb and His Bungalow Boys.
  16. Unafraid of improbability and coincidence, writers Ned Kerwin & Scott Duncan pile on nonstop action that keeps up a furious pace without giving the viewer time to ponder its credibility.
  17. Kawalerowicz directs with briskness and vigor but cannot keep the first half of his film from slipping into tedium.
  18. A goofball movie, in the way "Malkovich" was, but it tries too hard.
  19. Well-crafted, disturbing Texas gothic thriller, a completely spooky piece of business that gets under your skin and, some plot blips aside, stays there for the duration.
  20. The whole trippy experience is like being held at gunpoint by a Jehovah's Witness at the front door while George Gobel holds forth in the living room on Nickelodeon.
  21. Frustrating yet deeply watchable melodrama that makes you think it's a tougher picture than it is.
  22. Struggles awkwardly to bring a twist or two to its hoary class-conscious story line, aiming for a subtlety in character development that's smothered by excessive kitsch and kink.
  23. The trick is getting from a conclusion made five minutes into a movie to an ending 90 minutes away. It can be a scary prospect. In The Sweetest Thing it is mostly a hoot.
  24. Lightly reflective and consistently entertaining, Lucky Break is an easy-to-take diversion.
  25. Assayas has made a great film from Jacques Chardonne's classic novel. Although far different in tone, time, place and temperament, it brings to mind "Gone With the Wind" in its depth and scope and in its love story, which unfolds over a turbulent era.
  26. The problem with High Crimes, acceptable though it is, is that it's not close to anyone's best work.
  27. Perceptive, good-natured movie.
  28. A pleasant diversion, a lightly amusing criminal comedy with a plot so complicated even the people in it can't quite believe what's happening.
  29. It is impossible to watch this warm, wonderful film without becoming aware of the enormous impact the Yiddish theater has had on every aspect of American show business.
  30. Those 24-and-unders who are looking for their own "Caddyshack" to adopt as a generational signpost may have to keep looking.

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