Los Angeles Times' Scores

For 16,533 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16533 movie reviews
  1. There's no defense for movies like these, but neither do they warrant apology; they're irresistibly watchable, like car wrecks.
  2. All these intriguing good intentions, however, have largely gone for naught because of a variety of missteps, starting with an increasing implausible plot as well as the fact that Ledger's Harry looks about as likely to pass for an Arab as the Mahdi is to pass for Queen Victoria.
  3. A practiced piece of Hollywood hokum, way too calculated and contrived, especially for a film that nominally celebrates the chaos and creativity of the 1960s.
  4. Not the kind of unwatchable mess you might assume a film withheld from reviewers' scrutiny would be. It is, however, something equally unfortunate: a mess you'd rather not be watching.
  5. This graceful and wise film moves to its denouement with subtlety and, at its end, strikes a note that seems just right for all that has gone before.
  6. Although it starts off vaguely amusing, 8 Women grows progressively sour, curdled by the filmmakers' bad faith and lack of compassion. It isn't just the tone that's off; it's the point.
  7. For all the dolorous trim, Secretary is a genial romance that maintains a surprisingly buoyant tone throughout, notwithstanding some of the writers' sporadic dips into pop Freudianism.
  8. Prepare to be astonished by Spirited Away.
  9. As an exploitation picture, Das Experiment is mindlessly potent; subtitles are no guarantee of sophistication and subtlety.
  10. Daring and complex. At 112 minutes, it might be 15 minutes too long, but this is not enough to detract from its impact as a probing and universal contemporary drama.
  11. This is, after all, a film in which no one leads life according to script -- but, then, that's also the reason it works.
  12. In scope, ambition and accomplishment, Children of the Century therefore takes Kurys' career to a whole new level.
  13. Writer-director Steers has chosen to overload "Igby" with phony archness and forced black humor, making it not the place to look for satisfying acting.
  14. As warm as it is wise, deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer, providing an experience that is richer than anticipated.
  15. A confidently adroit thriller that captures a comprehensive sense of life in an edgy, multicultural and economically diverse Paris. The large cast couldn't be better, but the film belongs to Kiberlain.
  16. It's so bad that you have to wonder whether Tom Green was looking for a project to match last year's "Freddy Got Fingered" -- Green didn't direct this turkey, but it surely is a contender for the bottom of the barrel award for 2002.
  17. This predictable teenage take on the 'Fatal Attraction' formula goes from dumb to even dumber.
  18. Has trouble seeming real. Its back story, involving the sins of Detective LaMarca's own father, feels contrived and the eventual resolution is simultaneously shaky and too pat.
  19. If ever there was a prime example of art bringing order out of chaos, it is Steven Rosenbaum's 7 Days in September. -- The result is a narrative at once personal, admirably coherent and, above all, heartening.
  20. Godard has always made films that are as thrilling for their ideas and ideals as for the sheer beauty of their images; the difference here is that for the first time in years he's more interested in turning us on than in turning us off.
  21. A dreary indulgence. An unfunny satire set in the world of daytime soap opera, it isn't offensive enough to inspire passionate response.
  22. Succeeds as a full-bodied diversion because it takes even its silly elements seriously. If you're in the mood for impressive castles and sumptuous costumes, torch-lit processions and decorative nudity, this is the place to turn.
  23. The story leapfrogs abruptly from scene to scene, and it makes such a mockery of narrative logic and continuity that the cast tends to look either baffled (Dorff) or as if they're trying to remain unrecognized.
  24. This is a splendid example of contemporary Bollywood in which a director's sophisticated style and vision have been brought to bear on the beloved conventions of popular Hindi cinema.
  25. Turns out to be a film that's interesting in spite of itself. It's less an impartial investigation than an advocacy film, having been hijacked by the members of the "inner sanctum."
  26. Belly dancing isn't always the most thrilling of dances, but it's a blast to see these women shaking and rolling because they're so thoroughly in charge of the male clientele and their own sexuality.
  27. A compelling entertainment because of Hill and co-writer David Giler's adroit cinematic storytelling skills and the powerful presence of Wesley Snipes and Ving Rhames, whose talent and intelligence are as impressive as their physiques.
  28. Its greeting card look and feel aside, Little Secrets is an otherwise worthy family entertainment.
  29. Crushingly unfunny.
  30. Julie Davis' story is fresh and amusing.

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