Los Angeles Times' Scores

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For 16,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,704 out of 16534
  2. Mixed: 5,813 out of 16534
  3. Negative: 2,017 out of 16534
16534 movie reviews
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  1. Dark Water
    Brazilian Walter Salles, who previously directed the Oscar-nominated films "Central Station" and "The Motorcycle Diaries," guides this stylish remake through treacherous territory to create a distressing, subtly suspenseful film full of emotional resonance.
  2. Fantastic Four
    Fails to be anything more than a mild summertime diversion. Based on the Marvel comic book, it's a prototypical air conditioner movie.
  3. The Beautiful Country
    It is a straightforward, conventional narrative, charting seemingly endless cruelty and hardship, but rewards the patient with an eloquent climactic sequence that is impossible to predict.
  4. Saraband
    Bergman has never been an ordinary filmmaker, and what he's given us is no genial last hurrah but rather an intensely dramatic, at times lacerating examination of life's conundrums that is exhilarating in its fearlessness and its command.
  5. Chronicles
    The result is reasonably absorbing and a provocative if familiar commentary on media manipulation, with Leguizamo terrific in a serious, intense performance.
  6. Rebound
    If I were 6, I could enjoy Rebound without thinking about all the better movies made from its concept.
  7. The Beat That My Heart Skipped
    What has resulted is a blistering film you feel in the pit of your stomach, a jumpy, edgy piece of work that thrusts us into a personal maelstrom so tortured and intense, the emotions could be spread with a knife.
  8. Undead
    However visually striking, this Australian film is ultimately as tedious as it is derivative.
  9. The World
    A remarkable film.
    • 70 Metascore
    • 70 Critic Score
    Twist of Faith
    It's a demanding film but one filled with important truths about humanity in all its denominations.
  11. War of the Worlds
    Working in the spirit of his predecessors but with the kind of uncanny special effects they could barely dream of, Spielberg has come up with an impressive production that is disturbing in the way only provocative science fiction can be.
  12. Tropical Malady
    Mysterious and original.
  13. Bewitched
    Isn't a remake, really. It's a "reimagining," which is a sparkly word for what happens to a beloved TV hit of yesteryear when it's cannibalized by committee.
  14. Land of the Dead
    Romero easily commands an enormous cast, a plethora of action sequences and a cornucopia of special effects -- some of them very gory -- and creates one darkly dazzling image after another that allows Land of the Dead to emerge without any nudging whatsoever as a bleakly humorous, hard-charging allegory.
  15. Rize
    José Cancella's original score complement the tremendous wit, vitality and sensuality of the dancers.
  16. Yes
    Bold, vibrant and impassioned, Yes is the work of a high-risk film artist in command of her medium and gifted in propelling her actors to soaring performances.
  17. Lila Says
    Raw, earthy yet tender and perceptive, Lila Says marks a strong directorial debut for Doueiri, who was Quentin Tarantino's camera operator on "Reservoir Dogs," "Pulp Fiction" and "Jackie Brown."
  18. The Last Mogul
    A smart, well-paced documentary that balances the man's triumphs with his rare failures and discerningly explores the darker side of his power.
  19. March of the Penguins
    As uplifting as anything you will find in theaters.
  20. Herbie Fully Loaded
    It may be by-the-numbers, but it knows that under the right circumstances those numbers can lead to a fair amount of fun.
  21. Waging a Living
    Through sensitive, in-depth profiles of four workers, Weisberg drives home the point that hard-working men and women with full-time jobs find themselves and their families trapped in a seemingly endless cycle of poverty.
  22. The Deal
    The film might have worked as a taut, topical corporate intrigue thriller; instead, for all its ambition, it's just a routine mystery, despite a solid performance by Christian Slater.
  23. Pure
    This is a conventional, well-acted, English working-class drama in the familiar realist style, but it does not attain anywhere near the level of artistry and imagination of a Ken Loach film.
  24. The Perfect Man
    The movie is a tortured marshmallow.
  25. The Great Water
    Intent as it is on being both artistically and politically involving, The Great Water periodically miscalculates its effects, coming on stronger than it intends.
  26. Heights
    Beautifully shot on location in New York and consistently well-acted, but it sticks a little too closely to the surface to be very compelling.
  27. Me and You and Everyone We Know
    Optimistic and humanistic to the core, Me and You and Everyone We Know is a paean to perseverance and finding ways to cope.
  28. My Summer of Love
    Two teen girls forge an explosive connection in a compelling Pawel Pawlikowski film.
  29. The Talent Given Us
    It's difficult, though, to see how this picture -- essentially chronicling a long car trip -- could mean much to anyone but the Wagners and their friends and relatives.
  30. Ethan Mao
    At once a tender love story and a psychological suspense drama that lays bare the acute tensions that threaten to tear apart an upwardly mobile suburban L.A. Chinese American family.
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