Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. Little more than an extended excuse for a soundtrack.
  2. A witless, mind-numbingly inert comedy.
  3. For an action thriller based on a Dick story, Next is peculiarly low-tech and hokey.
  4. Modest but well wrought and witty, Snow Cake is full of unexpected moments and clever observations.
  5. Steeped in shrewdness about the often contradictory workings of human nature, Poison Friends is gratifying in the best tradition of French cinema.
  6. A breezy, well-paced diversion, amusing rather than scintillating yet clearly personal.
  7. Unengaging and uninspired and that leaves far too much unexplored.
    • 52 Metascore
    • 60 Critic Score
    This isn't merely a horror film about things going bump in the night, but a study of the effects of desolation on our sense of personal consciousness.
  8. Archetypal characters and somewhat formulaic plot notwithstanding, Diggers has the conviction to avoid tying things up with a bow and allows us the privilege to imagine where its denizens will go afterward.
  9. Mournful and engrossing, the film traces Gutierrez's life through the people he knew and the places he lived.
    • 43 Metascore
    • 50 Critic Score
    The outline of a great story, but it never fills in the gaps.
  10. A trite, incoherent tale.
  11. The scenario isn't entirely plausible, but the actors are engaging and you can't beat the running time.
  12. Zoo
    Zoo is a cool sensibility married to a hot topic, a poetic film about a forbidden, unsettling subject. Elegantly made and eerily lyrical, it deals with what director Robinson Devor has accurately called "the last taboo, the boundary of something comprehensible."
  13. Like any good sequel, this film takes what is familiar with the original's concept -- in this case, an internecine struggle for supremacy -- and deepens it.
  14. Wright and Pegg are storytellers who weave their naughty bits into genuine characters and a plot. It's a ridiculous plot, but one that's absolutely in the spirit of the films they're satirizing.
    • 54 Metascore
    • 70 Critic Score
    A ruthlessly efficient stalk-and-slash machine.
  15. It boils down to experience's arrogance, intellect and wealth versus youth's cockiness, resilience and hard work, and the actors appear to have a good time playing the game.
  16. The 27-year-old Kasdan displays an ability to bring a refreshing, human touch to what could be overly familiar material that echoes what his father did in films like "The Big Chill" and "Body Heat."
  17. The finely crafted Alice Neel is at once tribute, investigative journalism and messy family drama.
  18. A complete master of cinematic farce, Veber's latest venture, The Valet, makes creating deliciously funny comedy look a lot easier than it has any right to.
  19. Although ill-served by the lack of expert voices or elaboration on viable choices, Plagues and Pleasures is an often-fascinating document of change -- incremental as evaporation, or catastrophic as flooding.
  20. Brougher has taken material that sounds contrived and potentially exploitative and used her gift for careful observation and restrained emotionality to give it surprising authenticity.
  21. As writer as well as star, Dedio expresses passionate concern for the lost young souls of Lower Manhattan but by and large doesn't define his characters strongly enough to involve the viewer in their fates very deeply.
  22. A spellbinding, intelligent thriller that takes its time to get where it's going but is well worth the trip.
    • 54 Metascore
    • 40 Critic Score
    A little of this junk-drawer fusillade goes a long way.
  23. One of the funniest films of the year. That's not good news for this attempted action-adventure, which clearly lost its way in its own copious fog.
  24. It is an acceptable enough thriller, neither the worst you've seen nor the opposite.
  25. Redline isn't exactly a car wreck, mainly because it's far less exciting, and you can, in fact, look away. Perhaps at your shoes.
  26. The film's tone is on the sitcom side, but its likable cast and zany subplots make it palatable.

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