For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sheri Linden
For the most part, this unblinking family drama packs a visceral punch. Thomas' journey toward acceptance is blessedly free of noble lessons and filled with real people.- Los Angeles Times
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Reviewed by
Mark Olsen
A movie where the only conception of life seems to come from other movies makes for no kind of movie at all.- Los Angeles Times
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Reviewed by
Kenneth Turan
There's nothing terribly wrong with Milk, it's just that its celebration of a culture and a neighborhood, its valentine to the early days of gay rights activism, is mostly more conventional than compelling.- Los Angeles Times
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Reviewed by
Kenneth Turan
Hardwicke has connected so intensely to the Meyer novel that it's hard to imagine anyone else making a better version.- Los Angeles Times
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Reviewed by
Sheri Linden
Exploring a Lao family's experience during and since the Vietnam War, the film chronicles the treacheries of geopolitics and the upheaval of exile.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
Both an irresistible human story and as fine a documentary on football as "Hoop Dreams" was on basketball.- Los Angeles Times
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Reviewed by
Kenneth Turan
If you are willing to take the plunge and view things through Luhrmann's prism, "Australia" does deliver the classic dramatic and romantic satisfactions its ambitious advertising campaign promises.- Los Angeles Times
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Reviewed by
Kenneth Turan
All dressed up with no particular place to go, this 22nd Bond film tries hard but ends up an underachiever.- Los Angeles Times
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Reviewed by
Kenneth Turan
What results is a captivating portrait of the most gorgeously fractious dysfunctional family.- Los Angeles Times
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Reviewed by
Sheri Linden
Director Declan Recks underlines every emotion, every brooding pause, working against the spare dialogue with fancy-footwork camera moves and an insistent score.- Los Angeles Times
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Reviewed by
Gary Goldstein
Unfortunately, it takes director D.J. Paul a while to lend shape to this chatty, free-form material -- it would really make a better stage play -- and to distinguish writer Joseph "Bo" Colen's authentic-sounding but unevenly drawn characters.- Los Angeles Times
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Reviewed by
Mark Olsen
Running just shy of 2 1/2 hours, the film has too much of everything, and that's not necessarily a bad thing. By turns exuberant and goofy and mushy and yearning, Dostana plays like a super-sized pilot episode of "Three's Company: Miami" with crack tunes and jampacked with fun.- Los Angeles Times
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Reviewed by
Robert Abele
Davi's heartfelt performance makes for a winning solo, but the movie too often lacks harmony.- Los Angeles Times
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Reviewed by
Kenneth Turan
Boyle has been nothing if not bold with this film. He's dared to use so many venerable movie elements it's dizzying, dared us to say we won't be moved or involved, dared us to say we're too hip to fall for tricks that are older than we are.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Gary Goldstein
It's too bad there was no way around the story's inherent deficit since this effectively unsettling film, directed by Rob Schmidt ("Wrong Turn"), chugs along quite well for a while.- Los Angeles Times
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Reviewed by
Sheri Linden
The film's two levels -- metaphoric and nitty-gritty -- don't mesh until the devastation of the closing sequence, which both indulges in and transcends melodrama.- Los Angeles Times
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Reviewed by
Kenneth Turan
One of the truly heartening international political stories of recent years.- Los Angeles Times
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Reviewed by
Mark Olsen
The film is bad -- not good-bad, tacky-bad or fun-bad, just plain awful and nearly unwatchable.- Los Angeles Times
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Reviewed by
Robert Abele
An undeniably shattering story, if forgivably shaky in its impassioned, therapeutic unfolding.- Los Angeles Times
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- Critic Score
A dead-on-arrival thriller that resolutely fails to come to life.- Los Angeles Times
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Reviewed by
Robert Abele
A fan of flash-edited, orientation-challenged, hand-held camera mayhem, Wilkins unfortunately takes the wrong cue from his title and fragments the movie's attack scenes for maximum energy but minimal logical effect.- Los Angeles Times
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- Los Angeles Times
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- Critic Score
Uncovers a fascinating and largely forgotten chapter of the game's history that is well worth revisiting.- Los Angeles Times
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Reviewed by
Carina Chocano
In this sinister but gorgeous and compelling film by director Tomas Alfredson, being human and acting human don't always go together.- Los Angeles Times
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Reviewed by
Carina Chocano
Sprawling, awe-inspiring, heartbreaking, frustrating, hard-to-follow and achingly, achingly sad movie.- Los Angeles Times
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Reviewed by
Kenneth Turan
In other hands, these clashes of good and evil might have seemed ordinary, but Eastwood makes Changeling a hard story to shake off. To see this film is to understand both how fragile and how essential our hopes for decency and truth are in a world that must be made to care about either one.- Los Angeles Times
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Reviewed by
Kenneth Turan
Performances this strong and direction this sensitive make us simply grateful to have an emotional story we can sink our teeth into and enjoy.- Los Angeles Times
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Reviewed by
Michael Ordoña
With these actors and Rodrigo García's sensitive direction, Passengers might have fared well as a short. But as a full-length feature, it's a long ride to a familiar destination.- Los Angeles Times
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