Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. The Post
    The Post is the rare Hollywood movie made not to fulfill marketing imperatives but because the filmmakers felt the subject matter had real and immediate relevance to the crisis both society and print journalism find themselves in right now.
  2. The Flat
    No definitive answers are possible to the questions The Flat raises, which makes them all the more provocative.
  3. Cunningham
    Cunningham makes good on its stated goal of doing justice to the man’s spirit of inventiveness.
  4. Fireworks
    Fireworks is bracing and original, an indefinable film made from familiar elements. "Hana-Bi," its title in Japanese, is a combination of the words for "flower" and "fire," and filmmaker Takeshi Kitano has, in the same way, adroitly fused genres, creating a film in which almost every moment pops out in unexpected ways. [20 Mar 1998, p.F4]
    • Los Angeles Times
  5. Blind
    It's a fascinating exploration of the things that can thrive in the soil of a jealous mind, fertilized by suspicion and a lack of sight.
  6. The Magdalene Sisters
    Graced with performers who bring a purity of emotion to their work, the film is always dramatically convincing. There is a fundamental air of truth about it, a sense that, horrific though things seem, this is how it must have been.
  7. Tyson
    The result is as gripping as a title fight and as mesmerizing as a conversation with a cobra. You may not be happy with everything said, but you will not be bored.
  8. 101 Dalmatians
    Cruella De Vil dominates the film: With her booming voice (provided by Betty Lou Gerson) and extravagant gestures, she leaves a trail of shattered glass and frazzled nerves wherever she passes. [12 July 1991, p.F12]
    • Los Angeles Times
  9. Henry V
    Branagh's expertly cut and reshaped Henry V gives us the grimy face of war, yet he also gives us the guts - and the soul and poetry that animate them both. [8 Nov 1989]
    • Los Angeles Times
  10. The Day the Earth Stood Still
    This anti-nuclear war, science-fiction parable is something of a minor legend, beloved by '50s buffs and cinephiles. Robert Wise directed what turned out to be one of his best-liked movies and a personal favorite of his. [04 Jun 1995, p.66]
    • Los Angeles Times
  11. The Sting
    The Sting, that unalloyed delight...A pure entertainment film, it is impeccably crafted and well-deserving of its immense popularity.[25 Aug 1985, p.5]
    • Los Angeles Times
  12. Eastern Promises
    Expertly realized and gunmetal slick, Eastern Promises whirs along with perfect efficiency, but doesn't stir much in the way of visceral horror despite its penchant for treating the human body like a chicken carcass on a block. (Squeamishness, yes.)
  13. Shanghai Express
    Of all the Josef von Sternberg-Marlene Dietrich films, this Oriental thriller may be the most sinfully pleasurable and amusing. [15 Sep 1991, p.6]
    • Los Angeles Times
  14. Footnote
    Intensely specific in story yet wide-ranging in themes, with a tone that turns on a dime from comic absurdity to close to tragedy, this is brainy, bravura filmmaking of the highest level, a motion picture that is as difficult to pigeonhole as it is a pleasure to enjoy.
  15. Being 17
    If the film has a governing principle, it’s that love doesn’t take root in a vacuum, and its path is never perfectly straight.
  16. Free Solo
    Both intimate and expansive, Free Solo is a documentary beautifully calculated to literally take your breath away. And it does.
  17. Trouble the Water
    A stirring documentary.
  18. Saint Maud
    In only an hour and 24 minutes, Glass has crafted a film rich in history, reference, psychology, spirituality, style and even some gore, but it never overstays its welcome, recognizing that less is more.
  19. Misericordia
    This isn’t the kind of puzzle thriller in which all the elements click into place with a thudding literalism that compliments an attentive eye. It’s one that accommodates the vagaries of human behavior, leaving punishment aside as a secondary concern.
  20. Made in England: The Films of Powell and Pressburger
    Clearly there’s no better narrator than an obsessive like Scorsese for an archival dive into the duo’s unusual and extraordinary oeuvre. It’s his heartfelt analysis as host of filmmaker David Hinton’s documentary Made in England: The Films of Powell and Pressburger that puts this rewarding, personalized master class above most movies about movies.
  21. Mustang
    It's a moving portrait of sisterhood, a celebration of a fierce femininity and a damning indictment of patriarchal systems that seek to destroy and control this spirit.
  22. Breaking Point: The War for Democracy in Ukraine
    Thorough, impressive and smartly put together, joining dynamically edited verite footage with a series of thoughtful interviews, Breaking Point serves a pair of interlocking purposes.
  23. Palm Springs
    For a movie this fleet and funny (it’s a snap at 90 minutes), Palm Springs is surprisingly ripe for metaphorical plucking.
  24. James White
    Ultimately, though, it's Abbott's show to steal — and steal it he does — as he rivetingly conjures a character who's chaotically charismatic, hugely affecting and for better or worse thoroughly real.
  25. It Follows
    [A] smart, relentlessly chilling thriller that opts for originality over cheaply rejiggered jolts.
  26. Is That Black Enough for You?!?
    A glossy and breezy summation of Black cinema history this is not, and thank goodness for that.
  27. Driveways
    Driveways, a movie that’s poignant now for reasons we doubtless wish it weren’t, shows us how unlikely people can come together under imperfect circumstances and fit together perfectly. It also shows us how fleeting that perfection can be.
  28. Don't Think Twice
    For a movie that involves creating laughs on the fly, the story is tightly told and acted, which adds to its buoyant pacing, astute observations and well-judged poignancy.
  29. The Happiest Day in the Life of Olli Mäki
    The Happiest Day in the Life of Olli Maki is a lovely piece of work, a sweet, warmly observed tale overlaid with just the right amount of Scandinavian melancholy, a combination that perfectly suits its quietly engaging protagonist.
  30. Sweeney Todd: The Demon Barber of Fleet Street
    It's not entirely surprising that Burton's Sweeney Todd feels heavier on style than on substance -- so much that the style almost subverts the story. Still, it's a gorgeous artifact and pretty enjoyable in all.
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