Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. This film's cold, almost robotic conception of Salander as a twitchy, anorexic waif feels more like a stunt than a complete character, and so the best part of the reason we care enough to endure all that mayhem has gone away.
  2. Not only is Polanski very much in his comfort zone with this material, he also has cast it impressively, staying away from any of the actors who played the parts in either its London or New York productions and finding players who match up well with Carnage's juicy dialogue.
  3. A few shades brighter than its predecessor, and the action bits certainly closer to the full-throttle "Lock, Stock & Two Smoking Barrels" mode director Guy Ritchie didn't quite capture the first time.
  4. I fear the furry singing sensations may have finally run completely aground. If only they were truly stranded on that desert island…
  5. Bird has done a stylish and involving job here, turning in an entertaining production that's got considerable visual flair, especially in its action-heavy Imax sections.
  6. One's diminishing interest in the nuts and bolts of cheating a cheat can be forgiven when the sheer star wattage of the peppy cast is in close-up overdrive.
  7. As repellent as Lucy's story can be, its mystery has a seductive sway, and it does add up to more than the sum of its insistently elliptical parts.
  8. I'm going with the filmmakers as the folks most responsible for perpetrating this terribly unfunny and overwhelmingly raunchy film that stars the normally likable, or at least comically forgivable, Jonah Hill. He is neither here.
  9. I Melt With You assuredly marks itself as one of 2011's most ludicrous releases.
  10. It's a domestic horror story that literally gets to us where we live, a disturbing tale told with uncompromising emotionality and great skill by filmmaker Lynne Ramsay.
  11. W.E., Madonna's second go at directing a feature film, leaves one wishing she'd find other creative outlets for those times when she's bored with the pop-star life.
  12. The film is very much like a home movie in trying to tell its story of families and feuds complete with the bad lighting, bad camera angles and meandering observations. Though you will wish for more polish and insight, its unruly action is hard to resist.
  13. In a world where everyone was looking for an angle, hoping to survive the nightmare and maybe even turn other people's misery into a tidy profit, the fact that a fragile humanity survived at all is little short of a miracle.
  14. When it's done right, as it is in Young Adult, there is something absolutely mesmerizing about watching a train wreck unfold on screen. When the wreck in question is a narcissistic beauty played to scheming, sour, downward-spiraling perfection by Charlize Theron, cringing is definitely called for, but so is laughter.
  15. Tinker Tailor Soldier Spy is an enormously impressive piece of work.
  16. What unfolds instead is a deadly dull trial and boatloads of speechifying about religious dignity, hate crimes and prejudice.
  17. Blethyn brings tremendous empathy to the introspective, determined Elisabeth, while the tall, gaunt and dreadlocked Ousmane fleshes out his less-dimensional role with a haunting sadness that speaks volumes.
  18. Though it may at times seem like just another Japanese gangster picture, in Outrage, Kitano's sense of pacing is so precise, at once restrained and relentless, that the film becomes a vortex, pulling audiences in deeper and deeper.
  19. Na captures at once the fragility of the human body and the deep-rooted darkness of the human soul. The Yellow Sea is easily one of the films of the year for underserved action-heads.
  20. Director Johanna Demetrakas has decided to simply present the man in all his demanding complexities and let him and his encounters with associates speak for themselves. Her only rubric is the one visible in her title: "Crazy Wisdom."
  21. We have a fumbling and fawning - if sincere - tribute to the living legend and a director who has never seemed more out of his element.
  22. If you give yourself over to that clash of style and sensibility, something magical happens as the power, the prescience and the precision of Shakespeare's words take hold of modern problems.
  23. It is Mulligan and most especially Fassbender that give the film its power. The desperation, hostility and despair he conveys through the act of sex make Shame a film that is difficult to watch but even harder to turn away from.
  24. Tomboy stands out as an especially affecting delicacy about the thrills and pitfalls of exploring who one is.
  25. Takes a fittingly inventive approach to the story of an operative whose MI5 code name reflected his supreme talents as an actor.
  26. What is finally most compelling about this film is the sense it gives of how passionately the citizens of Ghana believe in democracy, how much it means to them.
  27. (A) stirring, if inconclusive documentary.
    • 57 Metascore
    • 70 Critic Score
    The Big Fix presents a compelling array of damning testimony from EPA officials, journalists, scientists and politicians as well as emotional scenes of distraught residents.
  28. It's lush and vibrant when Williams is onscreen, mostly fussy British discontent when she's not.
  29. The director's visually thrilling Hugo has real moments of 3-D magic. Sadly, they aren't quite enough to make this adaptation of Brian Selznick's celebrated novel, "The Invention of Hugo Cabret," a wholly satisfying experience.

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