For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Betsy Sharkey
The animation artistry of Madagascar 3 is at its best under the big top, all cotton candy fluff and razzle dazzle. The character development of this edition is the best of the rest as well.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Kenneth Turan
Prometheus, unlike its predecessors, does not wear its themes lightly. It pushes too hard for significance, which is dicey in and of itself for genre material and contrasts badly with the standard nature of some of the story's plotting.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Kenneth Turan
Oslo is an example of strong, confident filmmaking in which nothing is miscalculated or out of place. Anchored by a devastating performance by Anders Danielsen Lie, this portrait of existential despair is beautifully made without being self-conscious about its art.- Los Angeles Times
- Posted Jun 1, 2012
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Reviewed by
Robert Abele
A near complete exercise in mirthlessness and atonal satire, Cellmates is a sentence, all right.- Los Angeles Times
- Posted May 31, 2012
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Reviewed by
Gary Goldstein
There's likely an audience for the cloying and dizzying hip-hop dance flick Battlefield America, but even the most forgiving viewers may feel like they've been underestimated - and underserved.- Los Angeles Times
- Posted May 31, 2012
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You can't cure what you don't understand is one of the film's sobering messages.- Los Angeles Times
- Posted May 31, 2012
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- Los Angeles Times
- Posted May 31, 2012
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Reviewed by
Robert Abele
At first American Animal has a mysterious unreality to it, a strange diorama about easy leisure's emptiness. But when James admits he's taken a job - upending the roomies' slacker utopia - American Animal becomes a philosophically strident evening of speechifying local theater (topic: human evolution).- Los Angeles Times
- Posted May 31, 2012
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Sheri Linden
This quiet, atmospheric drama (originally titled "A Year in Mooring") feels padded even in its brief running time; it's a slight mood piece posing as a character study.- Los Angeles Times
- Posted May 31, 2012
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Mark Olsen
Lacking real kick, High School winds up as irksome as a bag of ditch weed and as lame as the pun of the film's title.- Los Angeles Times
- Posted May 31, 2012
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Gary Goldstein
The result is a well-meaning checklist of a film that lacks sufficient charm or off-the-field vigor to fully score its intended goal.- Los Angeles Times
- Posted May 31, 2012
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Betsy Sharkey
It's not your typical animated fare, but since the filmmakers can't quite decide whether its tale should be serious or silly, "Cat" trips and stumbles unsteadily between a bit of both.- Los Angeles Times
- Posted May 31, 2012
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Reviewed by
Robert Abele
The film is ultimately a stodgy, overblown and repetitive slog.- Los Angeles Times
- Posted May 31, 2012
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Betsy Sharkey
It is an absolute wonder to watch and creates a warrior princess for the ages. But what this revisionist fairy tale does not give us is a passionate love - its kisses are as chaste as the snow is white.- Los Angeles Times
- Posted May 31, 2012
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Mark Olsen
The lack of suspense and surprise in this dispiritingly rote film becomes its own form of contamination.- Los Angeles Times
- Posted May 25, 2012
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Reviewed by
Gary Goldstein
It all makes for a family therapist's dream scenario, but an otherwise choppy and predictable memory piece.- Los Angeles Times
- Posted May 24, 2012
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Reviewed by
Sheri Linden
The script, by Oleg Negin and Zvyagintsev, uses spare dialogue to quietly devastating effect. Performances are superb across the board, framed in elegant widescreen compositions that simmer with violence.- Los Angeles Times
- Posted May 24, 2012
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- Los Angeles Times
- Posted May 24, 2012
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Reviewed by
Sheri Linden
In this sentimental feel-good saga of an ultra-wealthy quadriplegic and the petty criminal who becomes his caretaker, the chemistry between the two lead actors goes a considerable way toward elevating the broad-strokes culture clash. That's crucial to a film that is, in essence, a love story.- Los Angeles Times
- Posted May 24, 2012
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Betsy Sharkey
Here the writer-director's tendency toward the allegorical casts a magical spell with Anderson finding a near perfect balance between the humanism and the surreal that imprints all of his work.- Los Angeles Times
- Posted May 24, 2012
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Gary Goldstein
Offers mostly skin-deep snapshots of various men and their grooming habits.- Los Angeles Times
- Posted May 18, 2012
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Mark Olsen
Common sense and basic logic are left at the door; there's a brief creature effect that is laughably, outlandishly awful.- Los Angeles Times
- Posted May 18, 2012
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Gary Goldstein
Fortunately, Pajot and Swirsky don't overdo the minutiae (this is a movie even non-gamers can enjoy), offering just enough insight into the creative process to feel enlightening.- Los Angeles Times
- Posted May 18, 2012
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Sheri Linden
Inspired by a documentary, the film is shot with vérité immediacy and beautifully acted by an outstanding ensemble. If not every piece of the puzzle delivers its intended impact, the movie as a whole gets under your skin, and the central characters resonate long after the screen goes dark.- Los Angeles Times
- Posted May 18, 2012
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Betsy Sharkey
An intriguing and intelligent first effort from indie filmmaker Robbie Pickering, digs deep into the heart of Texas for its soulful tale of small town saints and sinners and a road trip to redemption.- Los Angeles Times
- Posted May 17, 2012
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Reviewed by
Betsy Sharkey
Rather than the engaging enlightenment of the source, the film becomes bloated by confusion.- Los Angeles Times
- Posted May 17, 2012
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Reviewed by
Sheri Linden
With its soft jabs at hypocrisy and band-aid use of voiceover narration, Virginia is an excruciatingly slow train wreck.- Los Angeles Times
- Posted May 17, 2012
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Reviewed by
Mark Olsen
The Samaritan doesn't wind up feeling like a con, exactly, but it has just enough promise to leave viewers feeling ripped off when it comes up short.- Los Angeles Times
- Posted May 17, 2012
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Reviewed by
Kenneth Turan
This may sound thrilling, but it's not. Battleship plays ordinary and pedestrian because it's always been a job for hire, never anyone's passion.- Los Angeles Times
- Posted May 17, 2012
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Reviewed by
Robert Abele
Thin, neatly folded, paper-airplane of a movie threatens to nose dive into tweeville.- Los Angeles Times
- Posted May 17, 2012
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