For 16,539 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16539
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Mixed: 5,816 out of 16539
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Negative: 2,017 out of 16539
16539
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
At a beefy 6-foot-4, Neeson certainly looks physically imposing, but it was the notion of casting someone who can actually act in an action hero role that was the counter-intuitive concept that made both films - Taken 2 is more a remake than a sequel - so successful.- Los Angeles Times
- Posted Oct 4, 2012
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Betsy Sharkey
He (Burton) has used that tonality deftly here, it keeps Frankenweenie visually stunning and the sensibility light. It's too bad the tale, like Sparky's wagging appendage, keeps falling off.- Los Angeles Times
- Posted Oct 4, 2012
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Reviewed by
Robert Abele
The trouble is that it's hard to care about poor Wayne when he seems so empty-headed and naïve - civic unrest in Peru on the eve of its first democratic elections in 1980 is the setting - and when the movie itself seems so unfocused.- Los Angeles Times
- Posted Sep 28, 2012
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Robert Abele
As predictable as these stories invariably are, Lee's wonderful turn reignites the potent fantasy of peasant wisdom - if given the power - melting politically cynical hearts and legislating through decency rather than fear.- Los Angeles Times
- Posted Sep 28, 2012
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Reviewed by
Robert Abele
Although the sentiment threatens to flatten out an intriguingly nervy vibe, Brooklyn Brothers Beat the Best has plenty of rhythmic charm about its responsibility-challenged strivers.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Gary Goldstein
Both well-timed and oddly late-on-arrival, the good-natured documentary Electoral Dysfunction attempts to lay bare the irregularities behind the American voting system but, for some, it may feel too lightweight and coy for genuine effect.- Los Angeles Times
- Posted Sep 27, 2012
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Mark Olsen
Even amid the naughty flourishes, with Vulgaria, Pang again shows himself to be a wise, playful chronicler of modern life.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Gary Goldstein
Given the subjectively interpretive nature of scripture and ancient religious history, which informs most of the Christian-centric debate here, the result is an often dense, contradictory discourse.- Los Angeles Times
- Posted Sep 27, 2012
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Sheri Linden
Though its snapshot approach is uneven, Harvest is itself a valuable resource: a good starting point for a fuller perspective on this nation of immigrants.- Los Angeles Times
- Posted Sep 27, 2012
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Robert Abele
Wherever you stand on healthcare and the fact that uninsured people nationwide use emergency rooms for basic services, the documentary The Waiting Room is a revealing portrait of the often tough transactions between patients and hospital staff at the urgency level.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Mark Olsen
It also points to one of the movie's most nagging problems: Stuck somewhere between personal memoir and universal truth, Fred Won't Move Out ends up being neither.- Los Angeles Times
- Posted Sep 27, 2012
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Betsy Sharkey
One of those documentaries that is sad and hopeful in equal measure and exceptional in its storytelling.- Los Angeles Times
- Posted Sep 27, 2012
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- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Mark Olsen
Solomon Kane succeeds by embracing its identity as a straightforward genre exercise, complete with bone-crunching and blood-spurting action. By not aiming for more, it hits its target.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Betsy Sharkey
What helps offset the predictable in this very predictable movie is a series of show-stopping numbers, so props to the folks who oversaw music and choreography. But the true saving grace is a few of the central players.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Kenneth Turan
This poor film is so shamelessly manipulative and hopelessly bogus it will make you bite your tongue in regret and despair.- Los Angeles Times
- Posted Sep 27, 2012
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Betsy Sharkey
There are some crowd-pleasers - but Hotel Transylvania never becomes the great monster mash that seemed in the offing.- Los Angeles Times
- Posted Sep 27, 2012
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Kenneth Turan
This is a highflying, super-stylish science-fiction thriller that brings a fresh approach to mind-bending genre material. We're not always sure where this time-travel film is going, but we wouldn't dream of abandoning the ride.- Los Angeles Times
- Posted Sep 27, 2012
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Mark Olsen
Many of the performers have a distinctly unpolished way about them, almost as if they actually were turn-of-the-last-century townsfolk, which leads to some deeply eccentric line readings, but it also gives the entire film an unvarnished quality that remains curiously engaging.- Los Angeles Times
- Posted Sep 25, 2012
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Robert Abele
Whether meeting a malevolent spirit wearing expensive sunglasses, seductively controlling her (Bazu) prey, or bringing her scheme to an operatically violent close, she gives"Raaz 3" its defiantly retro flamboyance.- Los Angeles Times
- Posted Sep 25, 2012
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Mark Olsen
Lawrence's natural, disarming screen presence is ill-suited to something as mannered and labored as House at the End of the Street, and at moments it's as if she freezes up, unable to simply throw on a scared-face for no good reason.- Los Angeles Times
- Posted Sep 21, 2012
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Reviewed by
Kenneth Turan
It's a complex, determined look at one of the most pernicious problems facing organized sports on all levels.- Los Angeles Times
- Posted Sep 20, 2012
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Reviewed by
Gary Goldstein
It's no great surprise how things end up for this tossed-under-one-roof bunch. How they get there, however, provides a largely fertile playground for the picture's talented comic ensemble.- Los Angeles Times
- Posted Sep 20, 2012
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Reviewed by
Kenneth Turan
Tears of Gaza is both horrifying and frustrating. This documentary's goals are noble ones, but its execution is something else again.- Los Angeles Times
- Posted Sep 20, 2012
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- Los Angeles Times
- Posted Sep 20, 2012
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Reviewed by
Betsy Sharkey
A visceral story of beat cops that is rare in its sensitivity, rash in its violence and raw in its humor.- Los Angeles Times
- Posted Sep 20, 2012
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Reviewed by
Mark Olsen
Dredd's cinematography is one of its strongest assets speaks to the film's larger problems - the parts and pieces just don't have the total impact they should, like a punch sailing helplessly through the air rather than forcefully smacking its target.- Los Angeles Times
- Posted Sep 20, 2012
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Betsy Sharkey
Back in the director's chair for only the second time, the filmmaker, like his main character, is a little unsteady on his feet. But thanks to his stars, the film - like the book - is a smartly observed study of a troubled teen's first year in high school.- Los Angeles Times
- Posted Sep 20, 2012
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Mark Olsen
The film takes some deciphering, but once a viewer cracks its code Alps opens up into something expansive and rich. Part of what makes Lanthimos so uniquely masterful is that he remains in control while refusing to point toward any singular interpretation.- Los Angeles Times
- Posted Sep 20, 2012
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Betsy Sharkey
Remarkably, much of that sizzling sensibility was caught on film and has been stylishly stitched together with her personal history in the scrumptious new documentary, Diana Vreeland: The Eye Has to Travel.- Los Angeles Times
- Posted Sep 20, 2012
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