For 16,539 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16539
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Mixed: 5,816 out of 16539
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Negative: 2,017 out of 16539
16539
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Gary Goldstein
They all share their amazing war stories and life memories with great humility and warmth.- Los Angeles Times
- Posted Dec 7, 2012
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Reviewed by
Mark Olsen
Unfortunately, the athlete himself simply isn't much of a presence in this documentary, even as the film aims to celebrate him.- Los Angeles Times
- Posted Dec 7, 2012
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Reviewed by
Mark Olsen
Underlining it all is the exuberance and charm of the two main subjects, who make this world seem disarmingly innocent.- Los Angeles Times
- Posted Dec 7, 2012
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Reviewed by
Betsy Sharkey
Some of the language is smart, sinister and ironic in just the right ways, particularly when Addison, Eric Bana's serial-killing mastermind, delivers it. In other cases, the dialogue is so ludicrously off - either unnecessary, or unnecessarily misogynistic if a cop is doing the talking - that it's hard to believe the same person wrote it.- Los Angeles Times
- Posted Dec 6, 2012
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Reviewed by
Betsy Sharkey
Romance and capers exist in Lay the Favorite, they just aren't played well.- Los Angeles Times
- Posted Dec 6, 2012
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Mark Olsen
In some sense, California Solo is like meeting an engaging stranger: At first there's a certain air of enigmatic mystery that makes you want to spend time with them, but eventually things turn awkward and you just want to get away.- Los Angeles Times
- Posted Dec 6, 2012
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Reviewed by
Betsy Sharkey
Quartet is very much a performance piece, which plays to Hoffman's strength - as an actor he knows when to allow this excellent ensemble breathing room and when to tighten the belt.- Los Angeles Times
- Posted Dec 6, 2012
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Reviewed by
Betsy Sharkey
At some point you hope the actor (Butler) will find a movie that will give him the right material to make hearts truly beat faster. Until then, it appears we'll have to settle for films with more flaws than his characters.- Los Angeles Times
- Posted Dec 6, 2012
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Reviewed by
Kenneth Turan
Though he has competition, especially from the folks playing the visiting royals, Murray is very much the reason to see "Hyde Park."- Los Angeles Times
- Posted Dec 6, 2012
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Kenneth Turan
Romantic but pitiless, fearlessly emotional as well as edgy, Rust and Bone is a powerhouse.- Los Angeles Times
- Posted Dec 6, 2012
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Reviewed by
Robert Abele
The provocative noir experience that Talaash promises, with its jazzily scored, moodily lighted opening montage of a Mumbai red-light district at night, is nowhere to be found once this meandering mystery begins.- Los Angeles Times
- Posted Dec 3, 2012
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Reviewed by
Gary Goldstein
"Addicted" proves a strangely sad yet wildly compelling cautionary tale.- Los Angeles Times
- Posted Nov 30, 2012
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Reviewed by
Robert Abele
Dragon has enough interesting left turns in style, mood and psychodrama to make it stand out.- Los Angeles Times
- Posted Nov 30, 2012
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Reviewed by
Sheri Linden
With its stock characters and low-expectation high jinks, the German import What a Man could have been fabricated on the Hollywood rom-com assembly line.- Los Angeles Times
- Posted Nov 30, 2012
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Reviewed by
Gary Goldstein
The movie's intended audience will likely be satisfied by its parade of gory mayhem, cheap thrills and groan-worthy dark humor. Everyone else: You're on your own.- Los Angeles Times
- Posted Nov 30, 2012
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Reviewed by
Mark Olsen
Melton and Dunstan have created little more than a hollow shell for an empty box.- Los Angeles Times
- Posted Nov 30, 2012
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Reviewed by
Mark Olsen
The movie creates something of the sensation of huffing industrial solvents - in a good way! - a waking-sleep zombification that can't exactly be described as pleasurable but definitely has an odd, distinct power.- Los Angeles Times
- Posted Nov 29, 2012
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Reviewed by
Sheri Linden
Director Feng Xiaogang captures the epic scale of the exodus as well as the often-harrowing details, yet emotional connection proves more elusive.- Los Angeles Times
- Posted Nov 29, 2012
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Reviewed by
Kenneth Turan
It projects equal parts fury and despair as it reveals how a particular group of individuals was caught in the unforgiving gears of the criminal justice system.- Los Angeles Times
- Posted Nov 29, 2012
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Betsy Sharkey
The writer-director becomes so intent on hammering home the parallels between economic decay, political disappointments and petty criminals, there is nothing soft, or subtle, about it. He should trust his audience more.- Los Angeles Times
- Posted Nov 29, 2012
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Kenneth Turan
A documentary potent enough to alter how you see the world.- Los Angeles Times
- Posted Nov 26, 2012
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Reviewed by
Kenneth Turan
Hitchcock puts major league star power at the service of its peek-behind-closed-doors premise. But whatever that relationship was like in real life, this is one cinematic portrait of a marriage we could have lived without.- Los Angeles Times
- Posted Nov 23, 2012
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Reviewed by
Gary Goldstein
Writer-director Michael Walker keeps a firm grip on his smart material, offering up big laughs, lots of recognizable behavior and, in the end, a wistful glimpse at life's inevitable priorities.- Los Angeles Times
- Posted Nov 23, 2012
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Gary Goldstein
A revealing, disturbing look at how political and corporate forces have seemingly undermined the freedom and safety of our nation's equine population.- Los Angeles Times
- Posted Nov 23, 2012
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Reviewed by
Mark Olsen
The before and after imagery of Balog's project speaks for itself, with the power and strange beauty of the evolving landscape strong evidence that something is indeed happening, now and fast.- Los Angeles Times
- Posted Nov 23, 2012
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Reviewed by
Mark Olsen
While a foreign regime exerting its emergent power over America certainly has a familiar ring to it, if anything, this new Red Dawn is a movie in search of its moment.- Los Angeles Times
- Posted Nov 20, 2012
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Reviewed by
Betsy Sharkey
There is a lot to savor in Rise of the Guardians, but sometimes too much of a good thing can be exhausting.- Los Angeles Times
- Posted Nov 20, 2012
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Betsy Sharkey
There are always moral crosscurrents in Lee's most provocative work, but so magical and mystical is this parable, it's as if the filmmaker has found the philosopher's stone.- Los Angeles Times
- Posted Nov 20, 2012
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Reviewed by
Mark Olsen
The easygoing charm of Funeral Kings and its impulse toward honesty over overstatement robs the film of true dramatic tension, and a number of story lines - involving drugs, rivalry, love interests - are left somewhat unresolved.- Los Angeles Times
- Posted Nov 18, 2012
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Reviewed by
Gary Goldstein
What the film lacks in biographical depth, it makes up for with stirring visuals (including effective bits of split screen, time-lapse photography and animation), a vibrant score and an infectious, in-the-moment spirit.- Los Angeles Times
- Posted Nov 18, 2012
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