Los Angeles Times' Scores

For 16,533 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16533 movie reviews
  1. What's best about it is that it seems real by the logic of childhood - it looks as things SHOULD look, if kids had it their way.
  2. King Kong is an homage not just to the original but to the history of movies themselves.
  3. Munich's even-handed cry for peace is not an act of equivocation but one of bravery. What Munich has to say, and its ability to say it to the widest possible audience, couldn't be more needed than it is right now.
  4. A psychological suspense drama of the utmost rigor and originality.
  5. Chen's masterful, deeply perceptive direction of his superb cast is equaled by the film's luminous cinematography, rich yet spare and stylized production and costume design, and rousing score.
  6. A first-rate contribution to the Holocaust canon.
  7. It's the record of a life, a musical and spiritual autobiography, and as directed by Jonathan Demme it taps into the kind of unashamed, unsentimental emotion that's become increasingly rare in films of any kind.
  8. Most fun of all, however, is basking in Chappelle's ability to be effortlessly funny. Whether he's making believe he's a pimp in a Dayton clothing store or charming little kids in the Bed-Stuy day-care center that was concert headquarters, his personality infuses the film with infectious good feelings.
  9. It would be a mistake to think that if you've seen one fish up close and personal you've seen them all. Deep Sea 3D is a total-immersion undersea adventure, in which the oceans' glories are on vivid display in three dimensions.
  10. The most memorable section of the film is the chilling quarter-hour devoted to the apprehension and eventual murder of the Clutter family. Captured in unblinking, neo-documentary detail, it freezes the blood just as they did all those decades ago.
  11. Finds Taiwanese master Hou Hsiao-hsien at his most intimate and romantic. The deceptive simplicity of these vignettes, written by Chu Tien-wen, throws into relief Hou's formidable storytelling strengths and visual acuity - his way with actors, his subtlety and expressiveness.
  12. What's surprising about this supremely engaging film is the source of its curb appeal: It has heart.
  13. Emmanuel Carrère's witty, elegant La Moustache is a deliciously unsettling, beautifully sustained enigma, a film of much beauty and flawless performances, especially from Vincent Lindon in one of his most demanding roles.
  14. The brilliance of A Scanner Darkly is how it suggests, without bombast or fanfare, the ways in which the real world has come to resemble the dark world of comic books.
  15. There's a rawness and immediacy to his (Bujalski's) work that cuts straight to the experience, a starkness that's startling in an age of bloated spectacle.
  16. A quiet powerhouse of a film, an implacable, uncompromising French police drama, both old-fashioned and modern, that underlines the reasons impeccably made crime stories do so well on screen.
  17. Miniaturist in its level of detail and evocatively abstract, Old Joy captures the weary mood of a generation that's crested its peak along with an era, quietly making a case for how well suited film can be to capturing the finer points of human interaction while preserving their mystery.
  18. Sophisticated in its ease and spontaneity, it was directed with clarity and rigor by Auraeus Solito from Michiiko Yamamoto's acutely perceptive script.
  19. Marie Antoinette gives a wide berth to the conventions of period dramas, especially their time-capsule remove, and instead tries to mainline the singular personal experience of the arch-villainess of French history (and freedom history, for that matter). The result is a startlingly original and beautiful pop reverie that comes very close to being transcendent.
  20. This calm and thorough film has just the right attitude and tone to deal with a most incendiary story.
  21. Sublime psychological thriller.
  22. Dreamgirls is the entire musical package, a triumph of old school on-screen glamour, and we wouldn't want it any other way.
  23. As directed by Rachid Bouchareb, himself born in France to Algerian immigrants, "Days of Glory" is a kind of a North African "Saving Private Ryan," a taut, involving film that delivers all the things we look for in war movies and does so with intelligence and integrity.
  24. A period spectacle, steeped in awesome splendor and lethal palace intrigue, it climaxes in a stupendous battle scene and epic tragedy.
  25. There's not a second in the film that isn't a reminder that New Orleans in its architecture, cuisine and multicultural diversity as well as in its music is a unique and major American center of culture. Murphy has made a film more valuable than he surely ever could have imagined.
  26. While major stars thrust together on screen often end up undercutting each other, one of the pleasures of Becket is how easily and generously these two commanding actors play off each other, each allowing the other the space to make the most of their individual roles.
  27. Filled with tension, deception and bravura acting, Breach is a crackling tale of real-life espionage that doubles as a compelling psychological drama.
    • 74 Metascore
    • 90 Critic Score
    A wonderfully heart-wrenching love story for tweens, teens, and even adults who fondly remember when a friendship could be ignited by a gesture as simple as offering a stick of Juicy Fruit.
  28. Tense and gut-wrenching, Beyond the Gates is a horrifying story told with grace and compassion.
    • 82 Metascore
    • 90 Critic Score
    Despite being rooted in knotty issues of identity, Lahiri's novel forgoes didacticism in favor of vivid portraiture. Nair and her uniformly superb cast take the same tack: The characters are individuals before they are emblems.

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