For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Betsy Sharkey
With so many sight gags and nearly every living comic in the world making an appearance at some point, the entire operation, like Ron's ego, feels a bit bloated.- Los Angeles Times
- Posted Dec 17, 2013
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Reviewed by
Kenneth Turan
Acerbic, emotional, provocative, it's a risky high dive off the big board with a plot that sounds like a gimmick but ends up haunting, odd and a bit wonderful.- Los Angeles Times
- Posted Dec 17, 2013
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Reviewed by
Mark Olsen
Perry can now knock these films out in his sleep, and with “Madea Christmas” he certainly seems to be dozing at the wheel.- Los Angeles Times
- Posted Dec 13, 2013
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Betsy Sharkey
This drama, about an ordinary guy trying to keep his infant daughter alive in Hurricane Katrina's aftermath, is sincere but struggles as much as its hero.- Los Angeles Times
- Posted Dec 13, 2013
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Gary Goldstein
Director Yuya Ishii, working off a gentle, finely textured script by Kensaku Watanabe (adapted from the novel by Shiwon Miura) takes his time telling this warm story of the 15-year creation of a definitive print dictionary, but it's a worthy journey.- Los Angeles Times
- Posted Dec 12, 2013
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Sheri Linden
In Binoche's masterfully contained performance, Camille's clouded eyes sometimes brighten. If we didn't know how her story will unfold, that spark might have been comforting.- Los Angeles Times
- Posted Dec 12, 2013
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Reviewed by
Annlee Ellingson
Zea gives a natural performance amid a neighborhood of painful stereotypes (including a nosy Asian shopkeeper), but she doesn't adjust her cadence, let alone accent, for the historical flashbacks, bringing a modern sensibility that limits the effectiveness of these scenes.- Los Angeles Times
- Posted Dec 12, 2013
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Robert Abele
The movie isn't exactly scary, and it has a tendency to meander. But the crumbling, ornate sets are an atmospheric marvel.- Los Angeles Times
- Posted Dec 12, 2013
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- Los Angeles Times
- Posted Dec 12, 2013
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Reviewed by
Gary Goldstein
Although enjoyable, the movie is perhaps best suited to cinéastes already intimate with Bergman's venerated body of work as well as with Ullmann's many acclaimed screen roles.- Los Angeles Times
- Posted Dec 12, 2013
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Sheri Linden
A compellingly unconventional, elliptical sports documentary that explores the mysterious realm of might-have-been.- Los Angeles Times
- Posted Dec 12, 2013
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Reviewed by
Robert Abele
Bogliano — who hit it big in indie horror with "Penumbra" and "Room for Tourists" — is a mood man, adept at unease and admirably judicious about shock moments, if not exactly skilled with storytelling or pacing.- Los Angeles Times
- Posted Dec 12, 2013
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Martin Tsai
Little parallelism or consequence can be gleaned from Kwak's narrative that crosscuts points between 1963 and 2010. Seeing as his surrogate in the first film is absent in the sequel, the shared cultural memory has also given way to genre exercise.- Los Angeles Times
- Posted Dec 12, 2013
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Reviewed by
Betsy Sharkey
Like art itself, words can't fully capture what it is like to see the Vermeer emerge under Jenison's brush. Or to see Jenison's obsession with the idea run its course.- Los Angeles Times
- Posted Dec 12, 2013
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Reviewed by
Kenneth Turan
[Russell's] dizzying, outlandishly entertaining American Hustle is a 21-first century screwball farce about 20th-century con men, scam artists and those who dream of living large, a film that is big hearted and off the wall in equal measure.- Los Angeles Times
- Posted Dec 12, 2013
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Kenneth Turan
Saving Mr. Banks does not strictly hew to the historical record where the eventual resolution of this conflict is concerned, but it is easy to accept this fictionalizing as part of the price to be paid for Thompson's engaging performance.- Los Angeles Times
- Posted Dec 12, 2013
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Betsy Sharkey
Jackson's latest go at Tolkien's treasured "Hobbit" story gets closer to that rich alchemy of fantasy, adventure, imagination and emotion that made his "Lord of the Rings" trilogy such a triumph.- Los Angeles Times
- Posted Dec 11, 2013
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Inkoo Kang
The inherent cinematic potential of one of nature's cutest animals rescues the film from being a total waste of time.- Los Angeles Times
- Posted Dec 10, 2013
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Inkoo Kang
Chen's grand opus about the perils of the Internet already feels obsolete.- Los Angeles Times
- Posted Dec 10, 2013
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Reviewed by
Martin Tsai
Live at the Foxes Den comes off like some long-unproduced Broadway musical finally dusted off when someone raised enough money to mount it as a film production instead.- Los Angeles Times
- Posted Dec 8, 2013
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Reviewed by
Annlee Ellingson
The film is often laugh-out-loud funny while remaining relatively discreet.- Los Angeles Times
- Posted Dec 6, 2013
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Annlee Ellingson
Director David Frankel has crafted a sweet, funny, heartfelt film, and while we may know all along how it all turns out, Paul's signature performance still gives us chills.- Los Angeles Times
- Posted Dec 6, 2013
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Reviewed by
Martin Tsai
When it becomes apparent that the seemingly linear narrative is in fact woven with several parallel story lines, one might even be inclined to excuse the plot's too many convenient coincidences.- Los Angeles Times
- Posted Dec 6, 2013
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Robert Abele
The more generalized confessionals on friendship and love are a lot simpler to grasp. But the real star is the riot collage of twisty, breakneck visuals underscoring these conversations and battles.- Los Angeles Times
- Posted Dec 6, 2013
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Reviewed by
Robert Abele
The overall effect here is of parallel biographies juiced to feel important whenever they intersect, and an undercooked paean to lost masculinity.- Los Angeles Times
- Posted Dec 6, 2013
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Reviewed by
Kenneth Turan
What this film does is reveal two very different societies — both exhibiting, each in its own way, unmistakable signs of collapse.- Los Angeles Times
- Posted Dec 5, 2013
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Reviewed by
Betsy Sharkey
The most hopeful — and the best — of this solid and unsettling series.- Los Angeles Times
- Posted Dec 5, 2013
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Sheri Linden
Director Kim Hyun-seok, who until now has worked chiefly in romantic comedy, deploys visual effects and low-key performances in an efficiently told, character-driven exploration of immortality, hubris and human folly.- Los Angeles Times
- Posted Dec 5, 2013
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Reviewed by
Kenneth Turan
Lean, muscular and on the money, The Last Days on Mars takes a familiar story and tells it so tautly that we are pleased to be on board.- Los Angeles Times
- Posted Dec 5, 2013
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Reviewed by
Kenneth Turan
While the bleak, funny, exquisitely made Inside Llewyn Davis echoes familiar themes and narrative journeys, it also goes its own way and becomes a singular experience, one of their best films.- Los Angeles Times
- Posted Dec 5, 2013
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