Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. Joe
    Though Joe occasionally slips and falters, the filmmakers and actors get all the hard-luck details right.
  2. Wonderfully animated and well-voiced, Rio 2 is nevertheless too much. Too much plot, too many issues, too many characters. But not too much music.
  3. This is an earnest and way-contrived endeavor that manages, due largely to Costner's efforts, to be genially diverting in a gee-whiz kind of way.
  4. Less concerned with fake shocks and show-me violence than the grimly calibrated rotting of personalities, Oculus is one of the more intelligently nasty horror films in recent memory.
  5. The unhurried film is a beauty. Shooting digitally — a first for Jarmusch and a paradox for a movie that so ardently celebrates the artisanal — cinematographer Yorick Le Saux uses nocturnal lighting to eloquent effect. The titular lovers are beauties too, soulful and captivating. Swinton and Hiddleston make their love story one for the ages.
  6. [A] thoroughly routine, straight-to-video-reminiscent action thriller set in Louisiana.
  7. A repetitive, sluggishly paced nocturnal rumination on why we bother reuniting with old friends we purposefully left behind.
  8. Don't let the cheesy title deter you. Cuban Fury is a thoroughly engaging crowd-pleaser — sweet, quite amusing and even a tad inspiring.
  9. Magical swords, evil doppelgangers, a sexy black muscle car, an unremarkable final showdown and lots of first-draft dialogue factor into this thankfully brief (about 80 minutes plus end credits) frightfest.
  10. Volume II builds on emotional foundations from Volume I, even recasting the first film's ironic humor with a darker pall.
  11. The exquisitely calibrated Breathe In explores such a fraught mutual passion with honesty, intimacy and complete emotional involvement.
  12. In taking Partridge to the movies, the writers go broader and deeper than they typically do with the story.
  13. Watching this film feels like a genesis moment — of sci-fi fable, of filmmaking, of performance — with all the ambiguity and excitement that implies.
  14. If the material isn't always smooth or funny or well-thought-out, the tone and spirit are agreeably light, with a visual sophistication for a meager budget that's admirable.
  15. Call it a dark farce, human comedy or wartime satire. But however you slice it, the ill-conceived morality tale A Farewell to Fools is a bust.
  16. Berry's florid physicality has a certain silent-melodrama pull. The film around her, however, is lamentably by-the-numbers.
  17. 10 Rules for Sleeping Around is a dreadful sex farce with barely an authentic emotion, credible character or plausible plot point in its midst.
  18. Suffers from the tired POV gimmickry, the weak characterizations, the numbing sameness of stuck-in-the-woods-with-dolts narratives.
  19. An unconvincing, poorly conceived hybrid of end-of-the-world thriller and relationship drama.
  20. A documentary that's insightful, sweet and often hilarious.
  21. Whatever emotional depths filmmaker Jessica Goldberg hopes to suggest, there's nothing stirring beneath the movie's static surface.
  22. Even at a meager 40 minutes, the film feels padded... But so long as the jubilance brought about by lemurs can compel more protection for the near-extinct species, the film will have served its purpose.
  23. Like a typical Hollywood action-thriller, though, the screenplay jeopardizes the film. The twists concocted by writers James Robert Johnston and Bennett Yellin are mostly predictable; and the ones you don't see coming are outlandish.
  24. It's a product of the highest quality, but at the end of the day that's what it is: a machine-made, assembly-line product whose strengths tend to feel like items checked off a master list rather than being the result of any kind of individual creative touch.
  25. It's hard to believe a story this serious can be told in such an involving way, but that is one of this expert documentarian's greatest gifts.
  26. Between Law's performance and Shepard's script, which brims with explicit and expressive dialogue, the movie is remarkable for its ability to exhaust, irritate and also entertain.
  27. As inventive as the action sequences are, there are too many of them and they tend to go on far too long — the movie is just shy of two-and-a-half hours. Still, Evans' filmmaking has undergone some impressive fine-tuning for The Raid 2. It is something to see — if you have the stomach for it.
  28. The man was not, by most accounts, pedestrian. In trying to follow so closely in his footsteps, the film, however, is.
  29. What we find out about Maier, revealed in self-portraits as a striking woman with a singular sense of self, is fascinating.
  30. Noah manages to blend the expected with the unexpected and does it with so much gusto and cinematic energy you won't want to divert your eyes from the screen.

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