For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Rechtshaffen
As long as it shuts up and keeps moving, Tracers makes for a sufficiently diverting, not to mention zero-emission, vehicle.- Los Angeles Times
- Posted Mar 19, 2015
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Reviewed by
Betsy Sharkey
Instead of a pot-boiling crime noir like the one that exists in the pages of the late French novelist Jean-Patrick Manchette's "The Prone Gunman" (which sounds better in French), the adaptation is a frustrating fiasco that kills the material and squanders its exceedingly fine cast.- Los Angeles Times
- Posted Mar 19, 2015
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Reviewed by
Betsy Sharkey
Though it might not sound it, watching Kumiko brood is mesmerizing. Kikuchi uses her mournful eyes to take us to dark places, though she's equally adept at surprise and confusion, even joy when it comes along.- Los Angeles Times
- Posted Mar 19, 2015
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Reviewed by
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Reviewed by
Kenneth Turan
A more effective, adult-friendly film than its predecessor.- Los Angeles Times
- Posted Mar 19, 2015
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Reviewed by
Kenneth Turan
Don't mistake a lack of flash for an absence of substance. The story told here couldn't be more significant or more timely.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Michael Rechtshaffen
There's a veil of artifice clinging to every aspect of The Lovers, a thoroughly unconvincing time-traveling epic costume drama pairing a miscast Josh Hartnett and Bollywood beauty Bipasha Basu.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Gary Goldstein
A lovely and touching third act helps make up for a wobbly, at times convoluted first hour in the quirky fantasy-dramedy Walter.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Sheri Linden
The action unwinds with the mechanical artifice of a creaky play, though Nadda creates a few strikingly cinematic moments.- Los Angeles Times
- Posted Mar 12, 2015
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Martin Tsai
Rather than evincing any expertise or affinity for the genre, Wolsh's effort seems glib and hollow.- Los Angeles Times
- Posted Mar 12, 2015
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Michael Rechtshaffen
This portrait of strong, independent women grappling with change in their individual lives holds initial allure, but the effect proves ephemeral.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Betsy Sharkey
Despite Almereyda's invention in approaching this tawdry Shakespearean tale, he misfires badly. All that is left is the semblance of Cymbeline.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Gary Goldstein
A muddle of tired themes, bad behaviors and gruesome set pieces.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Gary Goldstein
The gimmick is marginally amusing as Max tests it out in ways both naughty and nice. But so many holes, questions and contradictions arise that it's hard to square the rules of the game.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Robert Abele
Champs is all over the place and at times too polished for its own good — too many celebrity fan testimonials when more insider insights would have helped. But it comes from a place of caring for an oft-maligned sport.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Michael Rechtshaffen
[A] smart, relentlessly chilling thriller that opts for originality over cheaply rejiggered jolts.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Kenneth Turan
Rife with familiar elements given something of a different spin, Run All Night manages to leave you out of breath but hungry for more.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Kenneth Turan
Once the singer-songwriter model became the norm for the rock business, the Wrecking Crew's star began to wane, but seeing this film makes it clear what its members accomplished in their prime.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Betsy Sharkey
As pure of heart as its heroine, Cinderella floats across the screen like a gossamer confection, full of elegant beauty and quiet grace.- Los Angeles Times
- Posted Mar 12, 2015
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Reviewed by
Michael Rechtshaffen
While the end result feels a tad overstuffed at 92 minutes, it's entirely understandable if, after more than half a century of being identified as "that guy," Miller's in no hurry to relinquish the spotlight.- Los Angeles Times
- Posted Mar 5, 2015
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Sheri Linden
An Honest Liar isn't simply a career recap or a fond portrait; the movie takes exhilarating turns as directors Justin Weinstein and Tyler Measom follow present-day developments in Randi's personal life.- Los Angeles Times
- Posted Mar 5, 2015
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- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Michael Rechtshaffen
[A] stirring, tenderly observed French documentary- Los Angeles Times
- Posted Mar 5, 2015
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Martin Tsai
There are tangible improvements in the techniques of writer-director Terron R. Parsons. But some of the nagging plot holes remain unresolved.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Martin Tsai
Even if you do manage to make sense of the plot, it still doesn't make the film any more watchable.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Michael Rechtshaffen
Strip away all the flimsy copycat stuff, including the cheesy retro synth score, and what lurks beneath is a perceptive portrait of contemporary thirtysomething relationships, no silly sleuthing required.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Gary Goldstein
Writer-director Zak Hilditch, with a strong assist from cinematographer Bonnie Elliott (who's bathed her frames in a kind of eerie sulfuric yellow), has crafted an urgent yet strangely simple and humanistic doomsday scenario.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Martin Tsai
Otherwise fairly routine, the film draws fear from ancient mythology and historical grudges in a way more reminiscent of Japanese horror than its American contemporaries. Had Ojeda delved into that a bit more, he could have really set the film apart.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Robert Abele
It's the movie's slow drift toward happiness, though, when Bruce meets a widow (Diane Farr) with a sweetly razzing sense of humor that spurs a more refreshing less patently abrasive comedy from Carolla.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Sheri Linden
The setting is striking, the cast impressive. But Two Men in Town, a drama that's built on dread and circles the question of redemption for a newly released prisoner, falls short of the mythic territory it aspires to.- Los Angeles Times
- Posted Mar 5, 2015
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Reviewed by
Sheri Linden
The wan drama is enlivened by bursts of black comedy, some bits more effective than others, and though it ultimately disappoints, there's promise in the understated creepiness of Riley Stearns' debut feature.- Los Angeles Times
- Posted Mar 5, 2015
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