Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. Playful in unexpected ways and graced with a genuinely off-center sense of humor, Ant-Man (engagingly directed by Peyton Reed) is light on its feet the way the standard-issue Marvel behemoths never are.
  2. Director and co-writer Thomas Lilti's mistake, though, is thinking the bland Benjamin's coming of age concerns are worth so much screen time. The sturdier character study in Hippocrates is of soulful, beleaguered Algerian-born Abdel (Reda Kateb).
  3. Holdridge and Saasen simply lack the acting chops to carry their feature, leaving them with a scenic but indulgent selfie of a big-screen romance.
  4. Plot holes aside, the filmmakers provide enough well-timed jumps and energetic moments to keep the highly contained picture afloat.
  5. Although Michael J. Kospiah's script isn't exactly predictable or didactic, it does feel contrived and improbable on occasion.
  6. Writer-director-star David Thorpe attempts to probe the whys and wherefores of what he calls the stereotypical "gay male voice," but he ends up crafting a naval-gazing self-portrait that's unflattering, inconclusive and, at times, a bit specious.
  7. With a witty and efficient script by director Sean Baker and co-writer Chris Bergoch, Tangerine peels back the curtain on a fascinating Los Angeles microculture.
  8. Though Kidman is solid as a wife and mom tormented by her daughter's secret erotic life, Strangerland never successfully welds its central mystery with its psychosexual drapings, leaving neither especially interesting.
  9. Marques-Marcet, co-writer Clara Roquet and the actors are alert to something less obvious: the ways that they become self-conscious performers. Even though the characters aren't always likable, their pained awareness is poignant.
  10. A depressingly slick and empty house of cards that collapses under the weight of its muddled intentions.
  11. If the key to price in real estate is "location, location, location," the key to success in vérité-style documentaries is "access, access, access." Which is what Cartel Land has in compelling amounts.
  12. Minions' all-silliness all-the-time philosophy will put a smile on faces and keep it there, like a fizzy beverage on a hot afternoon.
  13. Its oddball colors and willful wanderings betray a sweet, savory, uncompromising air that showcases Russell's uniquely fused brand of American harmony with rascally ebullience.
  14. Unfortunately, the human relationships depicted here are less credible than the solid special effects.
  15. At its best, A Borrowed Identity concerns itself with the malleability of self, with who we are and how society and culture can force identity choices on us.
  16. Whatever your feelings on capital punishment, A Murder in the Park has a gripping story to tell about, oddly enough, the corrosive effects of storytelling on the justice system when it gets the best of reasoned minds.
  17. With admirable economy, writer-director Billy Senese has crafted an eerie piece that's as much an effective cautionary tale as it is a stirring film of ideas — and ideals.
  18. The luminous Garrett shines as Brenda, emerging from her shell. Hauptman manages to sand down David's spiky edges. The supporting characters, unfortunately, are two-dimensional and less charismatic.
  19. The heartland drama Jackie & Ryan may prove too low-key and deliberately paced for less patient viewers, but distinct pleasures are to be had from this compactly shot film's easy rhythms, affecting tone and nicely modulated performances.
  20. A story that might have been alive with messy complexity is instead genial and polite.
  21. Amy
    It is the achievement of Amy, Asif Kapadia's accomplished, quietly devastating documentary, that it makes the story of this troubled and troubling individual surprisingly one of a kind by allowing us to, in a sense, live her life along with her.
  22. This evangelical "Dear America: Letters Home From Vietnam" by way of "The Dukes of Hazzard" takes a mighty ridiculous route to righteousness.
  23. Terminator Genisys could be Exhibit A in why the current line of thinking in Hollywood regarding sequels/reboots/remakes often leads to terrible decisions and worse films.
    • 69 Metascore
    • 80 Critic Score
    The movie is as entertaining as it is educational.
  24. Although Beef and Conan are far from stereotypical, the quirkiness and eccentricities ascribed to them by writer-director Kenny Riches harp on their otherness all the same.
  25. The film's oddball assortment of broadly played characters feel like sketch comedy escapees stretched beyond their limits, an attempt to fill the demands of a feature-length canvas.
  26. Laughter can break down barriers, but don't count on director Matthew Ladensack to help bridge differences.
  27. Rarely do you sense that any key performer was ever in the vicinity of a real animal.
  28. A documentary that shouldn't have to be made, about a law that needn't exist, explored via a crime that could have been avoided: 3 1/2 Minutes, Ten Bullets is a thought-provoking, mournful experience, perhaps more so in the wake of the killings in Charleston, S.C.
    • 74 Metascore
    • 70 Critic Score
    The pace can feel plodding, but the observations on human frailty and redemption more than make up for it. Despite forays into the head, it's the movie's heart that makes it special.

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