Los Angeles Times' Scores

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For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,706 out of 16536
  2. Mixed: 5,813 out of 16536
  3. Negative: 2,017 out of 16536
16536 movie reviews
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  1. Eisenstein in Guanajuato
    Greenaway's boundary-pushing, breathlessly in-your-face approach begins to take its toll on viewer patience.
  2. Monday at 11:01 A.M.
    Agron's screenplay and Harvey Lowry's direction seem more concerned with scattering bread crumbs than fashioning credible characters and an engaging story.
  3. The Pack
    While Robertson throws in too many cheap jump-scares, he mostly does well by Green's script, coaxing strong performances from the cast and making sure the viewers feel a sickly dread every time some creature is growling and scratching at the ranch-house door.
  4. Tumbledown
    Tumbledown sees its good intentions undermined by cloying sitcom conventions.
  5. Troublemakers: The Story of Land Art
    Revolutionary zealots who did not necessarily get along with each other, the temperamental creators of land art took themselves very seriously. But as "Troublemakers" convincingly demonstrates, the work they produced justified their attitude.
  6. 4th Man Out
    Old stereotypes are trotted out for humor's sake, and it's not a question of offensiveness, just that the jokes feel 10 years old.
  7. Rams
    Rams is so much its own film that figuring out where its unusual, unpredictable plot will end up is difficult if not impossible.
  8. Hail, Caesar!
    The great thing about Hail, Caesar! is that it is fun whether you get all its references or not.
  9. The Choice
    There's such mechanical artifice at work that it's hard to do more than squirm and groan at the couple's ultimate travails.
  10. Jane Got a Gun
    Jane Got A Gun may not have reinvented the wagon wheel, but it rolls out as a sturdy, well-crafted genre piece despite its rocky road to the screen.
  11. Fifty Shades of Black
    "Black” foregoes too much scene-setting, chronology and logic to stand completely on its own. As a piece of cultural criticism, however, it painstakingly eviscerates nearly every scene in “Grey” and skewers latent sexism, classism and ludicrous sexual innuendoes, as well as the original’s numerous plot holes.
  12. Jim: The James Foley Story
    Foley's family members, colleagues and prison cell mates vividly recount his 2011 imprisonment in Libya, his difficulty reacclimating to home life in sleepy New England after his release, before leaving again for Syria and enduring imprisonment by ISIS.
  13. In the Shadow of Women
    Like his previous feature, "Jealousy," the film is shot in sumptuous black-and-white and revolves around artistic Parisians. But in its elegant almost threadbare simplicity, it's a more effective story, anchored by three persuasive performances and a sly sense of irony.
  14. Rabid Dogs
    Although the original sometimes looked like a bunch of loosely connected scenes, this Rabid Dogs feels more purposeful.
  15. Portrait of a Serial Monogamist
    Despite a few inspired moments and some fun banter, Portrait of a Serial Monogamist is a slight, often random lesbian comedy that offers little new in the way of authentic depth or enlightenment.
  16. Mountain Men
    Tyler Labine, known for his comedic work, contributes a fine dramatic performance tinged with comedy, and Crawford is equally as good. A smart script deftly opens and builds upon itself in a controlled slow burn.
  17. The Finest Hours
    This tale of nautical derring-do has several things going for it to counteract the inherent obviousness of the material. These include a director who knows his way around this kind of material, special effects work that makes the peril fearfully alive, and a pip of a true story of what is considered as daring a rescue mission as the U.S. Coast Guard ever attempted.
  18. Kung Fu Panda 3
    A beautifully rendered, lovingly constructed action-comedy that's sure to please kids and adults alike.
  19. Exposed
    It’s hard to imagine how anything salvageable could have been made out of [Gee Malik Linton's] comically pretentious script with its heavily religious overtones and plotting that grows more ridiculous by the minute.
  20. JeruZalem
    JeruZalem is just a wobble-a-thon with incessant screaming and a predictable trajectory for its leading ladies, even if the final, arresting image of a malevolently transformed skyline makes one wish a more enticing, original road had led there.
  21. The Abandoned
    Streak and Cooper are meagerly drawn characters, first-draft dialogue abounds, and the story proves more tedious and head-scratching as it goes.
  22. The Boy
    If only writer Stacey Menear and director William Brent Bell took the very real horrors of domestic abuse as seriously as they do the virtual horror of paranormal activity.
  23. Dirty Grandpa
    Bright spots are found in the supporting cast.... They just are not enough to pull "Dirty Grandpa" out of its ill-conceived and poorly executed gutter.
  24. Yosemite
    Although evocative and nicely observed, the coming-of-age drama Yosemite ultimately proves too low-key and elliptical to make much of an impression.
  25. Synchronicity
    After an hour or so of bad noir dialogue and convoluted plotting, viewers may wish they could jump back in time and watch something else.
  26. Prescription Thugs
    Despite [Bell's] casual aura, the filmmaker is eloquent and thoughtful. He argues that Big Pharma merely services consumer demand for quick fixes with "magic" pills, bringing his cautionary tale full circle.
  27. Monster Hunt
    While individual sequences are genuinely entertaining, Monster Hunt remains considerably less than the sum of its many parts.
  28. Mojave
    Prickly, suspenseful, even coolly humorous, Mojave finds noirish fun in the existential woes of a successful artist and old-fashioned movie pleasure in the parry and thrust of sharp dialogue.
  29. Martyrs
    The movie feels like a thin excuse to show image after image of women being abused. This Martyrs has the bones of its predecessor, but it's been bled dry.
  30. Aferim!
    Aferim! conjures a world in flux. From the ironic "Bravo!" of its title to its Chekhovian final moment after an episode of terrible brutality, Jude's film connects that world, unforgettably, to our own.
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