Los Angeles Times' Scores

For 16,535 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16535 movie reviews
  1. This is surely the nerviest, most confrontational treatment of race in America to emerge from a major studio in years, and it brilliantly fulfills the duty of both its chosen genres — the horror-thriller and the social satire — to meaningfully reflect a culture’s latent fears and anxieties.
  2. An involving examination of and tribute to the art and agony of stand-up comedy, "Dying Laughing" will leave you convinced that a) comedians spend a lot of time thinking about their work and b) it's too difficult and even painful a vocation to take on unless you absolutely feel it as a calling.
  3. As unexpectedly enchanting as its title is initially perplexing, My Life as a Zucchini is short but oh so satisfyingly bittersweet, an example of the kind of movie magic that's always hard to find.
  4. Ghost of New Orleans, by Serbian director Peter (Predrag) Atonijevic, is a laughably pretentious crime caper-supernatural thriller hybrid that comes up woefully lacking on both fronts.
  5. Strong lead performances and a startling twist juice up the found-footage exercise VooDoo, which squeezes unexpected novelty from an exhausted subgenre.
  6. Though it’s often too quirky for its own good and its bumpy narrative structure can be jarring, the film sneaks in quite a bit of depth and emotional punch.
  7. Writer-director Park Kwang-hyun certainly keeps the visual energy aloft with its frantic genre-splicing, but the over-the-top approach ultimately plays out like several years’ worth of Super Bowl commercials strung out end to end.
  8. Gael García Bernal is the most charming of actors, and one of the pleasures of his satisfying You're Killing Me Susana is watching him display that quality in a decidedly subversive way.
  9. XX
    It’s fascinating to observe how the feminine perspectives of XX create four powerfully compelling and original horror tales that operate within the genre while testing the boundaries of traditional storytelling and style.
  10. The surfeit of familiar faces is a poor substitute for Steinbeck’s psychological astuteness, his rich understanding of the way human beings respond, individually and collectively, when they are backed into a corner.
  11. Newton draws us persuasively into the sheer normalcy of his characters’ world — and forces us to imagine the feeling of having that normalcy suddenly ripped away.
  12. Whatever license the word “fable” grants Hamilton, it doesn’t redeem the narrative muddle. But there’s an undeniable gutsiness to her filmmaking. The American dreamscape she creates is memorably unsettling.
  13. The terrors we see in A Cure for Wellness are never as scary as they are beautiful, but they are never so beautiful as they are arbitrary.
  14. While you don’t have to be crazy about cats to enjoy this documentary, it would certainly help.
  15. For much of its fast-paced running time, the film, which involves an after-school fight between two polar-opposite teachers, is just amusing enough to make up for its sheer preposterousness.
  16. If ever a film was made with more money than sense, this is it.
  17. Just when you think the film has gratefully escaped its most inevitable turn, it goes there, adding one final kernel of corn to this ho-hum horse tale.
  18. Growing Up Smith is a well-intentioned fizzle that misses what should have been an easily reachable mark.
  19. Tighter pacing, more dimensional and compelling characters, and twistier consequences could have helped better propel this dark, semi-intriguing tale.
  20. It’s an overwhelming, and sometimes disorganized firehose of information.... Ultimately, however, I Am Jane Doe is a powerful call to action to protect children over profit.
  21. Plenty of first-time feature filmmakers have combined grubby genre kicks with more personal concerns; but there’s a confidence and energy to “Stray Bullets” that compensates for the rather rudimentary, over-familiar story.
  22. This is a surprisingly dull and tedious affair where nothing is even remotely plausible, the romance and the sex least of all.
  23. The film can’t quite figure out how to wrap up, overstaying its welcome with multiple resolutions, but its heart is in the right place, using fantasy to reveal poignant truths about empathy and redemption.
  24. Filmmaker and Columbia professor Joseph, and playwright Beaty, in his feature writing and acting debut, infuse the movie with an intense New York City realism and an evocative street poetry that conjure up early John Cassavetes and Spike Lee.
  25. Unfortunately, the film doesn’t fully explore its big ideas or give its talented cast dialogue to match.
  26. The Adventure Club is a remarkably dull Canadian tween caper about a sought-after magical ancient box with wish-making powers.
  27. This movie is still, ultimately, a generic shocker. But the amount of care lavished on the character-building and scene-setting is impressive, even if it doesn’t add up to much.
  28. It’s a taut, if somewhat hysterical, cycle of bait and switch, twists and turns, retribution, vengeance and mental torture payback for immature mind games with deadly results.
    • tbd Metascore
    • 50 Critic Score
    A reveal about the nature of the building and its violence works initially, but is never fully explored. There are some truly disgusting kills, making sure that horror fans who thirst for blood will get their fill.
  29. The movie may look like disposable goods — it’s a sequel, a shoot-’em-up, starring an actor too often treated as a punchline — but it is also a connoisseur’s delight, a down-and-dirty B-picture with a lustrous A-picture soul.

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