For 16,535 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,705 out of 16535
-
Mixed: 5,813 out of 16535
-
Negative: 2,017 out of 16535
16535
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Justin Chang
This is surely the nerviest, most confrontational treatment of race in America to emerge from a major studio in years, and it brilliantly fulfills the duty of both its chosen genres — the horror-thriller and the social satire — to meaningfully reflect a culture’s latent fears and anxieties.- Los Angeles Times
- Posted Feb 23, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
An involving examination of and tribute to the art and agony of stand-up comedy, "Dying Laughing" will leave you convinced that a) comedians spend a lot of time thinking about their work and b) it's too difficult and even painful a vocation to take on unless you absolutely feel it as a calling.- Los Angeles Times
- Posted Feb 23, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
As unexpectedly enchanting as its title is initially perplexing, My Life as a Zucchini is short but oh so satisfyingly bittersweet, an example of the kind of movie magic that's always hard to find.- Los Angeles Times
- Posted Feb 23, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Ghost of New Orleans, by Serbian director Peter (Predrag) Atonijevic, is a laughably pretentious crime caper-supernatural thriller hybrid that comes up woefully lacking on both fronts.- Los Angeles Times
- Posted Feb 17, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Noel Murray
Strong lead performances and a startling twist juice up the found-footage exercise VooDoo, which squeezes unexpected novelty from an exhausted subgenre.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Though it’s often too quirky for its own good and its bumpy narrative structure can be jarring, the film sneaks in quite a bit of depth and emotional punch.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Writer-director Park Kwang-hyun certainly keeps the visual energy aloft with its frantic genre-splicing, but the over-the-top approach ultimately plays out like several years’ worth of Super Bowl commercials strung out end to end.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Gael García Bernal is the most charming of actors, and one of the pleasures of his satisfying You're Killing Me Susana is watching him display that quality in a decidedly subversive way.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Katie Walsh
It’s fascinating to observe how the feminine perspectives of XX create four powerfully compelling and original horror tales that operate within the genre while testing the boundaries of traditional storytelling and style.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
The surfeit of familiar faces is a poor substitute for Steinbeck’s psychological astuteness, his rich understanding of the way human beings respond, individually and collectively, when they are backed into a corner.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
Newton draws us persuasively into the sheer normalcy of his characters’ world — and forces us to imagine the feeling of having that normalcy suddenly ripped away.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Sheri Linden
Whatever license the word “fable” grants Hamilton, it doesn’t redeem the narrative muddle. But there’s an undeniable gutsiness to her filmmaking. The American dreamscape she creates is memorably unsettling.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
The terrors we see in A Cure for Wellness are never as scary as they are beautiful, but they are never so beautiful as they are arbitrary.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
While you don’t have to be crazy about cats to enjoy this documentary, it would certainly help.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
For much of its fast-paced running time, the film, which involves an after-school fight between two polar-opposite teachers, is just amusing enough to make up for its sheer preposterousness.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
If ever a film was made with more money than sense, this is it.- Los Angeles Times
- Posted Feb 16, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Just when you think the film has gratefully escaped its most inevitable turn, it goes there, adding one final kernel of corn to this ho-hum horse tale.- Los Angeles Times
- Posted Feb 10, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Growing Up Smith is a well-intentioned fizzle that misses what should have been an easily reachable mark.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Tighter pacing, more dimensional and compelling characters, and twistier consequences could have helped better propel this dark, semi-intriguing tale.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Katie Walsh
It’s an overwhelming, and sometimes disorganized firehose of information.... Ultimately, however, I Am Jane Doe is a powerful call to action to protect children over profit.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Noel Murray
Plenty of first-time feature filmmakers have combined grubby genre kicks with more personal concerns; but there’s a confidence and energy to “Stray Bullets” that compensates for the rather rudimentary, over-familiar story.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
This is a surprisingly dull and tedious affair where nothing is even remotely plausible, the romance and the sex least of all.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Katie Walsh
The film can’t quite figure out how to wrap up, overstaying its welcome with multiple resolutions, but its heart is in the right place, using fantasy to reveal poignant truths about empathy and redemption.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Filmmaker and Columbia professor Joseph, and playwright Beaty, in his feature writing and acting debut, infuse the movie with an intense New York City realism and an evocative street poetry that conjure up early John Cassavetes and Spike Lee.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Kimber Myers
Unfortunately, the film doesn’t fully explore its big ideas or give its talented cast dialogue to match.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
The Adventure Club is a remarkably dull Canadian tween caper about a sought-after magical ancient box with wish-making powers.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Noel Murray
This movie is still, ultimately, a generic shocker. But the amount of care lavished on the character-building and scene-setting is impressive, even if it doesn’t add up to much.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
-
Reviewed by
Katie Walsh
It’s a taut, if somewhat hysterical, cycle of bait and switch, twists and turns, retribution, vengeance and mental torture payback for immature mind games with deadly results.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by
-
- Critic Score
A reveal about the nature of the building and its violence works initially, but is never fully explored. There are some truly disgusting kills, making sure that horror fans who thirst for blood will get their fill.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
-
Reviewed by
Justin Chang
The movie may look like disposable goods — it’s a sequel, a shoot-’em-up, starring an actor too often treated as a punchline — but it is also a connoisseur’s delight, a down-and-dirty B-picture with a lustrous A-picture soul.- Los Angeles Times
- Posted Feb 9, 2017
- Read full review
-
Reviewed by