For 16,533 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,703 out of 16533
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Mixed: 5,813 out of 16533
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Negative: 2,017 out of 16533
16533
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lorraine Ali
The 100-minute film does a phenomenal job detangling the numerous scenarios that led to Syria’s civil war and current bloodbath, dispelling the notion that this conflict is too complicated for those not versed on the Middle East to understand.- Los Angeles Times
- Posted May 18, 2017
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Noel Murray
The film as a whole doesn’t make a lot of sense, but from moment to moment it is effectively visceral and raw. It’s compelling almost by accident.- Los Angeles Times
- Posted May 18, 2017
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Gary Goldstein
At its heart, the film is a kind of mystical fairy tale whose messages of belief, endurance, family and belonging transcend its memorably specific people and setting.- Los Angeles Times
- Posted May 18, 2017
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Robert Abele
As an ensemble movie, The Commune isn’t the most gripping, but when it zeroes in on Dyrholm’s affecting portrayal, it’s like Tolstoy’s famous line about the uniqueness of unhappy families, poignantly adapted for group living.- Los Angeles Times
- Posted May 18, 2017
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Reviewed by
Katie Walsh
The film is a fascinating and sometimes terrifying introduction to ayahuasca. Surreal sequences mimicking the hallucinogenic experiences during the ceremonies are unnecessary and pale in comparison to the real transformation we witness.- Los Angeles Times
- Posted May 18, 2017
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Katie Walsh
The film articulates a concept of universal humanity. No matter the religion or circumstances, we all have the same desires for peace and connection throughout life.- Los Angeles Times
- Posted May 18, 2017
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Katie Walsh
The camera work is meticulous and exquisite in its expression, creating a sense of tense foreboding throughout, linking characters and images with a creepy omniscience.- Los Angeles Times
- Posted May 18, 2017
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Reviewed by
Gary Goldstein
An intriguing audio-visual sense, deft editing and Shawkat’s committed performance elevate this strangely watchable film.- Los Angeles Times
- Posted May 18, 2017
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Justin Chang
This movie may be a convulsively entertaining throwback to Scott’s glory days, but to look upon Fassbender, with his icy and seductive post-human gaze, is to behold this franchise’s future.- Los Angeles Times
- Posted May 17, 2017
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Reviewed by
Michael Rechtshaffen
Rather than pulling the viewer in, all the inter-cutting between the barren stage and the barren desert ultimately has a distancing, artificial effect that waters down much of the dramatic potency generated by the shared experience of a live performance.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Jen Yamato
Despite Donahue’s best efforts in a grand finale sleep session with life-or-death stakes, the premise never lives up to its promise.- Los Angeles Times
- Posted May 11, 2017
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Sheri Linden
Their personal story is no less fascinating than their experiences working on hundreds of movies, together and separately.- Los Angeles Times
- Posted May 11, 2017
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Katie Walsh
The refreshing element is that the story resists normative fantasies of sex or romance — in Paris Can Wait, Coppola focuses on the relationship to the self.- Los Angeles Times
- Posted May 11, 2017
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Justin Chang
Riveting in its slow and steady accretion of details, its penetrating and richly textured gaze, A Woman’s Life is a bracing reminder that our experiences are often shaped less by what we achieve than by what we endure.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Kimber Myers
Urban Hymn is so carefully and lovingly made by director Michael Caton-Jones and his leads that it’s hard to begrudge the British drama its familiar premise, especially as you squint at the screen through tears.- Los Angeles Times
- Posted May 11, 2017
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Jen Yamato
Young’s vision of quiet middle-class mayhem, drawn from the three-handed struggle between young Vicki and her tormentors, is bold and unflinching.- Los Angeles Times
- Posted May 11, 2017
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Justin Chang
Snatched may represent a failure of sensitivity, but it’s an even greater failure of nerve.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Glenn Whipp
With Grace’s sure hand and the strong work of lead actors Wyatt Russell and Alex Karpovsky, Folk Hero & Funny Guy is the kind of road trip movie where it’s a pleasure to ride shotgun.- Los Angeles Times
- Posted May 11, 2017
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Michael Rechtshaffen
[An] endlessly fascinating, bracingly up-to-the-minute Netflix documentary.- Los Angeles Times
- Posted May 11, 2017
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Robert Abele
Angkor Awakens won’t wow you with artfulness, but as an analytical narrative of tragedy, testimony and a way ahead, it has an undeniable power.- Los Angeles Times
- Posted May 11, 2017
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Sheri Linden
Whether as a constructor of large-scale enchantments or a notorious conceptualist, he emerges in this portrait as sincerely searching.- Los Angeles Times
- Posted May 11, 2017
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- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Justin Chang
Somehow hectic and lumbering, diverting and dispiriting all at once, this mud-toned medieval pulp largely cleaves to the spirit of Ritchie’s “Sherlock Holmes” series, reducing a fabled figure of British lore to two hours of tough-guy swagger and head-pounding digital thwackery.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Gary Goldstein
A handsomely mounted if largely melodramatic affair that gains steam as it gives way to truer emotions and bits of veiled humor.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Gary Goldstein
Director Paolo Virzì, who co-wrote with Francesca Archibugi, keeps the jam-packed film moving apace with a whirlwind of high-wire emotionality, memorable set pieces and vivid location work.- Los Angeles Times
- Posted May 11, 2017
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Kimber Myers
[Pappas] and co-director and co-writer Jeremy Teicher have created a funny, sweet movie that explores the struggles of a serious athlete without alienating those whose sneakers are gathering dust in the closet.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Noel Murray
Violet never progresses. It’s just one long, slow wallow. That said, Devos and cinematographer Nicolas Karakatsanis devise so many striking images that the movie is always a pleasure to watch.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Noel Murray
Granted, there’s not much reason to watch this Whisky Galore! so long as the 1949 version still exists. But it’s clear that everyone involved with this production had genuine affection for the material and for the very idea of old Scotland as a genteel utopia populated by kindly tippler- Los Angeles Times
- Posted May 11, 2017
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Robert Abele
It’s dispiriting to watch Lowriders make every predictable move. It clutters an otherwise well-meaning snapshot of a vibrant community underserved by mainstream filmmaking.- Los Angeles Times
- Posted May 11, 2017
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Reviewed by
Noel Murray
This movie ultimately lacks the characters and imagination to make it anything more than a passable entertainment.- Los Angeles Times
- Posted May 5, 2017
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Reviewed by