For 16,533 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,703 out of 16533
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Mixed: 5,813 out of 16533
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Negative: 2,017 out of 16533
16533
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Abele
In leaving out the rasp of life from this unusual story, Breathe too often feels like a mechanized exhale.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Kenneth Turan
Made with passion, integrity and skill, Blood Stripe is American independent filmmaking at its most effective. It takes on a difficult subject and treats it with an honesty that can't help but capture us from start to finish.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Michael Rechtshaffen
While Harnett’s a real trooper and stuntman-turned-filmmaker Scott Waugh (“Act of Valor”) establishes an effectively bone-chilling milieu heightened by an immersive sound design that keeps those whipping winds and howling wolves in uncomfortably close proximity, the embellishments fail to create crucial suspense.- Los Angeles Times
- Posted Oct 12, 2017
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Gary Goldstein
The film rarely soars with the kind of authentic spirit and passion needed to fully sell this decidedly old-fashioned material.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Justin Chang
The Smiths may be working on a comparatively modest scale, but it’s precisely that modesty that gives their work its bone-deep authority and humanity, along with a refusal to indulge in violence for its own sake.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Katie Walsh
It’s at once talky yet emotionally remote, and while posing a risky set of questions about sexual abuse, power and relationships, the experience is an unsatisfactory and draining slog.- Los Angeles Times
- Posted Oct 12, 2017
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If you’re looking to enjoy some scares while trying to figure out a clever mystery, don’t miss Happy Death Day.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Justin Chang
You may long for a more disreputable, less buttoned-up telling, but there is something about this one’s sleek, streamlined conventionality that feels both appropriate and pleasing.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Kenneth Turan
While the film is constructed from top to bottom for maximum popular entertainment, it is unwilling to let us leave the theater without reminding us that these battles are far from over.- Los Angeles Times
- Posted Oct 12, 2017
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Gary Goldstein
From the mundane to the eventful, the movie takes a fairly unflinching, yet respectful view of Dina and Scott’s world.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Kenneth Turan
"Meyerowitz” feels very much from the heart. It has an unexpected maturity and warmth, a compassion that seems to reflect Baumbach’s desire to dig as deeply as he can into the myriad conundrums of family life. And, as noted, it is often quite funny.- Los Angeles Times
- Posted Oct 11, 2017
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The film is surprisingly upbeat given the double heartbreak of the two through lines. Much of that can be attributed to Gaborno’s infectious stage presence and his storied sense of humor.- Los Angeles Times
- Posted Oct 11, 2017
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Reviewed by
Noel Murray
Doleac’s forging a niche. His name on a picture is now an indication that genre fans will see something different … though it’s not yet a mark of quality.- Los Angeles Times
- Posted Oct 5, 2017
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- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Katie Walsh
Shanahan shows potential as the hunky but clueless leading man, and Dixon displays a solid point of view with a refreshing perspective centered around women’s success and choices.- Los Angeles Times
- Posted Oct 5, 2017
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Kimber Myers
There’s little fun to be had for the audience other than in some nicely executed special effects.- Los Angeles Times
- Posted Oct 5, 2017
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Robert Abele
For a movie about so rabble-rousing a figure, it’s an unusually quiet portrait.- Los Angeles Times
- Posted Oct 5, 2017
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Katie Walsh
The Legend of 420 captures a zeitgeist, but with so many facets to explore in this survey of contemporary American marijuana culture, it only scratches the surface.- Los Angeles Times
- Posted Oct 5, 2017
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Michael Rechtshaffen
One doesn’t need to be into pugilism or well-versed in Gaelic to appreciate Rocky Ros Muc, a documentary that is as much about roots and identity as it is a portrait of Irish American boxer Sean Mannion.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Gary Goldstein
This gripping exposé of the dark side of the commercial dog sledding industry, particularly as it pertains to Alaska’s annual Iditarod Trail Sled Dog Race, is a horrifying heartbreaker.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Justin Chang
Vaughn’s performance is riveting in its containment, and he honors his character’s ethos by making sure that every word, glance, gesture and silence counts.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Kenneth Turan
Its intent is to show us how difficult it is to see clearly during times of crisis, how what seems as simple as black and white today was the source of uncertainty and soul-searching when it happened.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Sheri Linden
Love of God and dog can be powerful things, but in this uncinematic telling, they fail to inspire.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Kimber Myers
Beyond its style, Dementia 13 doesn’t innovate, but it’s a capably made indie that should please genre fans searching for a haunted diversion.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Michael Rechtshaffen
The overstuffed production feels as tediously incessant as its endless winter.- Los Angeles Times
- Posted Oct 5, 2017
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- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Robert Abele
While Cruz wins us over with her emotionally charged amateur sleuthing, the weight of a constant struggle to not just gain acceptance, but survive fighting for it, gives France’s documentary a stirring poignancy.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Sheri Linden
Celebrating a great ranchera interpreter without sugarcoating her, this straightforward film honors her approach.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Katie Walsh
I Am Another You is a remarkably sensitive and lovely portrait of an individual, a family, and a life that shines an uncommonly humane light on the issues of mental illness and homelessness.- Los Angeles Times
- Posted Oct 5, 2017
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Reviewed by
Sheri Linden
Beneath its quiet surface, the Austin, Texas-set drama Barracuda thrums with menace and mystery from first moment to last.- Los Angeles Times
- Posted Oct 5, 2017
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