Looper's Scores

  • Movies
  • TV
For 169 reviews, this publication has graded:
  • 59% higher than the average critic
  • 1% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Hamnet
Lowest review score: 10 The Electric State
Score distribution:
  1. Positive: 90 out of 169
  2. Negative: 14 out of 169
169 movie reviews
  1. Few artists worth making movies about have led lives that can fit neatly within the confines of a feature film's runtime, but Michael Jackson's in particular feels too Herculean a task to undertake, given the complexities and challenges of his history. Yet "Michael" is an exuberant and entertaining film that sends the viewer home happy, salivating for another installment to stretch the foregone conclusion of its own success. 
  2. I laughed at more jokes than I expected to in The Super Mario Galaxy Movie.
  3. With go-for-broke performances from the always compelling Christian Bale and Jessie Buckley, both of whom can be safely relied upon to bring the weird when asked, The Bride! is fun to watch, even if its narrative leaves something to be desired.
  4. Deeply hopeful, spectacularly produced, and equally adept at laughter and tears, Project Hail Mary is the best new movie to hit theaters so far this year.
  5. If Pixar is now just as formulaic as its Hollywood animation peers, then director Daniel Chong's film is a reminder that a stereotypical crowd-pleaser from this studio is made with enough emotional sincerity and visual inspiration to never feel like cheap product fallen off the factory line.
  6. Good Luck, Have Fun, Don't Die is both a battle cry and a bleak joke about how unregulated technological progress could destroy civilization and break our souls ... if it hasn't already.
  7. In its artful, brilliantly acted exploration of the moment one learns that the world isn't "fair" and how we keep going in the face of evil, Josephine sets a high bar for all movies to come in 2026.
  8. Chaotic in its depiction of the unraveling of a contentious workplace relationship, Send Help is a profoundly unserious thriller that is nevertheless a crowdpleaser.
  9. DaCosta arrives in the world of 28 Years Later with confidence, swagger, and infectious energy, delivering 28 Years Later: The Bone Temple — one of the best horror sequels in recent memory, and a must-see horror film for 2026.
  10. Is The Housemaid a serious movie? No. Is it often bogged down by a clunky script penned by Rebecca Sonnenshine? Yes. Is it sometimes even stupid? Definitely. Is it fun to watch and sure to become a fun staple? Yes, absolutely — thanks to Seyfried and Feig.
  11. Marty Supreme is more than just a vehicle for one of this generation's most vital stars to ball out and push his personal brand. It is one of the most impressive films of the year, an ambitious and exhilarating effort whose biggest sin is fumbling a bit in the finale.
  12. That "Zootopia 2" has anything that will linger in the imagination long after viewing already puts it a league above Disney's other cash-grab sequels, but it effortlessly clears that lowest of bars. It's not perfect, but even the parents dragged along by their kids will be happy to see a third movie — and by modern Disney standards, that is nothing short of miraculous.
  13. The final result of "Wicked: For Good" falls between the best and worst case scenarios: some big worthwhile changes and additions show a smart adaptational instinct, but it's still less entertaining than "Part 1," marred by inconsistent plotting, lackluster humor, and fewer exceptional musical numbers. It's good enough, but I could be happier.
  14. The Running Man is such an enjoyable race while you're running it, but once you make it past the finish line and start reflecting on the experience, it leaves too much to be desired.
  15. Black Phone 2 hits, it hits – and that's the case pretty much as soon as they make it up into the mountains. With clever set pieces that utilize Ethan Hawke to his best advantage as an even more disturbing Freddy Krueger, Black Phone 2 ups the creepiness factor.
  16. It's another triumph from a singular voice in cinema, and another Lanthimos movie you sort of never see coming.
  17. The majority of the movie is great. Funny and zesty, but still with something to say, Good Fortune is a good time even if the ending leaves something to be desired.
  18. Transcending its gimmick status within its opening stretch and only growing more resonant from there, it becomes that rare horror film you could recommend to people who hate the genre — the set pieces are well constructed, but their impact pales next to a haunting, moving story about a dog and his owner. 
  19. A thoughtful meditation on love and grief, Hamnet features career-best performances from Paul Mescal and Jessie Buckley, and is Zhao's most intimate work to date.
  20. Beyond just being clever and unexpected, there's something quietly powerful to this story of truth-seekers in a post-truth world.
  21. It's difficult not to fall in love with all of the characters in the film, and its breezy sense of humor makes Eternity a veritable crowdpleaser.
  22. Rental Family is a clear crowdpleaser with a sense of humor and charm that will make audiences fall in love with it — if they're willing to accept its unvarnished sentimentality, that is.
  23. Taken on its own terms, Frankenstein is a compelling, at times moving, and utterly gorgeous epic. As a fan of both Del Toro and Shelley, I can't help but nitpick the details.
  24. This is a surprisingly sad movie — just one that also happens to be funny.
  25. While the movie does a fine job sending off the Warrens, it lacks some of the charm of its predecessors, and in the end, feels more like a comforting rerun than an exciting new horror effort.
  26. Lawrence and screenwriter J.T. Mollner's take on "The Long Walk" is a reminder of why King's stories have historically been well-suited for the screen, replicating the blend of melancholy, coming-of-age character study, and fatalistic horror that defined the very best adaptations of his work.
  27. Its narrative structure keeps Weapons continually engaging, while its talented cast of actors brings depth to each character, making this one of the best horror films of the year. 
  28. Overall, this is a comedy that doesn't skimp on the sentimental stuff, although it never comes off as cloying or overly sweet.
  29. Doing double duty as both a romcom and a twisted body horror movie is a tonal challenge that "Together" pulls off successfully, in large part thanks to how fun it is.
  30. The film is not exactly exemplary or paradigm shifting, but it is entertaining, heartfelt, earnest, and largely unashamed of its comic book origins.

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