For 3,750 reviews, this publication has graded:
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46% higher than the average critic
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3% same as the average critic
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51% lower than the average critic
On average, this publication grades 8.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 56
| Highest review score: | A Bread Factory Part Two: Walk With Me a While | |
|---|---|---|
| Lowest review score: | Deuces Wild |
Score distribution:
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Positive: 1,540 out of 3750
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Mixed: 1,542 out of 3750
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Negative: 668 out of 3750
3750
movie
reviews
- By Date
- By Critic Score
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- L.A. Weekly
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Reviewed by
Paul Malcolm
Writer-director Avi Nesher and co-screenwriter Roger Berger -- upon whose real-life investigations the film is based -- deliver on the hard-boiled promise of this low-key thriller with plenty of gritty twists and turns.- L.A. Weekly
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Reviewed by
F. X. Feeney
Nearly three and a half hours in length, but owing to its freedom of movement, the film feels weightless.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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Reviewed by
Manohla Dargis
There's never been a movie director like Catherine Breillat, a fearless visionary and one hell of a woman.- L.A. Weekly
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Reviewed by
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Reviewed by
Paul Malcolm
The film's larger, surprisingly mature emotional rhythms are strong enough to pull it through.- L.A. Weekly
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Reviewed by
Paul Malcolm
(Lawrence)'s not just unfunny, he's coarsely anti-funny. The film just lurches from one dull skit to the next without bite or much of a point.- L.A. Weekly
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Hazel-Dawn Dumpert
Aside from isolated flares of unchecked emotion ...Bouquet's Lucie is too far removed from our ken of romance and overriding purpose, or from Berri's for that matter, to be embraced entirely.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Ella Taylor
A film without attitude or mystery...an exquisitely executed, and exquisitely banal, treatise on the banality of evil.- L.A. Weekly
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Reviewed by
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Reviewed by
Paul Malcolm
Unfortunately, none of the characters -- despite the film's strong cast -- ever seems worthy of the attention.- L.A. Weekly
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Reviewed by
John Patterson
There's more than a hint of self-pitying male-castration fantasy in writer-director Jeff Franklin's portrayal.- L.A. Weekly
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Hazel-Dawn Dumpert
Both visually and emotionally, a panoramic picture; Mehta wields a master's hand as she weaves together vistas of urban and pastoral India with thoughts on the nature of man as it keeps cycling out in the specifics of history.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Paul Malcolm
Kusturica's always masterful orchestration of chaos, coincidence and caricature really pays off as a sweet, soulful celebration of old friends, new loves and the mad scramble of life at the fringe.- L.A. Weekly
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Reviewed by
Paul Malcolm
A better title for this flick might have been Astigmatism: Nothing ever comes into focus long enough ... to deliver even the faintest sense of fright.- L.A. Weekly
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Reviewed by
Chuck Wilson
Three leads do their best with simplistic characters.- L.A. Weekly
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Reviewed by
Paul Malcolm
Baldwin's perfectly impacted performance as a tough-love provider (the actor gets some of the best lines in the movie).- L.A. Weekly
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F. X. Feeney
These bantering would-be heroes mostly live at the tops of their voices.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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- Critic Score
Brodie assembles a grab bag of themes formulaic to films about poverty.- L.A. Weekly
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Reviewed by
Ernest Hardy
This hypersleek film is surprisingly lax for its first half... The ending is dumb.- L.A. Weekly
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Reviewed by
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- L.A. Weekly
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Reviewed by
F. X. Feeney
This bright farce is spun from interlocking coincidences that only seem far-fetched.- L.A. Weekly
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Reviewed by
Chuck Wilson
This whole movie is fun, and smart too, a fitting tribute to Jay Ward's original cartoons.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Ernest Hardy
A dark, biting comedy-- funny, smart and full of unpredictable twist and turns.- L.A. Weekly
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Reviewed by
F. X. Feeney
An abbondanza of busy, situation comedy twists that snip one's suspended disbelief and send it crashing like a chandelier.- L.A. Weekly
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Reviewed by