L.A. Weekly's Scores

For 3,750 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 8.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 A Bread Factory Part Two: Walk With Me a While
Lowest review score: 0 Deuces Wild
Score distribution:
3750 movie reviews
    • 46 Metascore
    • 50 Critic Score
    It is in the "serious" moments that the film's sentiments don't ring true.
  1. Writer-director Avi Nesher and co-screenwriter Roger Berger -- upon whose real-life investigations the film is based -- deliver on the hard-boiled promise of this low-key thriller with plenty of gritty twists and turns.
  2. Nearly three and a half hours in length, but owing to its freedom of movement, the film feels weightless.
  3. Lovely, lovely, lovely.
  4. There's never been a movie director like Catherine Breillat, a fearless visionary and one hell of a woman.
  5. The film's larger, surprisingly mature emotional rhythms are strong enough to pull it through.
  6. (Lawrence)'s not just unfunny, he's coarsely anti-funny. The film just lurches from one dull skit to the next without bite or much of a point.
  7. Aside from isolated flares of unchecked emotion ...Bouquet's Lucie is too far removed from our ken of romance and overriding purpose, or from Berri's for that matter, to be embraced entirely.
  8. It's great unruly fun.
  9. It's dirty and delightful, if a tad on the slight side.
  10. Surprises you with a kind of hardheaded romanticism.
  11. A film without attitude or mystery...an exquisitely executed, and exquisitely banal, treatise on the banality of evil.
  12. Unfortunately, none of the characters -- despite the film's strong cast -- ever seems worthy of the attention.
  13. There's more than a hint of self-pitying male-castration fantasy in writer-director Jeff Franklin's portrayal.
  14. Both visually and emotionally, a panoramic picture; Mehta wields a master's hand as she weaves together vistas of urban and pastoral India with thoughts on the nature of man as it keeps cycling out in the specifics of history.
    • 41 Metascore
    • 50 Critic Score
    Manages to be a fun twist-within-a-twist movie.
  15. Kusturica's always masterful orchestration of chaos, coincidence and caricature really pays off as a sweet, soulful celebration of old friends, new loves and the mad scramble of life at the fringe.
  16. A better title for this flick might have been Astigmatism: Nothing ever comes into focus long enough ... to deliver even the faintest sense of fright.
  17. Three leads do their best with simplistic characters.
  18. Baldwin's perfectly impacted performance as a tough-love provider (the actor gets some of the best lines in the movie).
  19. These bantering would-be heroes mostly live at the tops of their voices.
  20. For the most part it delivers the goods.
    • 38 Metascore
    • 30 Critic Score
    Brodie assembles a grab bag of themes formulaic to films about poverty.
  21. This hypersleek film is surprisingly lax for its first half... The ending is dumb.
  22. If only the whole thing were as funny as an Albert Brooks movie.
  23. This bright farce is spun from interlocking coincidences that only seem far-fetched.
  24. This whole movie is fun, and smart too, a fitting tribute to Jay Ward's original cartoons.
    • 53 Metascore
    • 40 Critic Score
    Enough gunfights, vicious beatings, and pissing matches for five films.
  25. A dark, biting comedy-- funny, smart and full of unpredictable twist and turns.
  26. An abbondanza of busy, situation comedy twists that snip one's suspended disbelief and send it crashing like a chandelier.

Top Trailers