L.A. Weekly's Scores

For 3,750 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 8.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 A Bread Factory Part Two: Walk With Me a While
Lowest review score: 0 Deuces Wild
Score distribution:
3750 movie reviews
  1. The Sex Pistols themselves were bloody magnificent.
  2. The alchemy of good acting under the pressure of sublime film sense makes for a miracle in the hearts of the audience.
  3. Worth it, though, for the conviction and ramrod-erect bearing that pros Jackson and Jones bring to their roles.
  4. Where else could this flabby excuse for a women's movie go? Straight to the Oxygen Channel, if it's lucky.
    • 23 Metascore
    • 20 Critic Score
    Even though Ready To Rumble isn't funny or good in any way, there's plenty of softcore gay porn (wrestling), loud music and women with large breasts.
  5. It's bad enough that Australian writer-director Pip Karmel feels she must attempt the alternate-reality gimmick.
  6. A sui generis excursion into sex and race that is by turns terrible...and close to divine.
  7. It's outclassed by the memory of just about every prizefighting flick you've ever seen.
  8. A snappy, delightfully balanced bit of historic whimsy.
    • 24 Metascore
    • 40 Critic Score
    Screenwriter John Pogue and director Rob Cohen expose only the dullness of their own imaginations.
    • 91 Metascore
    • 90 Critic Score
    Leaving the theater, you feel not only as if you've been in a foreign country, but as if you'd gone there inside someone else's skin.
  9. High Fidelity wants to be hip, but it's comically square.
    • 25 Metascore
    • 0 Critic Score
    Complete and utter horseshit.
  10. Catches the volatile beauty of what it was to be alive and politically aware in the early '70s with a rare accuracy and depth.
  11. The performances are revelatory.
  12. True to its source material, this is a movie with the dense, rich texture of a good novel.
  13. A little bit "pi," a little bit "julien donkey-boy," a little bit "Eraserhead," Buddy Boy doesn't equal these, but offers bizarre pleasures of its own.
  14. X
    It's all such a spectacular show.
  15. If the teen in your life drags you along to this movie, act like you're doing him a favor -- and try not to let on that you sort of liked it.
  16. Though it was made before "Run Lola Run," feels like the work of a more seasoned heart and mind.
  17. Doesn't even come close to being a good movie, but it is a lot of fun.
  18. A sexy, hugely enjoyable romp, hedged with lyrical grace notes and intimate detail.
    • 73 Metascore
    • 70 Critic Score
    Blaustein's journey seems not to have shaken his convictions; he still embraces pro wrestling, warts and all.
  19. Fails because it takes itself both too seriously and not seriously enough.
  20. The characters...are so unlikable that one longs for a bit of cheap sentiment if only to make them palatable.
  21. Otherwise fine actors such as Don Cheadle and Gary Sinise spend nearly two hours of film time stand-ing around like department-store dummies mouthing dialogue so wooden it's petrified.
  22. Euro-kitsch of the highest order, which doesn't mean it's necessarily bad, just unnecessary.
  23. Is it possible for a movie to have a worse title? This might not matter so much if the film that followed were any good, but for the most part it's drudgery.
    • 50 Metascore
    • 50 Critic Score
    Ultimately this is a radio drama made into a movie with a single set.
  24. A superb, instructive portrait of an artist at work.

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