L.A. Weekly's Scores

For 3,750 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 8.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 A Bread Factory Part Two: Walk With Me a While
Lowest review score: 0 Deuces Wild
Score distribution:
3750 movie reviews
  1. Laurent's work as an actor serves her well as a director, and she allows her performers the freedom to find each moment’s emotional core. Foster and Fanning are excellent, their chemistry intensified by their characters' shared bitterness and loss of what could have been.
    • 57 Metascore
    • 30 Critic Score
    Ultimately, it's as vapid as (Michael Jordan's) perfume and as disposable as a pair of his Hanes.
  2. Sympathetic, if lackluster.
  3. There are scenes here that fill one with rage or bring tears to the eyes.
  4. My own view is that, like me, the LAPD was defeated by the movie's incestuously proliferating plots. I've seen Dark Blue twice, and I still don't have a handle on all its comings and goings.
  5. More often than not, Two Men Went to War resembles a feature-length episode of "Hogan's Heroes," with the brave but clumsy Brits continually managing to outfox the even more bungling Nazis.
  6. In movies, the young are forever being taken back in time by the old, but what sets apart this low-energy yet ambitious debut feature by writer-director Rodney Evans is the complexity of the questions that journey raises.
  7. Writer-director Carl Colpaert never loses his balance, despite the David Lynchian leap of faith he asks us to make midway, in a twist so bold as to be a backflip. If anything, this extra layer in the story effectively illuminates the moral choices Jesus must navigate.
    • 57 Metascore
    • 70 Critic Score
    Conn is exasperating and heroic in equal measure, an altogether riveting portrait of motherly devotion at its most primal.
  8. The movie cries out for the bawdy, rompy air that filled Richard Lester's "Three Musketeers" movies, and what it gets instead is the same dispassionate "professionalism" that has made Hallström a steady fixture in a Hollywood that could do with an infusion of Casanova's own virile lifeblood.
  9. Neither Waters' funniest film nor, by a long chalk, his most radical. But it is, as promised, a passing of the torch and an article of suitably perverse faith in the next generation of nutso cinéastes.
  10. The sharpness of Eyre's opening, however, ebbs away when he takes up the story of Rudy (Eric Schweig) and Mogie (Graham Greene), two brothers with neatly opposed responses to the reservation grind.
  11. Brotherhood has its goofy side -- it's a sleek, creepily atmospheric popcorn entertainment.
    • 57 Metascore
    • 50 Critic Score
    Gavin’s story is typical teen-faces-bullies-and-gets-girl hokum, while Zerk is like a Mike Judge cartoon character come to life, with a revelatory slapstick performance from the often straight-laced Long.
  12. As social satire, though, the movie is a nonstarter, completely lacking in the zany lunacy of "M*A*S*H" and "Dr. Strangelove," or the whacked savagery of "Catch-22."
  13. Sabu takes an already wildly original concept and launches it toward brilliance.
  14. The cast of the Disney Channel's Lizzie McGuire romped strenuously through a plot that would be old hat as a two-parter on a sitcom.
  15. All might have been forgiven were it not for a needlessly Shyamalanized ending that deserves to earn Wyatt at least 25 years for grand-theft cinema.
  16. The result is the niftiest Bond movie in years -- fresh, funny, and jammed to the rafters with demented stunts, Boys'-Own gadgetry and brazen promiscuity.
  17. Jaron Albertin’s mix of crisp realism and oblique dream logic results in a haunting experience.... Still, while his first feature (shot by Darren Lew) may be gorgeous, the characters in this rural family drama prove so amorphous that their struggles engender detachment instead of empathy.
  18. The uneasy meeting of cultures is mirrored all too well in the stiff and clumsy direction.
  19. It's a pleasure to report that Scream 3 is an absolute riot, jammed with spicy cameos.
    • 56 Metascore
    • 70 Critic Score
    For viewers counting the minutes until opening day, Game 6 provides a quirky cinematic alternative to next week's "Benchwarmers."
  20. Unfunny, charmless and hopelessly ordinary.
    • 56 Metascore
    • 60 Critic Score
    Winter Passing showcases Rapp's clever, conversational dialogue, while Harris, Deschanel, and Will Ferrell - on hand for comic relief as a Christian rocker turned literary bouncer - breathe life into this whimsical, but ultimately conventional, family drama.
  21. The skits are dreadful, the jokes suck.
  22. Although a few moments are hilarious, this would-be romp remains laboriously earthbound when it should be swinging gaily through the trees.
  23. This upscale Harlequin fantasy film works much the same terrain as Douglas Sirk's All That Heaven Allows, a '50s weepy about an affair between an older woman and a younger man, though without an iota of its wit or intelligence.
  24. I love what his films stand for -- inclusivity, tolerance, liberation and fun -- but I’ve always felt about his movies as I do about Monty Python: Half an hour is a riot; an hour and half starts to be a chore.
  25. This ridiculously entertaining sequel is that rare part deux that leaves you hankering for part trois. The action is, in a word, spectacular, but also playful, inventive and witty.

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