For 3,750 reviews, this publication has graded:
-
46% higher than the average critic
-
3% same as the average critic
-
51% lower than the average critic
On average, this publication grades 8.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 56
| Highest review score: | A Bread Factory Part Two: Walk With Me a While | |
|---|---|---|
| Lowest review score: | Deuces Wild |
Score distribution:
-
Positive: 1,540 out of 3750
-
Mixed: 1,542 out of 3750
-
Negative: 668 out of 3750
3750
movie
reviews
-
-
Reviewed by
Ernest Hardy
A fascinating, richly detailed documentary about the legendary queer collective based in San Francisco in the late '60s and early '70s.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Abbey Bender
Early on, sex addiction is called “a gaping hole in the soul” but Unlovable barely has us feel it.- L.A. Weekly
- Posted Nov 1, 2018
- Read full review
-
Reviewed by
-
- Critic Score
Some of his mystical encounters are just too spooky and amazing to reveal here, and Feuerzeig (director of previous documentaries on Jon Hendricks and Half Japanese) weaves them into the story with excellent timing and a psychedelic eye, aided by editor Tyler Hubby and cinematographer Fortunato Procopio.- L.A. Weekly
- Read full review
-
-
Reviewed by
Chuck Wilson
Mountain Patrol: Kekexili is sometimes slow going, yet it builds in power as nature begins to take its toll on the patrol, and its cumulative effects are haunting.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
If only the whole thing didn't collapse in on itself, and quickly become a parody of artistic reach and terminal folly.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
Nunez is a master at rendering emotionally complex, ordinary folk into the kind of unassuming heroes that don't much appear in American films anymore.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
I suspect that Death Proof will throw some of its director's admirers for a loop, though it may be the most revealing thing Tarantino has yet done -- a full-throttle expression of a singular artistic temperament disguised, like so many gems of grindhouses yore, as a glittering hunk of trash.- L.A. Weekly
- Read full review
-
Reviewed by
-
- Critic Score
With its weary disillusionment, The War Tapes shouldn't be criticized for its seeming lack of outrage. Indeed, from the overwhelming grief and anger it uncovers, the film feels appropriately, uncomfortably numb.- L.A. Weekly
- Read full review
-
-
Reviewed by
Hazel-Dawn Dumpert
A modest pleasure, driven by a jumble of Old West signifiers and goofball modern flourishes.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
Simultaneously hilarious and deeply informative thanks to the vibrant personalities at its center.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
The film's almost unbearable portrait of sadness and grief transcends its specific story to speak to the ways in which need, history and presumption tangle, and sometimes destroy, blood ties.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ella Taylor
Under the Skin is distinguished, like so much contemporary Iranian cinema, by the way its striking visuals and strategic use of sound tell the underlying story.- L.A. Weekly
- Read full review
-
Reviewed by
-
- Critic Score
It's a style at once ravishing and mysterious, austere and intimate, carrying with it the suggestion that even cinema may be powerless to invade the most clandestine antechambers of human behavior.- L.A. Weekly
- Read full review
-
-
Reviewed by
Scott Foundas
Making an altogether impressive big-screen directing debut, Jones exudes quiet control over this full-bodied Western, taking pleasure in his measured pacing, mixing somber authority with flashes of surrealist wit and luxuriating in the magnificent, vanishing vistas of his home state.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ella Taylor
There is so much to admire and empathize with in Stephanie Daley that it feels almost boorish to quibble about whether the film needs to come packaged as a murder mystery.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
David Chute
Hitches some of the most irresistible conventions of Hindi movie melodrama to an earnest agenda of social protest.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
It’s a History Channel or PBS special that’s leaped the fence from the boob tube onto the big screen. And it’s riveting.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ella Taylor
With its ludicrous parallels and brisk, funny script (pardon my provincialism, but it sounds all the funnier in Danish), Italian for Beginners is full of larky charm while drawing its emotional vitality from urban loneliness.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Wilson
Nair, who, in this film as in so many others, aims for the beating heart of the predictable movie moment.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
As factoids do-si-do with testimonials from the likes of drinking buddy Sean Penn and fan-boy Bono, the movie all but becomes the very A&E Hagiography for which Bukowski would have had little or no patience.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
The no-frills documentary also makes it clear that Newcombe is the real deal -- both supremely gifted and organically nuts.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Manohla Dargis
A portrait of dispossession so acute that it's caused a few critics to cry, Let her eat cake!- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
The heist at the heart of Inside Man is brilliant, and so is the movie.- L.A. Weekly
- Read full review
-
Reviewed by
-
- Critic Score
Wildly funny bum's rush through the existentially absurd, self-engendered peaks and valleys of the junkie's lament.- L.A. Weekly
- Read full review
-
-
Reviewed by
Ella Taylor
The film is not emotionally subtle, but it is beautifully shot, by cinematographer Declan Quinn, with a grainy, impressionistic eye that mimics a perpetual dance of shards of remembered experience.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Paul Malcolm
With a brisk pace and satiric blend of nostalgia and violence, it's the sharpest, funniest comedy so far this year.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
Under Mangold’s sure if uninspired hand, the new Yuma is reasonably exciting and terse, and, like its predecessor, built around a memorable villain of ambiguous villainy.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ernest Hardy
In this truly retro horror flick, the heroes and heroines don't just quip over the action (though they do get off some funny lines); they're knee-deep in it, and scared sh------.- L.A. Weekly
- Read full review
-
Reviewed by
-
-
Reviewed by
Ella Taylor
Seldom have form, content and cultural sensibility been so excitably aligned as in this fascinating, exasperating film about the unholy marriage of power politics and global business.- L.A. Weekly
- Read full review
-
Reviewed by
-
- L.A. Weekly
- Read full review