There's nothing here that Cradle of Filth haven't done much better elsewhere. [10 Nov 2012, p.55]

They still deliver their challenging music with effortless ease. [[10 Nov 2012, p.54]

He goes from pretty ditties to outright tedium as songs drag on interminably and eventually, unlistenably. [10 Nov 2012, p.53]

Musical joie de vivre courses through Dos!, along with enough variety to ensure this is more than just, um, Uno! Part 2. [10 Nov 2012, p.52]

It's when they channel the early days of '70s metal on the Deep Purple-ish Endless Night that they're at their best.... A little more such magic, and Graveyard would be great. [3 Nov 2012, p.53]

Honor Found In Decay is another milestone in a catalogue which consists of nothing but milestones. [3 Nov 2012, p.53]

It's a little one-dimensional in places, but there's no denying the strength of feeling raging underneath. [3 Nov 2012, p.53]

Brilliant: like all the best bands in the world playing through one broken amp at maximum volume. [3 Nov 2012, p.53]

When it good, Music From Another Dimension! captures Aerosmith in all their shiny, glittering glory.... However, at over an hour in length, the party begins to sag after a while. [3 Nov 2012, p.52]

(Nasty) business as usual, then, from Anaal Nathrakh. [13 Oct 2012, p.54]

It's brighter, somehow more optimistic album, in which sweet melodies surface from growling, howling guitars and a storm of whirling noise. [1 Sep 2012, p.51]

Depth, emotion and spirit seem to infuse everything. [20 Oct 2012, p.52]

Longtime fans won't be disappointed by this hearty sixth effort. [20 Oct 2012, p.54]

An incredibly wholesome listen. [20 Oct 2012, p.54]

Dethalbum III makes for further arse kicking. [20 Oct 2012, p.54]

This remains a feral ball of aggression and loathing. And frankly, we wouldn't want it any other way. [13 Oct 2012, p.54]

It's not quite Destroyer good, but then again, it's not quite Animalize bad either. [13 Oct 2012, p.53]

While For Baltimore proves they can still write a grade A banger when they put their mind to it, too many songs are destined to have "must try harder" stamped on their report card. [13 Oct 2012, p.52]

Floral Green's pleasant, pastoral title belies its 11 jagged cuts. [22 Sep 2012, p.51]

The good news is that the riffs are back. [8 Sep 2012, p.53]

Death metal has rarely sounded as deliciously demented as The Faceless do here. [11 Aug 2012, p.54]

Words such as gorgeous, intricate, haunting, and even magnificent are easily applied across all 10 tracks here. [6 Oct 2012, p.54]

So far so grandiose. Fortunately, Coheed's music mirrors the scope of the project as a whole here. [ 6 Oct 2012, p.54]

Silver Age is a fun ride, then, but it won't warrant racing back for any tine soon. [6 Oct 2012, p.53]

At 72 minutes, it's quite the voyage--but please, don't remain in your seat at all times. [6 Oct 2012, p.53]

All We Love We Leave Behind will sit alongside the very best. [6 Oct 2012, p.53]

Does this all meld together into the cohesive whole of a perfect album? Well, no, not really. But does The 2nd Law represent a band whose only limitations seem to be the high ceiling of their collective imagination? The answer here is an emphatic yes. [6 Oct 2012, p.52]

It's not perfect by any means, but taking this for what it is, Vultures is a gnarly debut effort. [29 Sep 2012, p.52]