Have You Considered Punk Music feels like a missed opportunity to drip the verbal shields and let people all the way in. [30 Jun 2018, p.55]

Throughout, layered vocals sit gloriously atop it all, like a doomed Bruce Dickinson. [16 Jun 2018, p.59]

It feels harsh to criticise a Panic! At The Disco record for being bold and exploring its brash nature to the fullest. ... But there's no getting around the fact this one feels like it could have done with a defter touch and some sonic restraint. [30 Jun 2018, p.53]

Justice For None is an album that delivers Five Finger Death Punch's wallop adequately. 19 May 2018, p.53]

This remastered package in all its various formats is worth buying for the absolute bonanza of extra stuff include wit it. ... At the cene of it all still sit 12 of the most charged, arrogant, piss-and-vinegar songs ever written, perfectly captured, and played by a gang of reprobates genuinely out to take on the entire world. [23 Jun 2108, p.54]

[Trent has] ended up somewhere unique, exciting, and genuinely of his own making. [16 Jun 2018, p.57]

The concentrated excellence on offer should placate any disappointment about the meagre portions. [23 Jun 2018, p.55]

It's an important, thoughtful album that will serve to unite the grief-stricken with a new-found sense of purpose to find some form of healing. [9 Jun 2018, p.53]

In the resultant dizzying whirl of kaleidoscopic guitars and life moving at 100 miles a minute, Culture Abuse sound right at home. [16 Jun 2018, p.58]

A compelling, dizzying blend of chaos, commotion and beauty. [2 Jun 2018, p.55]

The cloud of heaviness that hangs over the whole thing is matched only by the emotion on display, and the momements of beauty once again reveal YOB to be not just another doom outfit, but one of the finest heavy bands on earth. [9 Jun 2018, p.55

From gritty social commentary to '80s metal cheese and retro-futuristic space rock, this is an album that sees Ghost spreading their dark wings. [2 Jun 2018, p.53]

Black Labyrinth is an interesting, if flawed distraction from this icon--though it doesn't justify a 10-year wait. [26 May 2018, p.53]

A deft and skillful trio, here songs such as the effervescent Annabel, the spacious and confident It's A Trap and the irrepressible, bouncing Buzzkill make this point with insouciant ease. [19 May 2018, p.55]

There are a few more stately and sombre moments, like the atmospheric Daggers Of Black Haze, bu this is still At The Gates absolutely owning their sound and their legacy. [19 May 2018, p.55]

A couple of tracks two-thirds of the way through could probably have been left on the side of the road, but Attention Attention concludes just the way it started--with defiant power, immense vocals and thunderous, thirst-quenching melody. [5 May 2018, p.55]

Beautifully arranged and commandingly composed, Be More Kind is a great work from an expert in his craft. [5 May 2018, p.55]

It might not be the Melvins at their most essential, but their status as rock's quirkiest heroes remains irrefutable. [Apr 2018, p.55]

This is the sound of an already killer band distilling their essence and producing a truly spectacular piece of work. [21 Apr 2018, p.55]

Not as romantic as their debut album, or as dynamic as the second, third album proper Eat The Elephant instead comes swathed in captivating coat embroidered by growth and maturation that doesn't unbutton easily. [14 Apr 2018, p.53]

A record that feels completely at ease with itself. [Mar 31 2018, p.53]

America is an odd album, one that requires patience to unlock. [7 Apr 2018, p.54]

Erase Me is not a perfect record, but it is a solid statement from a band who believe they still gave unfinished business to attend to. [7 Apr 2018, p.53]

Used Future comes embedded in a murderous groove and with enough trippy melodies to give off a genuinely psychedelic edge. [17 Mar 2018, p.55]

Reiði is an album that's as difficult to get the measure of at first as its title is to pronounce. But, like any journey worth taking, it's one that rewards involvement and ceaseless exploration. [17 Mar 2018, p.54]

This second self-titled album in a row feels like a new start for Stone Temple Pilots, and they're clearly determined to make it count. [17 Mar 2018, p.55]

The Canterbury quartet have cemented an incredibly engaging style all of their own. [10 Mar 2018, p.55]

Their lengthy hiatus has clearly not dulled Hot Snakes' razor-sharp edge, one bit, making Jericho Sirens a very welcome return. [17 Mar 2018, p.55]