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For 5,181 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
  1. Positive: 3,579 out of 5181
  2. Mixed: 1,335 out of 5181
  3. Negative: 267 out of 5181
5181 movie reviews
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  1. Lenny Cooke
    The Safdies have stood out over the last few years for continually challenging audience expectations even while seeming to adhere to conventional storytelling traditions, and that's certainly true here: You've never seen a sports movie like this before.
  2. The Other Way Around
    In posing substantive questions about the nature of romance and relationships, it’s smarter than virtually any American studio romantic comedy of recent years
  3. Searching
    Despite the specificity of its story and the manner in which its told, the issues at hand remain universal, including David’s struggle to connect with his child and the way paranoia can make even the best friends into the worst enemies.
  4. The Menu
    The Menu does do one thing exceptionally well: it holds your attention and makes you think for a time that any outcome is possible. That alone is something to salivate over.
  5. One Lucky Elephant
    Unlike recent activist documentaries about animal cruelty like "The Cove," Leeman's narrative doesn't feature any real villains. Balding's bond with Flora leaves him in a perpetual state of uncertainty about which possible new home for his elephant would provide the safest habitat.
  6. Homemade
    A dense collection of inquisitive, unpredictable and often life-affirming responses to the pandemic from some of the most astute directors working today, Homemade is pure filmmaking talent in bite-sized pieces that doubles as a lively, scattershot collage of the world in 2020.
  7. Catch the Fair One
    Despite — or perhaps because of — how evocative Reis’ performance can be, Catch the Fair One asks her to fill in too many of its blanks.
  8. Heretic
    If only Heretic were as serious about religion as any of its characters (either for or against), perhaps the movie’s second half wouldn’t be so quick to descend into contrived parlor tricks and too-basic displays of suspense, but Beck and Woods aren’t really in the business of pushing any buttons.
  9. Susanne Bartsch: On Top
    In Anthony and Alex’s capable hands, the Susanne Bartsch legacy endures just as brightly as it began.
  10. Pete's Dragon
    There may be individual shots in this movie that cost more than the director’s entire pre-existing output, but make no mistake: This is a David Lowery movie — a movie imbued with the same tactile nature and uniquely American flair for myth-making that characterized his Sundance breakthrough, “Ain’t Them Bodies Saints.”
  11. Prevenge
    At its best, Prevenge feels like a hilarious distillation of every conflicted, politically incorrect thought that many pregnant women are too polite to share in public.
  12. Ema
    Ema doesn’t always dance to a clear or recognizable beat, but anybody willing to get on its wavelength will be rewarded with one of the year’s most dynamic and electrifying films.
  13. Divines
    This is no simple story of girl power. In fact, it’s arguably less concerned with feminism than it is with the financial realities that impede it from taking root.
  14. The Long Walk
    The Long Walk doesn’t tell you or ask you anything new if you’re feeling pent up with rage by American leadership these days, but the film’s grim commitment to the bit is a rarity for a studio movie: There’s no holding of your hand on this long walk, nor does it read you a bedtime story and tuck you in at the end.
  15. Love+War
    Occasionally, Love + War does suffer from a sense of only skimming the surface of Addario’s life and complexity. . . But on its whole, it’s a smart, compelling documentary, one that sticks out by making its lead refreshingly, vulnerably human.
  16. Spider-Man: No Way Home
    The road to the closing moments of “No Way Home” — both warm-hearted and heartbreaking — might have hit a few bumps, but the darkness is worth it. After all, when was the last time the third film in a franchise got audiences truly thrilled for what comes next?
  17. Ralph Breaks the Internet
    Younger audiences will surely benefit from its messaging, but with such vivid characters it’s entertaining and emotional for all ages.
  18. Mozart's Sister
    For everything that Mozart's Sister imagines, it leaves much more up to imagination.
  19. Proxima
    The drama ramps up to a satisfying final act, and while Winocour and Green don’t splash out on surprises, the emotional value of Proxima soars high above the fray.
  20. Nocturama
    It’s fine that Bonello would rather raise unsettling questions than provide unhelpful answers, but his inquiry often feels every bit as confused as his characters. Nocturama is enthralling until the bitter end, but it’s so hard to distill its purpose that you can’t tell if the film is opaque or if it simply offers nothing to see.
  21. Freeland
    Freeland builds from its humble start to a wrenching conclusion, and eventually coalesces into a poignant, understated character study about the destructive collision of nostalgia and regret — a stoner midlife-crisis drama that fully belongs to the era of legal weed, and what happens when people get screwed by it.
  22. Eternal Spring
    The story of Eternal Spring deserves to be told — but Loftus’ film falls victim to the kind of insidious propaganda members of Falun Gong once tried to fight.
  23. Utoya: July 22
    The film has the power to make our bodies catch up with our hearts — the power to help us safely experience the kind of terror we need to remember in a way that makes it impossible for us to forget.
  24. Memory
    Chastain and Sarsgaard give a pair of haunting, expert performances as damaged people making sense of their own agony together. Franco gets out of the way of his actors without manipulating them.
  25. When Two Worlds Collide
    Listless at times and lacking the killer instinct required to follow through on the emotional toll that the fighting took on its survivors, the documentary is far more insightful about the buildup to bloodshed than it is about the mess that was left behind in its wake.
  26. Edge of Tomorrow
    Edge of Tomorrow is slick, but once its fancy plot dressing takes form, it has little more to offer aside from a few impressive action sequences and the infallible grin of its nimble lead.
  27. Three
    Just like To’s characters all have a little something to learn from each other, Three is a master class in how movies can be as unique and infinite as the people who make them.
  28. The Zen of Bennett
    Recording "Body and Soul" with Bennet only a short period before her death, Winehouse's simultaneously effusive presence not only illustrates her fragility but stands in sharp contrast to the stable work ethic that Bennett has cultivated over the course of his 60-year career.
  29. Wonderstruck
    This is a soul-stirring and fiercely uncynical film that suggests the entire world is a living museum for the people we’ve lost, and that we should all hope to leave some of ourselves behind in its infinite cabinet of wonders.
  30. Rapt
    Progressing with a coldly observational pace, Rapt often strains its drawn-out structure, creating a lethargic experience despite essentially taking the form of a Bressonian suspense-thriller.
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